In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
8 mono mic/line channel inputs, each with:
High-headroom Class A XMAX mic preamplifier
XLR mic and balanced ¼-inch line inputs
60 mm precision fader
4 stereo line channel inputs, with:
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
Unbalanced RCA line inputs (Ch. 13-16)
60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
3-band semi-parametric EQ (individual band on/off)
Full-featured compressor
Standard downward expander
Limiter
Phase reverse (12 mic preamplifiers only)
Pan with dedicated 15-LED display
Stereo link for input channels and aux buses
Highpass filter
One 31-band stereo graphic EQ (on main outputs only)
18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle includes:
PreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®
PreSonus Capture® live-recording software for macOS and Windows
PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®
Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android provides wireless remote control of aux mixes
Ableton® Live Lite
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
Scene and FX Preset recall
Main Volume, FXA, and FXB output levels
FXA and FXB assign/unassign to Mains
Technical Specifications
Microphone Preamp
Type
XLR Female, Balanced
Frequency Response to Direct Output (at unity gain)
20 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Output (at unity gain)
20 Hz-20 kHz, ±0.5 dBu
Input Impedance (Balanced)
1 kΩ
THD to Direct Output (1 kHz at unity gain)
<0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain)
0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
EIN to Direct Output
+125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
-102 dB
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
-95 dB
Common Mode Rejection Ratio (1 kHz at unity gain)
+65 dB
Gain Control Range (± 1 dB)
-16 dB to +67 dB
Maximum Input Level (unity gain)
+16 dBu
Phantom Power (± 2 VDC)
+48 VDC
Line Inputs, Balanced
Type
¼” TRS Female, balanced mono
Frequency Response to Direct Outputs (at unity gain)
10 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs (at unity gain)
20 Hz-20 kHz, 0/-0.5 dBu
Input Impedance
10 kΩ
THD to Direct Output (1 kHz at unity gain)
<0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain)
<0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
-105 dB
S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔
Qu-Pad iPad app for all live mixing controls
Qu-Drive direct multitrack recording/playback on USB drives
15 soft keys
31-band, real-time analyzer (RTA)
Quick copy/paste/reset for parameters
User permissions to restrict operator access
FX, processing, and channel libraries
SQ-Drive for stereo and multitrack recording/playback direct to USB drive
USB transfer of scenes, libraries, shows
Content
Small size. Bigger possibilities.
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
8 mono mic/line channel inputs, each with:
High-headroom Class A XMAX mic preamplifier
XLR mic and balanced ¼-inch line inputs
60 mm precision fader
4 stereo line channel inputs, with:
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
Unbalanced RCA line inputs (Ch. 13-16)
60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
3-band semi-parametric EQ (individual band on/off)
Full-featured compressor
Standard downward expander
Limiter
Phase reverse (12 mic preamplifiers only)
Pan with dedicated 15-LED display
Stereo link for input channels and aux buses
Highpass filter
One 31-band stereo graphic EQ (on main outputs only)
18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle includes:
PreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®
PreSonus Capture® live-recording software for macOS and Windows
PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®
Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android provides wireless remote control of aux mixes
Ableton® Live Lite
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
Scene and FX Preset recall
Main Volume, FXA, and FXB output levels
FXA and FXB assign/unassign to Mains
Dynacord Power Mixer Overview
The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
Made in Germany
In the Box
Dynacord PowerMate3 10-Channel Powered Mixer
Power Cord (6.6′)
DVD with USB Driver & Software
Limited 3-Year WarrantyCg
Dynacord Power Mixer Overview
The PowerMate3 22-ChannelPowered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany
In the Box
Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb.
The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.
Features at a Glance:
16 AnalogiQ recallable preamps
16 onboard mic/line inputs (XLR / TRS)
Expandable up to 38 inputs via dSNAKE
3 stereo inputs (TRS)
32 mono + 3 stereo input channels
12 onboard mix outputs (XLR)
4 stereo groups
2 stereo matrix outs
AES digital out
4 DCA groups
4 mute groups
Qu-Pad iPad app for all live mixing controls
Qu-You iPhone app for personal monitoring
Qu-Drive direct multitrack recording/playback on USB drives
15 soft keys
16 custom select keys
Qu-Control custom screen to suit the application
4 FX engines
4 FX sends/returns
32×32 USB Audio Interface
5″ touchscreen
iLive FX Library
Compatible with ME Personal Mixing System
Trim, polarity, HPF, gate, insert/ducker, 4-band PEQ, compressor and delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, and delay on all mix outputs
Built-in signal generator
RTA with peak band indication
The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-6 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing.
The SQ-6 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-6 ships with a power cord.
Compact digital mixer for live, studio, and installation.
48 input channels.
24 local mic inputs (XLR).
Two 1/4” stereo inputs (TRS).
One 1/8″ stereo input.
36 total busses.
12 stereo mixes (Aux or Group) + Main.
PAFL bus.
16 assignable local outputs (14 XLR + two 1/4” TRS).
AES digital output.
Dedicated talkback mic input (XLR).
1/4″ TRS headphone out with dedicated control.
SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels).
I/O port for option card (including 3rd party protocols – Dante/Waves).
Channel safes, global and per-scene recall filters
FX, processing, and channel libraries
SQ-Drive for stereo and multitrack recording/playback direct to USB drive
USB transfer of scenes, libraries, shows
32×32 channel USB streaming to/from Mac/Windows
DAW control driver for MIDI control via USB or TCP/IP
Wireless remote mixing apps for iPad and Android
Compatible with ME personal-monitoring range
The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.
The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
Compact digital mixer for live, studio, and installation
48 input channels
32 local mic inputs (XLR)
Two 1/4” stereo inputs (TRS)
One 1/8″ stereo input
36 total busses
12 stereo mixes (Aux or Group) + Main
PAFL bus
18 assignable local outputs (16 XLR + two 1/4” TRS)
AES digital output
Dedicated talkback mic input (XLR)
1/4″ TRS headphone out with dedicated control
SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
I/O port for option card (including 3rd party protocols – Dante/Waves)
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