Dynacord PowerMate 2200-3 22-Channel Powered Mixer

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A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔

Description

Dynacord Power Mixer Overview

The PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan

A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).

Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany

 

In the Box

Channels 18 x Mic/Line
4 x Mic/Stereo Line
Auxiliary 2 x Pre
2 x Post
2 x Pre/Post Switchable
Output Power Max Single Channel, Dynamic-Headroom, IHF-A:
Into 2.66 Ohms: 2 x 1600 W
Into 4 Ohms: 2 x 1250 W
Into 8 Ohms: 2 x 675 W
Max Single Channel, Continuous, 1 kHz, THD = 1%:
Into 2.66 Ohms: 2 x 1350 W
Into 4 Ohms: 2 x 1150 W
Into 8 Ohms: 2 x 650 W
Max Midband, 1 kHz, THD = 1%, Dual Channel:
Into 2.66 Ohms: 2 x 1350 W
Into 4 Ohms: 2 x 1000 W
Into 8 Ohms: 2 x 600 W
Rated, 20 Hz to 20 kHz, THD < 0.5%, Single Channel:
Into 4 Ohms: 2 x 900 W
Into 8 Ohms: 2 x 450 W
Maximum Output Voltage Power Amplifier, 1 kHz, No Load: 74 V rms
Maximum THD @ 1kHz MBW = 80 kHz:
MIC Input to Master A L/R Outputs, +16 dBu, Typical: < 0.005%
Power AMP Inputs to Speaker L/R Outputs: < 0.075%
DIM 30 Power Amplifier, 3.15 kHz, 15 kHz: < 0.05%
IMD SMPTE Power Amplifier, 60 Hz, 7 kHz: < 0.15%
Frequency Response -3 dB, ref. 1 kHz:
Any Input to Any Mixer Output: 15 Hz to 70 kHz
Any Input to Speaker L/R Output: 20 Hz to 30 kHz
Crosstalk @ 1 kHz Amplifier L/R: < -85 dB
Channel to Channel: < -80 dB
Mute- and Standby-Switch Attenuation: > 100 dB
Fader and FX/AUX/MON-Send Attenuation: > 85 dB
CMRR MIC Input, 1 kHz: > 80 dB
Input Sensitivity All Level Controls in Max Position:
Microphone: -74 dBu (155 µV)
Line (Mono): -54 dBu (1.55 mV)
Line (Stereo): -34 dBu (15.5 mV)
CD (Stereo): -34 dBu (15.5 mV)
Power AMP Inputs: +8 dBu (1.95 V)
Maximum Level Mixing Desk:
Microphone Inputs: 21 dBu
Mono Line Inputs: 41 dBu
Stereo Line Inputs: 30 dBu
All Other Inputs: 22 dBu
All Other Outputs: 22 dBu
Input Impedances Microphone: 2 Kilohms
Insert Return: 3.3 Kilohms
2-Track Return & CD Input: 10 Kilohms
All Other Inputs: > 15 Kilohms
Output Impedances Phones: 47 Ohms
All Other Outputs: 75 Ohms
Equivalent Input Noise Microphone Input, A-Weighted, 150 Ohms: -130 dBu
Noise Channel Inputs to Master A L/R Outputs, A-Weighted:
Master Fader Down: -97 dBu
Master Fader 0 dB, Channel Fader Down: -87 dBu
Master Fader 0 dB, Channel Fader 0 dB, Channel Gain Unity: -81 dBu
Signal / Noise Power Amplifier, A-Weighted, 4 Ohms: 105 dB
Output Stage Amplifier: Class-D
Equalization LO Shelving: ±15 dB / 60 Hz
MID Peaking, Mono Inputs: ±15 dB / 100 Hz to 8 kHz
MID Peaking, Stereo Inputs: ±12 dB / 2.4 kHz
HI Shelving: ±15 dB / 12 kHz
Master EQ 11-Band (63 Hz, 125 Hz, 250 Hz, 400 Hz, 630 Hz, 1 kHz, 1.6 kHz, 2.5 kHz, 4 kHz, 6.3 kHz, 12 kHz): ±10 dB / Q = 1.5 to 2.5
Filter LO-CUT, Mono Inputs: f = 80 Hz, 18 dB/oct.
Voice Filter, Mono Inputs: Switchable
Feedback Filter, MON 1/2: 70 Hz to 7 kHz, Notch, -9 dB
Speaker Processing: LPN, Switchable
Effects Type: Dual Stereo 24/48-Bit Multi-Effects Processors
Effects Presets: 100 Factory + 20 User, Tap-Delay
Remote Control: Footswitch, MIDI
Display 128 x 64 pixels, OLED
Digital Audio Channels: 4 x Inputs / 4 x Outputs
AD/DA Conversion: 24-Bit
Sampling Rate: 44.1 / 48 / 88.2 / 96 kHz
PC Interface: USB 2.0, Female Type-B
Peak Display: 6 dB Before Clip
MIDI Connectors 1 x 5-Pin DIN, Input / Output
Power Control Output: Adjustable Longterm RMS Limiter
Protection Mixer Outputs (Relay Controlled): MON 1, MON 2, MASTER A
Amplifier: Audio Limiters, High Temperature, DC, HF, Short Circuit, Peak Current Limiters, Turn-On Delay, Back EMF
Switching Mode Power Supply (µC controlled): Inrush Current Limiters, Mains Over/Undervoltage, Mains Overcurrent, High Temperature
Cooling Continuous Speed-Controlled Fans
Phantom Power Switchable In Groups: 48 VDC
Power Requirements SMPS with Auto Range Mains Input: 100 to 240 VAC, 50/60 Hz
Power Consumption At 1/8 Maximum Output Power, 4 Ohms: 450 W
Safety Class I
Ambient Temperature 40 to 105°F / 5 to 40°C
Dimensions 32.2 x 6.1 x 19.6″ / 818.5 x 155 x 498.5 mm (without Lid)
Weight 39.7 lb / 18 kg

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DescriptionA built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔
  • State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
  • FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
  • 6 DCAs to control groups of channels
  • 2x Mic/Line inputs with separate XLR and TRS jack sockets
  • 2x Stereo inputs with TRS jack sockets
  • 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
  • FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses
  • 24 DCAs to control groups of channels
  • 128-channel (64×64) recording over USB
  • Qu-Pad iPad app for all live mixing controls
  • Qu-Drive direct multitrack recording/playback on USB drives
  • 15 soft keys
  • FX, processing, and channel libraries
  • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
  • USB transfer of scenes, libraries, shows
Content

Dynacord Power Mixer Overview

The PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany  

In the Box

The best 16-channel digital mixer for your rack.

Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue.  

Features

  • Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
  • 18 input-channel digital rack mixer
    • 16 local digitally controlled XMAX mic/line inputs
    • 2 FLEX FX returns
  • 10 mix buses
    • 6 FlexMixes (Aux, Subgroup, Matrix)
    • 2 dedicated FLEX FX buses
    • Stereo Main bus
  • 130 simultaneous processors
    • HPF
    • Gate/Expander
    • Compressor with Fat Channel plug-in models
    • 4-band/6-band parametric EQ with Fat Channel plug-in models
    • Limiter
    • 31-band graphic EQ
    • 4 FLEX FX slots featuring legendary classic reverb emulations and delays
  • State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
  • FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
  • 6 DCAs to control groups of channels
  • 36-channel (18×18) recording over USB
  • Onboard stereo SD recorder with true Virtual Soundcheck mode
  • AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
    • Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
    • Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
  • Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
  • Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
  • Capture® 3.0 multitrack software included
    • Automated Virtual Soundcheck
    • Store StudioLive mix scenes with your audio
  • Advanced Studio One® integration (Studio One Artist Included)
    • XMAX mic preamp control from Studio One
    • Control Fat Channel parameters from Studio One mixing console
  • Ableton® Live Lite included

Computer system requirements:

Below are the minimum computer-system requirements for StudioLive 16R.

macOS®

  • macOS version 10.13 or later
  • 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)
  • Available USB port

Windows®

  • Windows 10 or later (64-Bit Only)
  • 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
  • Available USB port
The above are the hardware system requirements for this product. DAW software and Operating System requirements vary. Click here for Studio One’s system requirements. Click here for Qmix-UC’s system requirements Click here for UC Surface’s system requirements.
Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools. The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs. You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip.  

Key Features

  • 2x Mic/Line inputs with separate XLR and TRS jack sockets
  • 2x Stereo inputs with TRS jack sockets
  • 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
  • Internal FX engine with tap tempo
  • High-pass filter for cleaning up unwanted low-frequency noise
  • 2-band EQ for tonal shaping
  • 60mm smooth travel fader on main mix
  • XLR main outputs
  • 8x LED signal metering
  • 48V Phantom Power for condenser mics
  • Internal power supply

Power meets efficiency.

Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.

Features

  • Powered by the new dual-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
  • 40 input-channel digital mixer with 25 touch-sensitive motorized faders
    • 32 local digitally controlled XMAX mic/line inputs
    • 2 balanced stereo aux inputs
    • 1 stereo tape input (RCA, USB, AVB or SD)
    • 4 FLEX FX returns
    • 1 Talkback
  • 26 mix buses
    • 16 FlexMixes (Aux, Subgroup, Matrix)
    • 4 dedicated FLEX FX buses
    • 4 dedicated subgroups
    • Stereo Main bus
  • 286 simultaneous processors
    • HPF
    • Gate/Expander
    • Compressor with Fat Channel plug-in models
    • 4-band/6-band parametric EQ with Fat Channel plug-in models
    • Limiter
    • 31-band graphic EQ
    • 4 FLEX FX slots featuring legendary classic reverb emulations and delays
  • State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
  • FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses
  • 24 DCAs to control groups of channels
  • 128-channel (64×64) recording over USB
  • Onboard multi-channel SD recorder (34×34) with true Virtual Soundcheck mode
  • AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more
  • User Profiles for managing multiple operators with custom permissions
  • Per channel digital patching from any analog, AVB, USB, or SD Card source
  • DAW Control
    • Advanced Studio One® control integration
    • MCU emulation mode optimized for Logic
    • HUI emulation mode optimized for Pro Tools
  • Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
  • Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
  • Capture® 3.0 multitrack software included
    • Automated Virtual Soundcheck
    • Store StudioLive® mix scenes with your audio
  • Advanced Studio One integration (Studio One Artist Included)
    • XMAX mic preamp control from Studio One
    • Control Fat Channel parameters from Studio One mixing console
  • Ableton® Live Lite included
Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb. The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.

Features at a Glance:

  • 16 AnalogiQ recallable preamps
  • 16 onboard mic/line inputs (XLR / TRS)
  • Expandable up to 38 inputs via dSNAKE
  • 3 stereo inputs (TRS)
  • 32 mono + 3 stereo input channels
  • 12 onboard mix outputs (XLR)
  • 4 stereo groups
  • 2 stereo matrix outs
  • AES digital out
  • 4 DCA groups
  • 4 mute groups
  • Qu-Pad iPad app for all live mixing controls
  • Qu-You iPhone app for personal monitoring
  • Qu-Drive direct multitrack recording/playback on USB drives
  • 15 soft keys
  • 16 custom select keys
  • Qu-Control custom screen to suit the application
  • 4 FX engines
  • 4 FX sends/returns
  • 32×32 USB Audio Interface
  • 5″ touchscreen
  • iLive FX Library
  • Compatible with ME Personal Mixing System
  • Trim, polarity, HPF, gate, insert/ducker, 4-band PEQ, compressor and delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor, and delay on all mix outputs
  • Built-in signal generator
  • RTA with peak band indication
The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more. At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles. The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing. The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
  • Compact digital mixer for live, studio, and installation
  • 48 input channels
  • 32 local mic inputs (XLR)
  • Two 1/4” stereo inputs (TRS)
  • One 1/8″ stereo input
  • 36 total busses
  • 12 stereo mixes (Aux or Group) + Main
  • PAFL bus
  • 18 assignable local outputs (16 XLR + two 1/4” TRS)
  • AES digital output
  • Dedicated talkback mic input (XLR)
  • 1/4″ TRS headphone out with dedicated control
  • SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
  • I/O port for option card (including 3rd party protocols – Dante/Waves)
  • 8 mute groups
  • 8 DCA groups
  • 8 stereo FX with dedicated FX returns
  • DEEP processing ready
  • RackFX effects suite
  • 7″ color touchscreen
  • 16 assignable SoftKeys
  • Eight assignable soft rotaries
  • Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
  • 32+1 faders with 6 layers for 192 assignable channel strips
  • Motorized faders for sends on faders, GEQ fader flip, and mix recall
  • 32 backlit LCD channel-strip displays
  • Chromatic channel metering
  • Integrated surface illumination
  • Single/dual footswitch control
  • Input channel linking for stereo sources
  • Patchable insert points
  • Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
  • Mix processing – PEQ, Graphic EQ, Compressor, Delay
  • Fully integrated Automatic Mic Mixing (AMM)
  • 31-band, real-time analyzer (RTA)
  • Quick copy/paste/reset for parameters
  • User permissions to restrict operator access
  • 300 scene memories per show
  • Channel safes, global and per-scene recall filters
  • FX, processing, and channel libraries
  • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
  • USB transfer of scenes, libraries, shows
  • 32×32 channel USB streaming to/from Mac/Windows
  • DAW control driver for MIDI control via USB or TCP/IP
  • Wireless remote mixing apps for iPad and Android
  • Compatible with ME personal-monitoring range
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