Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.
Features
Powered by the new dual-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
40 input-channel digital mixer with 25 touch-sensitive motorized faders
32 local digitally controlled XMAX mic/line inputs
2 balanced stereo aux inputs
1 stereo tape input (RCA, USB, AVB or SD)
4 FLEX FX returns
1 Talkback
26 mix buses
16 FlexMixes (Aux, Subgroup, Matrix)
4 dedicated FLEX FX buses
4 dedicated subgroups
Stereo Main bus
286 simultaneous processors
HPF
Gate/Expander
Compressor with Fat Channel plug-in models
4-band/6-band parametric EQ with Fat Channel plug-in models
Limiter
31-band graphic EQ
4 FLEX FX slots featuring legendary classic reverb emulations and delays
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses
24 DCAs to control groups of channels
128-channel (64×64) recording over USB
Onboard multi-channel SD recorder (34×34) with true Virtual Soundcheck mode
AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more
User Profiles for managing multiple operators with custom permissions
Per channel digital patching from any analog, AVB, USB, or SD Card source
DAW Control
Advanced Studio One® control integration
MCU emulation mode optimized for Logic
HUI emulation mode optimized for Pro Tools
Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
Capture® 3.0 multitrack software included
Automated Virtual Soundcheck
Store StudioLive® mix scenes with your audio
Advanced Studio One integration (Studio One Artist Included)
XMAX mic preamp control from Studio One
Control Fat Channel parameters from Studio One mixing console
Ableton® Live Lite included
Technical Specifications
Microphone Preamplifier
Input Type
XLR Female, balanced
Frequency Response to Main Output (at unity gain)
20-20 kHz, ±0.5 dBu
Input Impedance
1 kΩ
THD to Main Output
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
94 dB
Common Mode Rejection Ratio (1 kHz at unity gain)
65 dB
Gain Control Range (±1 dB)
0 dB to +60 dB
Maximum Input Level (unity gain)
+12 dBu
Phantom Power (±2 VDC)
48 VDC, switchable per channel
Line Inputs
Type
¼” TRS Female, balanced
Frequency Response to Main Output (at unity gain)
20-20 kHz, ±0.5 dBu
Input Impedance
10 kΩ
THD to Main Output
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
94 dB
Maximum Input Level
+18 dBu
Tape Inputs
Type
RCA Female, unbalanced (stereo pair)
Maximum Input Level
+12 dBu, ±0.5 dBu
XLR Outputs
Type
XLR Male, balanced
Maximum Output Level
+24 dBu, ±0.5 dBu
Output Impedance
100Ω
Line Outputs
Type
¼” TRS Female, balanced
Maximum Output Level
+18 dBu, ±0.5 dBu
Output Impedance
100Ω
Tape Outputs
Type
RCA Female, unbalanced (stereo pair)
Maximum Output Level
+18 dBu, ±0.5 dBu
Output Impedance
100Ω
Headphone Output
Type
¼” TRS Female, active stereo
Maximum Output
100 mW/ch. @ 60Ω load
Frequency Response
20 Hz – 20 kHz (± 0.5 dB)
THD+N
0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
S/N Ratio
96 dB, 1 kHz, max gain, 20 Hz BW, unwtd
System Crosstalk
Input to Output
-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
Adjacent Channels
-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
Digital Audio and Control
ADC Dynamic Range
115 dB (A-wtd, 48 kHz)
DAC Dynamic Range
115 dB (A-wtd, 48 kHz)
USB Recording Port
USB 2.0, Type-B
AES/EBU Output
XLR Male
Network Control Port
RJ-45
AVB Audio Network Port
Locking XLR Ethernet
Internal Processing
32-bit, floating point
Sampling Rate
48 kHz, 44.1 kHz
A/D/A Bit Depth
24
Reference Level for 0 dBFS
+18 dBu
Total System Latency
1.9 ms (local routing, analog in-analog out, all processing active)
Clock
Jitter
<20 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation
>60 dB (1 ns in, 1 ps out)
Power / Environmental
Connector
IEC
Input-Voltage Range
90 to 230 VAC (±10%)
Power Requirements (continuous)
85W
Recommended Ambient Operating Temperature
0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit
Physical
Height
6.51” (165.36 mm)
Width
25.98” (659.81 mm)
Depth
22.97” (583.84 mm)
Weight
30 lbs. (13.6 kg)
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FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses
24 DCAs to control groups of channels
128-channel (64×64) recording over USB
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔
FX, processing, and channel libraries
SQ-Drive for stereo and multitrack recording/playback direct to USB drive
USB transfer of scenes, libraries, shows
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
6 DCAs to control groups of channels
Content
Power meets efficiency.
Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.
Features
Powered by the new dual-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
40 input-channel digital mixer with 25 touch-sensitive motorized faders
32 local digitally controlled XMAX mic/line inputs
2 balanced stereo aux inputs
1 stereo tape input (RCA, USB, AVB or SD)
4 FLEX FX returns
1 Talkback
26 mix buses
16 FlexMixes (Aux, Subgroup, Matrix)
4 dedicated FLEX FX buses
4 dedicated subgroups
Stereo Main bus
286 simultaneous processors
HPF
Gate/Expander
Compressor with Fat Channel plug-in models
4-band/6-band parametric EQ with Fat Channel plug-in models
Limiter
31-band graphic EQ
4 FLEX FX slots featuring legendary classic reverb emulations and delays
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses
24 DCAs to control groups of channels
128-channel (64×64) recording over USB
Onboard multi-channel SD recorder (34×34) with true Virtual Soundcheck mode
AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more
User Profiles for managing multiple operators with custom permissions
Per channel digital patching from any analog, AVB, USB, or SD Card source
DAW Control
Advanced Studio One® control integration
MCU emulation mode optimized for Logic
HUI emulation mode optimized for Pro Tools
Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
Capture® 3.0 multitrack software included
Automated Virtual Soundcheck
Store StudioLive® mix scenes with your audio
Advanced Studio One integration (Studio One Artist Included)
XMAX mic preamp control from Studio One
Control Fat Channel parameters from Studio One mixing console
Ableton® Live Lite included
Dynacord Power Mixer Overview
The PowerMate3 22-ChannelPowered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany
In the Box
The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.
The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
Compact digital mixer for live, studio, and installation
48 input channels
32 local mic inputs (XLR)
Two 1/4” stereo inputs (TRS)
One 1/8″ stereo input
36 total busses
12 stereo mixes (Aux or Group) + Main
PAFL bus
18 assignable local outputs (16 XLR + two 1/4” TRS)
AES digital output
Dedicated talkback mic input (XLR)
1/4″ TRS headphone out with dedicated control
SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
I/O port for option card (including 3rd party protocols – Dante/Waves)
Channel safes, global and per-scene recall filters
FX, processing, and channel libraries
SQ-Drive for stereo and multitrack recording/playback direct to USB drive
USB transfer of scenes, libraries, shows
32×32 channel USB streaming to/from Mac/Windows
DAW control driver for MIDI control via USB or TCP/IP
Wireless remote mixing apps for iPad and Android
Compatible with ME personal-monitoring range
Dynacord Power Mixer Overview
The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
Made in Germany
In the Box
Dynacord PowerMate3 10-Channel Powered Mixer
Power Cord (6.6′)
DVD with USB Driver & Software
Limited 3-Year WarrantyCg
Small size. Bigger possibilities.
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
8 mono mic/line channel inputs, each with:
High-headroom Class A XMAX mic preamplifier
XLR mic and balanced ¼-inch line inputs
60 mm precision fader
4 stereo line channel inputs, with:
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
Unbalanced RCA line inputs (Ch. 13-16)
60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
3-band semi-parametric EQ (individual band on/off)
Full-featured compressor
Standard downward expander
Limiter
Phase reverse (12 mic preamplifiers only)
Pan with dedicated 15-LED display
Stereo link for input channels and aux buses
Highpass filter
One 31-band stereo graphic EQ (on main outputs only)
18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle includes:
PreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®
PreSonus Capture® live-recording software for macOS and Windows
PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®
Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android provides wireless remote control of aux mixes
Ableton® Live Lite
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
Scene and FX Preset recall
Main Volume, FXA, and FXB output levels
FXA and FXB assign/unassign to Mains
The best 16-channel digital mixer for your rack.
Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue.
Features
Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
18 input-channel digital rack mixer
16 local digitally controlled XMAX mic/line inputs
2 FLEX FX returns
10 mix buses
6 FlexMixes (Aux, Subgroup, Matrix)
2 dedicated FLEX FX buses
Stereo Main bus
130 simultaneous processors
HPF
Gate/Expander
Compressor with Fat Channel plug-in models
4-band/6-band parametric EQ with Fat Channel plug-in models
Limiter
31-band graphic EQ
4 FLEX FX slots featuring legendary classic reverb emulations and delays
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
6 DCAs to control groups of channels
36-channel (18×18) recording over USB
Onboard stereo SD recorder with true Virtual Soundcheck mode
AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
Capture® 3.0 multitrack software included
Automated Virtual Soundcheck
Store StudioLive mix scenes with your audio
Advanced Studio One® integration (Studio One Artist Included)
XMAX mic preamp control from Studio One
Control Fat Channel parameters from Studio One mixing console
Ableton® Live Lite included
Computer system requirements:
Below are the minimum computer-system requirements for StudioLive 16R.
macOS®
macOS version 10.13 or later
200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)
Available USB port
Windows®
Windows 10 or later (64-Bit Only)
200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
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