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In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
Microphone Preamp |
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|---|---|
| Type | XLR Female, Balanced |
| Frequency Response to Direct Output (at unity gain) | 20 Hz-20 kHz, 0 / -0.5 dBu |
| Frequency Response to Main Output (at unity gain) | 20 Hz-20 kHz, ±0.5 dBu |
| Input Impedance (Balanced) | 1 kΩ |
| THD to Direct Output (1 kHz at unity gain) | <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd |
| THD to Main Output (1 kHz at unity gain) | 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
| EIN to Direct Output | +125 dB unwtd, +130 dB A-wtd |
| S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | -102 dB |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | -95 dB |
| Common Mode Rejection Ratio (1 kHz at unity gain) | +65 dB |
| Gain Control Range (± 1 dB) | -16 dB to +67 dB |
| Maximum Input Level (unity gain) | +16 dBu |
| Phantom Power (± 2 VDC) | +48 VDC |
Line Inputs, Balanced |
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|---|---|
| Type | ¼” TRS Female, balanced mono |
| Frequency Response to Direct Outputs (at unity gain) | 10 Hz-20 kHz, 0 / -0.5 dBu |
| Frequency Response to Main Outputs (at unity gain) | 20 Hz-20 kHz, 0/-0.5 dBu |
| Input Impedance | 10 kΩ |
| THD to Direct Output (1 kHz at unity gain) | <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
| THD to Main Output (1 kHz at unity gain) | <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
| S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) | -105 dB |
| S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) | -95 dB |
| Gain Control Range (± 1 dB) | -20 dB to +20 dB |
| Maximum Input level (unity gain) | +22 dBu |
Line Inputs, Unbalanced |
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|---|---|
| Type | RCA Female, unbalanced (stereo pair) |
| Maximum Input Level | +22 dBu |
Main Outputs |
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|---|---|
| Type | XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair) |
| Rated Output Level | +24 dBu |
| Output Impedance | 100Ω |
Aux Outputs |
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|---|---|
| Type | ¼” TRS Female, balanced (mono) |
| Rated Output Level | +18 dBu |
| Output Impedance | 100Ω |
Monitor Outputs |
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|---|---|
| Type | ¼” TRS Female, balanced (stereo pair) |
| Rated Output Level z | +18 dBu |
| Output Impedance | 100Ω |
System Crosstalk |
|
|---|---|
| Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) | -90 dBu |
| Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) | -87 dBu |
Noise Gate (Expander) |
|
|---|---|
| Threshold Range | -84 dB to 0 dB |
| Attack Time | Adaptive (0.2 – 2.5 ms) |
| Release Time | 70 ms |
| Expander Attenuation Range | 2:1 |
Compressor |
|
|---|---|
| Threshold Range | -56 dB to 0 dB |
| Ratio | 1:1 to 14:1 |
| Response Time (Attack/Release | 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”) |
| Auto Attack and Release | Attack = 10 ms, Release = 150 ms |
| Curve Types | hard and soft knee |
EQ |
|
|---|---|
| Type | 2nd-order shelving filter (Q = 0.55) |
| Low (Low-pass or Bandpass) | 36 to 465 Hz, ±15 dB |
| Mid | 260 Hz to 3.5 kHz, ±15 dB |
| High (High-pass or Bandpass) | 1.4 kHz to 18 kHz, ±15 dB |
Digital Audio |
|
|---|---|
| Host Interface | USB 2.0 |
| ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| DAC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| Internal Processing | 32-bit, floating point |
| Sampling Rate | 44.1, 48 kHz |
| A/D/A Bit Depth | 24 bits |
| Reference Level for 0 dBFS | +18 dBu |
Clock |
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|---|---|
| Jitter | <20 ps rms (20 Hz – 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in ≈ 1 ps out) |
Power |
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|---|---|
| Connector | IEC |
| Input-Voltage Range | 100 to 240 VAC (factory-configured for country of destination) |
| Power Requirements (continuous) | 100W |
Physical |
|
|---|---|
| Length | 15.56 inches (397 mm) |
| Width | 16 inches (406 mm) |
| Maximum Height | 5.5 inches (140 mm) |
| Weight | 20 lbs. |
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| Settings | Presonus StudioLive 16.0.2 USB remove | Allen & Heath Qu-Pac 16×12 Compact Mountable Mixer remove | Dynacord PowerMate 2200-3 22-Channel Powered Mixer remove | Dynacord PowerMate 600-3 8-Channel Powered Mixer remove | Allen & Heath Qu-32 – 38-In/28-Out Digital Mixing Console remove | Presonus StudioLive 32SX remove |
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| Description |
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| A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ | A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ |
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| Content | Small size. Bigger possibilities.In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.8 mono mic/line channel inputs, each with:
4 stereo line channel inputs, with:
2 Internal FX buses2 stereo 32-bit digital effects processors with customizable reverb and delay presetsFat Channel signal processing on all channels and buses, with:
One 31-band stereo graphic EQ (on main outputs only)18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Scene store and recallSettings can be copied among channels and buses and saved as user presets.Software bundle includes:
Lockout mode protects your settings from meddlers and accidentsMIDI Control Mode provides control over:
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Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb.
The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.
Features at a Glance:
| Dynacord Power Mixer OverviewThe PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in GermanyIn the Box | Dynacord Power Mixer OverviewThe PowerMate3 8-Channel Powered Mixer from Dynacord features four mic/line, two mic/stereo-USB, and two stereo-line channels. It also has three auxiliary ports, one of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 9-band stereo graphic equalizer allows precise tone control for speakers and room matching. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid, hold by strong snap in magnets Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany۔In The Box
| THE MIXER THAT CHANGED THE RULES38 in / 28 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
World Class Processing & FX
Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.
Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.
Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.
Record. Stream. Mix
Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels.
The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers.
Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.
Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.
| Power meets efficiency.Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.Features
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