In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
8 mono mic/line channel inputs, each with:
High-headroom Class A XMAX mic preamplifier
XLR mic and balanced ¼-inch line inputs
60 mm precision fader
4 stereo line channel inputs, with:
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
Unbalanced RCA line inputs (Ch. 13-16)
60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
3-band semi-parametric EQ (individual band on/off)
Full-featured compressor
Standard downward expander
Limiter
Phase reverse (12 mic preamplifiers only)
Pan with dedicated 15-LED display
Stereo link for input channels and aux buses
Highpass filter
One 31-band stereo graphic EQ (on main outputs only)
18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle includes:
PreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®
PreSonus Capture® live-recording software for macOS and Windows
PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®
Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android provides wireless remote control of aux mixes
Ableton® Live Lite
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
Scene and FX Preset recall
Main Volume, FXA, and FXB output levels
FXA and FXB assign/unassign to Mains
Technical Specifications
Microphone Preamp
Type
XLR Female, Balanced
Frequency Response to Direct Output (at unity gain)
20 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Output (at unity gain)
20 Hz-20 kHz, ±0.5 dBu
Input Impedance (Balanced)
1 kΩ
THD to Direct Output (1 kHz at unity gain)
<0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain)
0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
EIN to Direct Output
+125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
-102 dB
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
-95 dB
Common Mode Rejection Ratio (1 kHz at unity gain)
+65 dB
Gain Control Range (± 1 dB)
-16 dB to +67 dB
Maximum Input Level (unity gain)
+16 dBu
Phantom Power (± 2 VDC)
+48 VDC
Line Inputs, Balanced
Type
¼” TRS Female, balanced mono
Frequency Response to Direct Outputs (at unity gain)
10 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs (at unity gain)
20 Hz-20 kHz, 0/-0.5 dBu
Input Impedance
10 kΩ
THD to Direct Output (1 kHz at unity gain)
<0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain)
<0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
-105 dB
S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
Qu-Pad iPad app for all live mixing controls
Qu-Drive direct multitrack recording/playback on USB drives
15 soft keys
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
6 DCAs to control groups of channels
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.
Content
Small size. Bigger possibilities.
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
8 mono mic/line channel inputs, each with:
High-headroom Class A XMAX mic preamplifier
XLR mic and balanced ¼-inch line inputs
60 mm precision fader
4 stereo line channel inputs, with:
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
Unbalanced RCA line inputs (Ch. 13-16)
60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
3-band semi-parametric EQ (individual band on/off)
Full-featured compressor
Standard downward expander
Limiter
Phase reverse (12 mic preamplifiers only)
Pan with dedicated 15-LED display
Stereo link for input channels and aux buses
Highpass filter
One 31-band stereo graphic EQ (on main outputs only)
18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle includes:
PreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®
PreSonus Capture® live-recording software for macOS and Windows
PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®
Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android provides wireless remote control of aux mixes
Ableton® Live Lite
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
Scene and FX Preset recall
Main Volume, FXA, and FXB output levels
FXA and FXB assign/unassign to Mains
THE MIXER THAT CHANGED THE RULES
38 in / 28 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
World Class Processing & FX
Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.
Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.
Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.
Record. Stream. Mix
Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels.
The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers.
Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.
Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.
Everything I/O
Qu-32 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go.
But if you’re thinking of trading in the multicore for a Cat5 digital snake, the built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox from our Everything I/O range of remote expanders.
Qu-Drive: Record without a computer
Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive.
Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1.
On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.
FEATURE SUMMARY
32 Mono Mic/Line Inputs (TRS + XLR)
Recallable AnaLOGIQTM Preamps
3 Stereo Inputs (TRS)
24 Mix Outputs (XLR)
4 Stereo Groups (switchable to Mix mode)
Up to 11 Monitor Mixes (4 mono + 7 stereo)
2 Stereo Matrix Outs
4 FX Engines
4 dedicated FX Sends / Returns
4 Mute Groups
4 DCA Groups
AES Digital Out
32×32 USB Audio Interface
dSNAKETM Remote Audio Port
33 Motor Faders
7” Touchscreen
10 Soft Keys
Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
Automatic Mic Mixer
Channel Ducker on all Inputs
ProFactory Mic Presets
RackFX Library
Built-in Signal Generator
RTA with Peak Band indication
Spectrogram to aid feedback elimination and room acoustics
Qu-Drive Direct Multitrack Recording / Playback on USB drives
DAW MIDI Control
Qu-Pad iPad App
Qu-You iPhone / Android personal monitoring app
Qu-Control customisable iOS app for simple wireless control
Compatible with ME Personal Mixing System
Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb.
The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.
Features at a Glance:
16 AnalogiQ recallable preamps
16 onboard mic/line inputs (XLR / TRS)
Expandable up to 38 inputs via dSNAKE
3 stereo inputs (TRS)
32 mono + 3 stereo input channels
12 onboard mix outputs (XLR)
4 stereo groups
2 stereo matrix outs
AES digital out
4 DCA groups
4 mute groups
Qu-Pad iPad app for all live mixing controls
Qu-You iPhone app for personal monitoring
Qu-Drive direct multitrack recording/playback on USB drives
15 soft keys
16 custom select keys
Qu-Control custom screen to suit the application
4 FX engines
4 FX sends/returns
32×32 USB Audio Interface
5″ touchscreen
iLive FX Library
Compatible with ME Personal Mixing System
Trim, polarity, HPF, gate, insert/ducker, 4-band PEQ, compressor and delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, and delay on all mix outputs
Built-in signal generator
RTA with peak band indication
The best 16-channel digital mixer for your rack.
Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue.
Features
Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
18 input-channel digital rack mixer
16 local digitally controlled XMAX mic/line inputs
2 FLEX FX returns
10 mix buses
6 FlexMixes (Aux, Subgroup, Matrix)
2 dedicated FLEX FX buses
Stereo Main bus
130 simultaneous processors
HPF
Gate/Expander
Compressor with Fat Channel plug-in models
4-band/6-band parametric EQ with Fat Channel plug-in models
Limiter
31-band graphic EQ
4 FLEX FX slots featuring legendary classic reverb emulations and delays
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
6 DCAs to control groups of channels
36-channel (18×18) recording over USB
Onboard stereo SD recorder with true Virtual Soundcheck mode
AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
Capture® 3.0 multitrack software included
Automated Virtual Soundcheck
Store StudioLive mix scenes with your audio
Advanced Studio One® integration (Studio One Artist Included)
XMAX mic preamp control from Studio One
Control Fat Channel parameters from Studio One mixing console
Ableton® Live Lite included
Computer system requirements:
Below are the minimum computer-system requirements for StudioLive 16R.
macOS®
macOS version 10.13 or later
200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)
Available USB port
Windows®
Windows 10 or later (64-Bit Only)
200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
The PowerMate3 16-Channel Powered Mixer from Dynacord features 12 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid with integrated handle for easy transportation Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany
In the Box
Dynacord Power Mixer Overview
The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
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