Presonus StudioLive 16.0.2 USB

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Category:
  • High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
  • XLR mic inputs (Ch. 9, 11, 13, and 15)
  • Balanced ¼-inch line inputs (Ch. 9-16)

Description

Small size. Bigger possibilities.

In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.

 

8 mono mic/line channel inputs, each with:

  • High-headroom Class A XMAX mic preamplifier
  • XLR mic and balanced ¼-inch line inputs
  • 60 mm precision fader

4 stereo line channel inputs, with:

  • High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
  • XLR mic inputs (Ch. 9, 11, 13, and 15)
  • Balanced ¼-inch line inputs (Ch. 9-16)
  • Unbalanced RCA line inputs (Ch. 13-16)
  • 60 mm precision fader (4 stereo)
  • 4 Auxiliary buses (pre/post-fader send)

2 Internal FX buses

2 stereo 32-bit digital effects processors with customizable reverb and delay presets

Fat Channel signal processing on all channels and buses, with:

  • 3-band semi-parametric EQ (individual band on/off)
  • Full-featured compressor
  • Standard downward expander
  • Limiter
  • Phase reverse (12 mic preamplifiers only)
  • Pan with dedicated 15-LED display
  • Stereo link for input channels and aux buses
  • Highpass filter

One 31-band stereo graphic EQ (on main outputs only)

18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)

  • Compatible with most audio software via ASIO, Windows Audio, Core Audio

Scene store and recall

Settings can be copied among channels and buses and saved as user presets.

Software bundle includes:

  • PreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®
  • PreSonus Capture® live-recording software for macOS and Windows
  • PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®
  • Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android provides wireless remote control of aux mixes
  • Ableton® Live Lite

Lockout mode protects your settings from meddlers and accidents

MIDI Control Mode provides control over:

  • Scene and FX Preset recall
  • Main Volume, FXA, and FXB output levels
  • FXA and FXB assign/unassign to Mains

Technical Specifications

Microphone Preamp

Type XLR Female, Balanced
Frequency Response to Direct Output (at unity gain) 20 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ±0.5 dBu
Input Impedance (Balanced) 1 kΩ
THD to Direct Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -102 dB
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -95 dB
Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB
Gain Control Range (± 1 dB) -16 dB to +67 dB
Maximum Input Level (unity gain) +16 dBu
Phantom Power (± 2 VDC) +48 VDC

Line Inputs, Balanced

Type ¼” TRS Female, balanced mono
Frequency Response to Direct Outputs (at unity gain) 10 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0/-0.5 dBu
Input Impedance 10 kΩ
THD to Direct Output (1 kHz at unity gain) <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB
S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -95 dB
Gain Control Range (± 1 dB) -20 dB to +20 dB
Maximum Input level (unity gain) +22 dBu

Line Inputs, Unbalanced

Type RCA Female, unbalanced (stereo pair)
Maximum Input Level +22 dBu

Main Outputs

Type XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)
Rated Output Level +24 dBu
Output Impedance 100Ω

Aux Outputs

Type ¼” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω

Monitor Outputs

Type ¼” TRS Female, balanced (stereo pair)
Rated Output Level z +18 dBu
Output Impedance 100Ω

System Crosstalk

Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu

Noise Gate (Expander)

Threshold Range -84 dB to 0 dB
Attack Time Adaptive (0.2 – 2.5 ms)
Release Time 70 ms
Expander Attenuation Range 2:1

Compressor

Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Response Time (Attack/Release 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”)
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee

EQ

Type 2nd-order shelving filter (Q = 0.55)
Low (Low-pass or Bandpass) 36 to 465 Hz, ±15 dB
Mid 260 Hz to 3.5 kHz, ±15 dB
High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB

Digital Audio

Host Interface USB 2.0
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48 kHz
A/D/A Bit Depth 24 bits
Reference Level for 0 dBFS +18 dBu

Clock

Jitter <20 ps rms (20 Hz – 20 kHz)
Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)

Power

Connector IEC
Input-Voltage Range 100 to 240 VAC (factory-configured for country of destination)
Power Requirements (continuous) 100W

Physical

Length 15.56 inches (397 mm)
Width 16 inches (406 mm)
Maximum Height 5.5 inches (140 mm)
Weight 20 lbs.

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Description
  • High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
  • XLR mic inputs (Ch. 9, 11, 13, and 15)
  • Balanced ¼-inch line inputs (Ch. 9-16)
  • 2x Mic/Line inputs with separate XLR and TRS jack sockets
  • 2x Stereo inputs with TRS jack sockets
  • 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
  • 19” Rack Mountable
  • 16 Mono Mic/Line Inputs (TRS + XLR)
  • Recallable AnaLOGIQTM Preamps
  • FX, processing, and channel libraries
  • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
  • USB transfer of scenes, libraries, shows
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.
Content

Small size. Bigger possibilities.

In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.  

8 mono mic/line channel inputs, each with:

  • High-headroom Class A XMAX mic preamplifier
  • XLR mic and balanced ¼-inch line inputs
  • 60 mm precision fader

4 stereo line channel inputs, with:

  • High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
  • XLR mic inputs (Ch. 9, 11, 13, and 15)
  • Balanced ¼-inch line inputs (Ch. 9-16)
  • Unbalanced RCA line inputs (Ch. 13-16)
  • 60 mm precision fader (4 stereo)
  • 4 Auxiliary buses (pre/post-fader send)

2 Internal FX buses

2 stereo 32-bit digital effects processors with customizable reverb and delay presets

Fat Channel signal processing on all channels and buses, with:

  • 3-band semi-parametric EQ (individual band on/off)
  • Full-featured compressor
  • Standard downward expander
  • Limiter
  • Phase reverse (12 mic preamplifiers only)
  • Pan with dedicated 15-LED display
  • Stereo link for input channels and aux buses
  • Highpass filter

One 31-band stereo graphic EQ (on main outputs only)

18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)

  • Compatible with most audio software via ASIO, Windows Audio, Core Audio

Scene store and recall

Settings can be copied among channels and buses and saved as user presets.

Software bundle includes:

  • PreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®
  • PreSonus Capture® live-recording software for macOS and Windows
  • PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®
  • Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android provides wireless remote control of aux mixes
  • Ableton® Live Lite

Lockout mode protects your settings from meddlers and accidents

MIDI Control Mode provides control over:

  • Scene and FX Preset recall
  • Main Volume, FXA, and FXB output levels
  • FXA and FXB assign/unassign to Mains
Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools. The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs. You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip.  

Key Features

  • 2x Mic/Line inputs with separate XLR and TRS jack sockets
  • 2x Stereo inputs with TRS jack sockets
  • 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
  • Internal FX engine with tap tempo
  • High-pass filter for cleaning up unwanted low-frequency noise
  • 2-band EQ for tonal shaping
  • 60mm smooth travel fader on main mix
  • XLR main outputs
  • 8x LED signal metering
  • 48V Phantom Power for condenser mics
  • Internal power supply

THE MIXER THAT CHANGED THE RULES

38 in / 28 out Digital Mixer with remote wireless control

Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.

World Class Processing & FX

Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series. Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units. Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.

Record. Stream. Mix

Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems. Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.

Everything I/O

Qu-32 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. But if you’re thinking of trading in the multicore for a Cat5 digital snake, the built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox from our Everything I/O range of remote expanders.

Qu-Drive: Record without a computer

Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.

FEATURE SUMMARY

  • 32 Mono Mic/Line Inputs (TRS + XLR)
  • Recallable AnaLOGIQTM Preamps
  • 3 Stereo Inputs (TRS)
  • 24 Mix Outputs (XLR)
  • 4 Stereo Groups (switchable to Mix mode)
  • Up to 11 Monitor Mixes (4 mono + 7 stereo)
  • 2 Stereo Matrix Outs
  • 4 FX Engines
  • 4 dedicated FX Sends / Returns
  • 4 Mute Groups
  • 4 DCA Groups
  • AES Digital Out
  • 32×32 USB Audio Interface
  • dSNAKETM Remote Audio Port
  • 33 Motor Faders
  • 7” Touchscreen
  • 10 Soft Keys
  • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
  • Automatic Mic Mixer
  • Channel Ducker on all Inputs
  • ProFactory Mic Presets
  • RackFX Library
  • Built-in Signal Generator
  • RTA with Peak Band indication
  • Spectrogram to aid feedback elimination and room acoustics
  • Qu-Drive Direct Multitrack Recording / Playback on USB drives
  • DAW MIDI Control
  • Qu-Pad iPad App
  • Qu-You iPhone / Android personal monitoring app
  • Qu-Control customisable iOS app for simple wireless control
  • Compatible with ME Personal Mixing System

THE MIXER THAT CHANGED THE RULES

Compact 22 in / 12 out Digital Mixer with remote wireless control

Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
  • Our Best-Selling Digital Mixer
  • Inputs: 16 Mono / 3 Stereo
  • Mixes: 4 Mono / 3 Stereo / LR
  • 24×22 USB Audio Interface
  • Comprehensive Channel Processing and FX
  • Intuitive Interface with Full Colour Touchscreen
  • Range of Remote Expanders
  • Suitable for:
    • Live
    • Studio
    • Streaming
    • A/V Install
    • Corporate Audio
    • Houses of Worship
 

Makes Mixing Feel Natural

Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.Qu-16 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-16 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-16’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.Coming from analog? Qu will make you feel at home.  

World Class Processing And FX

Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.  

Feature Summary

  • 19” Rack Mountable
  • 16 Mono Mic/Line Inputs (TRS + XLR)
  • Recallable AnaLOGIQTM Preamps
  • 3 Stereo Inputs (TRS)
  • 12 Mix Outputs (XLR)
  • 7 Monitor Mixes (4 mono + 3 stereo)
  • 4 FX Engines
  • 2 dedicated FX Sends / Returns
  • 4 Mute Groups
  • 4 DCA Groups
  • AES Digital Out
  • 24×22 USB Audio Interface
  • dSNAKETM Remote Audio Port
  • 17 Motor Faders
  • 800×480 Touchscreen
  • 4 Soft Keys
  • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
  • Automatic Mic Mixer
  • Channel Ducker on all Inputs
  • ProFactory Mic Presets
  • RackFX Library
  • Built-in Signal Generator
  • RTA with Peak Band indication
  • Spectrogram to aid feedback elimination and room acoustics
  • Qu-Drive Direct Multitrack Recording / Playback on USB drives
  • DAW MIDI Control
  • Qu-Pad iPad App
  • Qu-You iPhone / Android personal monitoring app
  • Qu-Control customisable iOS app for simple wireless control
  • Compatible with ME Personal Mixing System
The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more. At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles. The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing. The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
  • Compact digital mixer for live, studio, and installation
  • 48 input channels
  • 32 local mic inputs (XLR)
  • Two 1/4” stereo inputs (TRS)
  • One 1/8″ stereo input
  • 36 total busses
  • 12 stereo mixes (Aux or Group) + Main
  • PAFL bus
  • 18 assignable local outputs (16 XLR + two 1/4” TRS)
  • AES digital output
  • Dedicated talkback mic input (XLR)
  • 1/4″ TRS headphone out with dedicated control
  • SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
  • I/O port for option card (including 3rd party protocols – Dante/Waves)
  • 8 mute groups
  • 8 DCA groups
  • 8 stereo FX with dedicated FX returns
  • DEEP processing ready
  • RackFX effects suite
  • 7″ color touchscreen
  • 16 assignable SoftKeys
  • Eight assignable soft rotaries
  • Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
  • 32+1 faders with 6 layers for 192 assignable channel strips
  • Motorized faders for sends on faders, GEQ fader flip, and mix recall
  • 32 backlit LCD channel-strip displays
  • Chromatic channel metering
  • Integrated surface illumination
  • Single/dual footswitch control
  • Input channel linking for stereo sources
  • Patchable insert points
  • Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
  • Mix processing – PEQ, Graphic EQ, Compressor, Delay
  • Fully integrated Automatic Mic Mixing (AMM)
  • 31-band, real-time analyzer (RTA)
  • Quick copy/paste/reset for parameters
  • User permissions to restrict operator access
  • 300 scene memories per show
  • Channel safes, global and per-scene recall filters
  • FX, processing, and channel libraries
  • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
  • USB transfer of scenes, libraries, shows
  • 32×32 channel USB streaming to/from Mac/Windows
  • DAW control driver for MIDI control via USB or TCP/IP
  • Wireless remote mixing apps for iPad and Android
  • Compatible with ME personal-monitoring range

Dynacord Power Mixer Overview

The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
Made in Germany

In the Box

  • Dynacord PowerMate3 10-Channel Powered Mixer
  • Power Cord (6.6′)
  • DVD with USB Driver & Software
  • Limited 3-Year WarrantyCg
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