| Description | A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. | A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ |
- 2x Mic/Line inputs with separate XLR and TRS jack sockets
- 2x Stereo inputs with TRS jack sockets
- 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
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- Qu-Pad iPad app for all live mixing controls
- Qu-Drive direct multitrack recording/playback on USB drives
- 15 soft keys
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- State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
- FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
- 6 DCAs to control groups of channels
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- High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
- XLR mic inputs (Ch. 9, 11, 13, and 15)
- Balanced ¼-inch line inputs (Ch. 9-16)
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Dynacord Power Mixer Overview
The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
Made in Germany
In the Box
- Dynacord PowerMate3 10-Channel Powered Mixer
- Power Cord (6.6′)
- DVD with USB Driver & Software
- Limited 3-Year WarrantyCg
| Dynacord Power Mixer Overview
The PowerMate3 8-Channel Powered Mixer from Dynacord features four mic/line, two mic/stereo-USB, and two stereo-line channels. It also has three auxiliary ports, one of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 9-band stereo graphic equalizer allows precise tone control for speakers and room matching. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid, hold by strong snap in magnets Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany۔
In The Box
- Dynacord PowerMate3 8-Channel Powered Mixer
- Power Cord (6.6′)
- DVD with USB Driver & Software
- Limited 3-Year Warranty
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Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools.
The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs.
You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip.
- 2x Mic/Line inputs with separate XLR and TRS jack sockets
- 2x Stereo inputs with TRS jack sockets
- 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
- Internal FX engine with tap tempo
- High-pass filter for cleaning up unwanted low-frequency noise
- 2-band EQ for tonal shaping
- 60mm smooth travel fader on main mix
- XLR main outputs
- 8x LED signal metering
- 48V Phantom Power for condenser mics
- Internal power supply
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Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb.
The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.
- 16 AnalogiQ recallable preamps
- 16 onboard mic/line inputs (XLR / TRS)
- Expandable up to 38 inputs via dSNAKE
- 3 stereo inputs (TRS)
- 32 mono + 3 stereo input channels
- 12 onboard mix outputs (XLR)
- 4 stereo groups
- 2 stereo matrix outs
- AES digital out
- 4 DCA groups
- 4 mute groups
- Qu-Pad iPad app for all live mixing controls
- Qu-You iPhone app for personal monitoring
- Qu-Drive direct multitrack recording/playback on USB drives
- 15 soft keys
- 16 custom select keys
- Qu-Control custom screen to suit the application
- 4 FX engines
- 4 FX sends/returns
- 32×32 USB Audio Interface
- 5″ touchscreen
- iLive FX Library
- Compatible with ME Personal Mixing System
- Trim, polarity, HPF, gate, insert/ducker, 4-band PEQ, compressor and delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor, and delay on all mix outputs
- Built-in signal generator
- RTA with peak band indication
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The best 16-channel digital mixer for your rack.
Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue.
Features
- Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
- 18 input-channel digital rack mixer
- 16 local digitally controlled XMAX mic/line inputs
- 2 FLEX FX returns
- 10 mix buses
- 6 FlexMixes (Aux, Subgroup, Matrix)
- 2 dedicated FLEX FX buses
- Stereo Main bus
- 130 simultaneous processors
- HPF
- Gate/Expander
- Compressor with Fat Channel plug-in models
- 4-band/6-band parametric EQ with Fat Channel plug-in models
- Limiter
- 31-band graphic EQ
- 4 FLEX FX slots featuring legendary classic reverb emulations and delays
- State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
- FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
- 6 DCAs to control groups of channels
- 36-channel (18×18) recording over USB
- Onboard stereo SD recorder with true Virtual Soundcheck mode
- AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
- Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
- Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
- Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
- Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
- Capture® 3.0 multitrack software included
- Automated Virtual Soundcheck
- Store StudioLive mix scenes with your audio
- Advanced Studio One® integration (Studio One Artist Included)
- XMAX mic preamp control from Studio One
- Control Fat Channel parameters from Studio One mixing console
- Ableton® Live Lite included
| Small size. Bigger possibilities.
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
8 mono mic/line channel inputs, each with:
- High-headroom Class A XMAX mic preamplifier
- XLR mic and balanced ¼-inch line inputs
- 60 mm precision fader
4 stereo line channel inputs, with:
- High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
- XLR mic inputs (Ch. 9, 11, 13, and 15)
- Balanced ¼-inch line inputs (Ch. 9-16)
- Unbalanced RCA line inputs (Ch. 13-16)
- 60 mm precision fader (4 stereo)
- 4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
- 3-band semi-parametric EQ (individual band on/off)
- Full-featured compressor
- Standard downward expander
- Limiter
- Phase reverse (12 mic preamplifiers only)
- Pan with dedicated 15-LED display
- Stereo link for input channels and aux buses
- Highpass filter
One 31-band stereo graphic EQ (on main outputs only)
18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
- Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle includes:
- PreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®
- PreSonus Capture® live-recording software for macOS and Windows
- PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®
- Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android provides wireless remote control of aux mixes
- Ableton® Live Lite
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
- Scene and FX Preset recall
- Main Volume, FXA, and FXB output levels
- FXA and FXB assign/unassign to Mains
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