Dynacord PowerMate 1000-3 10-Channel Powered Mixer

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A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.

Description

Dynacord Power Mixer Overview

The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.

A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).

Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
Made in Germany

In the Box

  • Dynacord PowerMate3 10-Channel Powered Mixer
  • Power Cord (6.6′)
  • DVD with USB Driver & Software
  • Limited 3-Year WarrantyCg
Channels 6 x Mic/Line
4 x Mic/Stereo Line
Auxiliary 2 x Pre
2 x Post
2 x Pre/Post Switchable
Output Power Max Single Channel, Dynamic-Headroom, IHF-A:
Into 2.66 Ohms: 2 x 1600 W
Into 4 Ohms: 2 x 1250 W
Into 8 Ohms: 2 x 675 W
Max Single Channel, Continuous, 1 kHz, THD = 1%:
Into 2.66 Ohms: 2 x 1350 W
Into 4 Ohms: 2 x 1150 W
Into 8 Ohms: 2 x 650 W
Max Midband, 1 kHz, THD = 1%, Dual Channel:
Into 2.66 Ohms: 2 x 1350 W
Into 4 Ohms: 2 x 1000 W
Into 8 Ohms: 2 x 600 W
Rated, 20 Hz to 20 kHz, THD < 0.5%, Single Channel:
Into 4 Ohms: 2 x 900 W
Into 8 Ohms: 2 x 450 W
Maximum Output Voltage Power Amplifier, 1 kHz, No Load: 74 V rms
Maximum THD @ 1kHz MBW = 80 kHz:
MIC Input to Master A L/R Outputs, +16 dBu, Typical: < 0.005%
Power AMP Inputs to Speaker L/R Outputs: < 0.075%
DIM 30 Power Amplifier, 3.15 kHz, 15 kHz: < 0.05%
IMD SMPTE Power Amplifier, 60 Hz, 7 kHz: < 0.15%
Frequency Response -3 dB, ref. 1 kHz:
Any Input to Any Mixer Output: 15 Hz to 70 kHz
Any Input to Speaker L/R Output: 20 Hz to 30 kHz
Crosstalk @ 1 kHz Amplifier L/R: < -85 dB
Channel to Channel: < -80 dB
Mute- and Standby-Switch Attenuation: > 100 dB
Fader and FX/AUX/MON-Send Attenuation: > 85 dB
CMRR MIC Input, 1 kHz: > 80 dB
Input Sensitivity All Level Controls in Max Position:
Microphone: -74 dBu (155 µV)
Line (Mono): -54 dBu (1.55 mV)
Line (Stereo): -34 dBu (15.5 mV)
CD (Stereo): -34 dBu (15.5 mV)
Power AMP Inputs: +8 dBu (1.95 V)
Maximum Level Mixing Desk:
Microphone Inputs: 21 dBu
Mono Line Inputs: 41 dBu
Stereo Line Inputs: 30 dBu
All Other Inputs: 22 dBu
All Other Outputs: 22 dBu
Input Impedances Microphone: 2 Kilohms
Insert Return: 3.3 Kilohms
2-Track Return & CD Input: 10 Kilohms
All Other Inputs: > 15 Kilohms
Output Impedances Phones: 47 Ohms
All Other Outputs: 75 Ohms
Equivalent Input Noise Microphone Input, A-Weighted, 150 Ohms: -130 dBu
Noise Channel Inputs to Master A L/R Outputs, A-Weighted:
Master Fader Down: -97 dBu
Master Fader 0 dB, Channel Fader Down: -91 dBu
Master Fader 0 dB, Channel Fader 0 dB, Channel Gain Unity: -83 dBu
Signal / Noise Power Amplifier, A-Weighted, 4 Ohms: 105 dB
Output Stage Amplifier: Class-D
Equalization LO Shelving: ±15 dB / 60 Hz
MID Peaking, Mono Inputs: ±15 dB / 100 Hz to 8 kHz
MID Peaking, Stereo Inputs: ±12 dB / 2.4 kHz
HI Shelving: ±15 dB / 12 kHz
Master EQ 11-Band (63 Hz, 125 Hz, 250 Hz, 400 Hz, 630 Hz, 1 kHz, 1.6 kHz, 2.5 kHz, 4 kHz, 6.3 kHz, 12 kHz): ±10 dB / Q = 1.5 to 2.5
Filter LO-CUT, Mono Inputs: f = 80 Hz, 18 dB/oct.
Voice Filter, Mono Inputs: Switchable
Feedback Filter, MON 1/2: 70 Hz to 7 kHz, Notch, -9 dB
Speaker Processing: LPN, Switchable
Effects Type: Dual Stereo 24/48-Bit Multi-Effects Processors
Effects Presets: 100 Factory + 20 User, Tap-Delay
Remote Control: Footswitch, MIDI
Display 128 x 64 pixels, OLED
Digital Audio Channels: 4 x Inputs / 4 x Outputs
AD/DA Conversion: 24-Bit
Sampling Rate: 44.1 / 48 / 88.2 / 96 kHz
PC Interface: USB 2.0, Female Type-B
Peak Display: 6 dB Before Clip
MIDI Connectors 1 x 5-Pin DIN, Input / Output
Power Control Output: Adjustable Longterm RMS Limiter
Protection Mixer Outputs (Relay Controlled): MON 1, MON 2, MASTER A
Amplifier: Audio Limiters, High Temperature, DC, HF, Short Circuit, Peak Current Limiters, Turn-On Delay, Back EMF
Switching Mode Power Supply (µC controlled): Inrush Current Limiters, Mains Over/Undervoltage, Mains Overcurrent, High Temperature
Cooling Continuous Speed-Controlled Fans
Phantom Power Switchable In Groups: 48 VDC
Power Requirements SMPS with Auto Range Mains Input: 100 to 240 VAC, 50/60 Hz
Power Consumption At 1/8 Maximum Output Power, 4 Ohms: 450 W
Safety Class I
Ambient Temperature 40 to 105°F / 5 to 40°C
Dimensions 20.1 x 6.5 x 22.5″ / 510.5 x 164.5 x 571.5 mm (with Lid)
19 x 5.3 x 17.5″ / 483 x 135 x 443.7 mm (Rackmount)
Weight 27.6 lb / 12.5 kg (without Lid)
30.9 lb / 14 kg (with Lid)

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DescriptionA built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.
  • Qu-Pad iPad app for all live mixing controls
  • Qu-Drive direct multitrack recording/playback on USB drives
  • 15 soft keys
  • State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
  • FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
  • 6 DCAs to control groups of channels
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔
Content

Dynacord Power Mixer Overview

The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
Made in Germany

In the Box

  • Dynacord PowerMate3 10-Channel Powered Mixer
  • Power Cord (6.6′)
  • DVD with USB Driver & Software
  • Limited 3-Year WarrantyCg
Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb. The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.

Features at a Glance:

  • 16 AnalogiQ recallable preamps
  • 16 onboard mic/line inputs (XLR / TRS)
  • Expandable up to 38 inputs via dSNAKE
  • 3 stereo inputs (TRS)
  • 32 mono + 3 stereo input channels
  • 12 onboard mix outputs (XLR)
  • 4 stereo groups
  • 2 stereo matrix outs
  • AES digital out
  • 4 DCA groups
  • 4 mute groups
  • Qu-Pad iPad app for all live mixing controls
  • Qu-You iPhone app for personal monitoring
  • Qu-Drive direct multitrack recording/playback on USB drives
  • 15 soft keys
  • 16 custom select keys
  • Qu-Control custom screen to suit the application
  • 4 FX engines
  • 4 FX sends/returns
  • 32×32 USB Audio Interface
  • 5″ touchscreen
  • iLive FX Library
  • Compatible with ME Personal Mixing System
  • Trim, polarity, HPF, gate, insert/ducker, 4-band PEQ, compressor and delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor, and delay on all mix outputs
  • Built-in signal generator
  • RTA with peak band indication

The best 16-channel digital mixer for your rack.

Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue.  

Features

  • Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
  • 18 input-channel digital rack mixer
    • 16 local digitally controlled XMAX mic/line inputs
    • 2 FLEX FX returns
  • 10 mix buses
    • 6 FlexMixes (Aux, Subgroup, Matrix)
    • 2 dedicated FLEX FX buses
    • Stereo Main bus
  • 130 simultaneous processors
    • HPF
    • Gate/Expander
    • Compressor with Fat Channel plug-in models
    • 4-band/6-band parametric EQ with Fat Channel plug-in models
    • Limiter
    • 31-band graphic EQ
    • 4 FLEX FX slots featuring legendary classic reverb emulations and delays
  • State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
  • FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
  • 6 DCAs to control groups of channels
  • 36-channel (18×18) recording over USB
  • Onboard stereo SD recorder with true Virtual Soundcheck mode
  • AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
    • Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
    • Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
  • Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
  • Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
  • Capture® 3.0 multitrack software included
    • Automated Virtual Soundcheck
    • Store StudioLive mix scenes with your audio
  • Advanced Studio One® integration (Studio One Artist Included)
    • XMAX mic preamp control from Studio One
    • Control Fat Channel parameters from Studio One mixing console
  • Ableton® Live Lite included

Computer system requirements:

Below are the minimum computer-system requirements for StudioLive 16R.

macOS®

  • macOS version 10.13 or later
  • 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)
  • Available USB port

Windows®

  • Windows 10 or later (64-Bit Only)
  • 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
  • Available USB port
The above are the hardware system requirements for this product. DAW software and Operating System requirements vary. Click here for Studio One’s system requirements. Click here for Qmix-UC’s system requirements Click here for UC Surface’s system requirements.

THE MIXER THAT CHANGED THE RULES

38 in / 28 out Digital Mixer with remote wireless control

Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.

World Class Processing & FX

Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series. Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units. Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.

Record. Stream. Mix

Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems. Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.

Everything I/O

Qu-32 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. But if you’re thinking of trading in the multicore for a Cat5 digital snake, the built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox from our Everything I/O range of remote expanders.

Qu-Drive: Record without a computer

Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.

FEATURE SUMMARY

  • 32 Mono Mic/Line Inputs (TRS + XLR)
  • Recallable AnaLOGIQTM Preamps
  • 3 Stereo Inputs (TRS)
  • 24 Mix Outputs (XLR)
  • 4 Stereo Groups (switchable to Mix mode)
  • Up to 11 Monitor Mixes (4 mono + 7 stereo)
  • 2 Stereo Matrix Outs
  • 4 FX Engines
  • 4 dedicated FX Sends / Returns
  • 4 Mute Groups
  • 4 DCA Groups
  • AES Digital Out
  • 32×32 USB Audio Interface
  • dSNAKETM Remote Audio Port
  • 33 Motor Faders
  • 7” Touchscreen
  • 10 Soft Keys
  • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
  • Automatic Mic Mixer
  • Channel Ducker on all Inputs
  • ProFactory Mic Presets
  • RackFX Library
  • Built-in Signal Generator
  • RTA with Peak Band indication
  • Spectrogram to aid feedback elimination and room acoustics
  • Qu-Drive Direct Multitrack Recording / Playback on USB drives
  • DAW MIDI Control
  • Qu-Pad iPad App
  • Qu-You iPhone / Android personal monitoring app
  • Qu-Control customisable iOS app for simple wireless control
  • Compatible with ME Personal Mixing System

Dynacord Power Mixer Overview

The PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany  

In the Box

Dynacord Power Mixer Overview

The PowerMate3 16-Channel Powered Mixer from Dynacord features 12 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid with integrated handle for easy transportation Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany  

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