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The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.
The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
| Number of Analog Input Channels | 48 |
| Mix Routing | 8 x Stereo FX Return |
| Groups | 8 x Mute Group 8 x DCA Group |
| Display | 7″ Touchscreen |
| Display Resolution/Color | Main Display: 800 x 480 8-Bit RGB |
| Faders | x 3.9″ / 100 mm Motorized |
| Meters | Main Meter: 2 x 12-Segment LED Channel Meter: Single LED |
| Meter Range | -3 dBFS Peak/Clip (+19 dBu at XLR Output) |
| Meter Calibration | 0 dB on Meter = -18 dBFS (+4 dBu at XLR Output) |
| Gain/Trim Range | Line: ±24 dB (Stereo Channels) Mic/Line: -5 dB to +60 dB (in 1 dB Steps) |
| Input Pad | -20 dB |
| Input Polarity | Normal/Reverse |
| Gate Parameters | Threshold: -72 to +18 dBu Depth: 0 to 60 dB Attack: 50 μs to 300 ms Hold: 10 ms to 5 sec Release: 10 ms to 1 sec |
| Compressor Parameters | Threshold: -46 to 18 dBu Ratio: 1:1 to ∞:1 Attack: 30 μs to 300 ms Release: 50 ms to 2 sec Knee: Soft / Hard Blend: Yes |
| Sidechain Filters | Compressor: High-Pass: 20 to 5 kHz Band-Pass: 120 Hz to 10 kHz Low-Pass: 120 Hz to 20 kHz Gate: High-Pass: 20 Hz to 5 kHz Band-Pass: 120 Hz to 10 kHz Low-Pass: 120 Hz to 20 kHz |
| EQ | FX Returns: 4-Band Parametric |
| EQ Parameters | 1 x HF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) 2 x MF Notch/Peak: ±15 dB at 20 Hz to 20 kHz 1 x LF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) |
| Graphic EQ | 28-Band 1/3 Octave, ±12 dB 31 Hz to 16 kHz |
| Filters | High-Pass: 20 Hz to 2 kHz, 12 dB/Octave |
| Channel Output/Source Monitoring | AFL, PFL, Post-Preamp, Post-HPF, Post-Gate, Post-EQ, Post-Compressor, Post-FX, Insert Return |
| Built-In Effects | Reverb Stereo Delay (Tap) Reverb (Gated) ADT 2 x Chorus Flanger Phaser |
| Real Time Analyzer | 31-Band 1/3 Octave, 20 Hz to 20 kHz |
| Audio Delay | Adjustable Up to 682 ms |
| Automatic Mic Mixing | Yes |
| Sample Rates | 96 kHz AES3 Output: 44.1 / 48 / 88.2 / 96 kHz Stereo Record: 96 kHz Stereo Playback: 44.1 / 48 / 96 kHz Multitrack Playback/Multitrack Record: 96 kHz |
| Bit Depth | Up to 96-Bit Stereo Record: 24-Bit Stereo Playback: 16 / 24-Bit Multitrack Playback, Multitrack Record: 24-Bit |
| Latency | < 0.7 ms (Mic Input to Main Output) |
| dBFS Reference Level | +18 dBu = 0 dBFS |
| Headroom | +18 dB |
| Frequency Response | 20 Hz to 20 kHz +0/-0.5 dB |
| Max Input Level | Mic/Line Input: +30 dBu Aux Input: +22 dBu (+4 dBu) +18 dBu (0 dBu) |
| Output Level | Analog Output: +4 dBu (Nominal) +22 dBu (Max) |
| Analog Dynamic Range | 112 dB |
| I/O Impedance | 1/4″, XLR Output: < 75 Ohms AES3 Output: 110 Ohms Aux Input: > 7 Kilohms Mic/Line Input: > 5 Kilohms |
| Noise Floor | -90 dBu (with Inputs Muted) |
| THD+N | 0.006% at Unity Gain Mic/Line Input to AES3 Output: 0.002% at Unity Gain 0.003% at +30 dB Gain |
| Signal Generator | Sine, White, Pink, or Band-Pass Noise (Assignable to Any Mix) |
| Analog Inputs | 1 x XLR Talkback Input 32 x XLR Balanced Mic/Line Input 4 x 1/4″ TRS Balanced Aux Input (2 Stereo Pairs, Half-Normalled) 1 x 1/8″ / 3.5 mm Unbalanced Aux Input |
| Analog Outputs | 16 x XLR Balanced Output 2 x 1/4″ TRS Balanced Output |
| Phantom Power | +48 V |
| Digital I/O | 1 x RJ45 (Network) 1 x XLR AES3 Output 1 x etherCON (I/O) |
| USB | 1 x USB Type-A (External Memory) 1 x USB Type-B (USB 2.0, Audio Streaming) |
| Expansion Ports | 1 x I/O Card |
| Max Multitrack Recording | 16 Tracks |
| File Format Support | WAV |
| AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
| Power Consumption | 110 W (Maximum) |
| Operating Temperature | 32 to 104°F / 0 to 40°C |
| Dimensions | 31.7 x 20.3 x 7.8″ / 805 x 516 x 198 mm |
| Weight | 39.3 lb / 17.8 kg |
| Package Weight | 48.5 lb |
| Box Dimensions (LxWxH) | 38.25 x 27.3 x 14″ |
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| Settings | Allen & Heath SQ-7 32 Channel Digital Mixer remove | Presonus StudioLive 16.0.2 USB remove | Presonus StudioLive 32SX remove | Dynacord PowerMate 1600-3 16-Channel Powered Mixer remove | Allen & Heath Qu-16 Rackmountable Digital Mixer remove | Allen & Heath ZED-6FX Compact Analog Mixer (with On-Board Effects Engine) remove |
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The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.
The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
| Small size. Bigger possibilities.In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.8 mono mic/line channel inputs, each with:
4 stereo line channel inputs, with:
2 Internal FX buses2 stereo 32-bit digital effects processors with customizable reverb and delay presetsFat Channel signal processing on all channels and buses, with:
One 31-band stereo graphic EQ (on main outputs only)18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Scene store and recallSettings can be copied among channels and buses and saved as user presets.Software bundle includes:
Lockout mode protects your settings from meddlers and accidentsMIDI Control Mode provides control over:
| Power meets efficiency.Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.Features
| Dynacord Power Mixer OverviewThe PowerMate3 16-Channel Powered Mixer from Dynacord features 12 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid with integrated handle for easy transportation Optional speaker protection allows limitation of long-term power without giving up dynamics Made in GermanyIn the Box | THE MIXER THAT CHANGED THE RULESCompact 22 in / 12 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
Makes Mixing Feel Natural
Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.Qu-16 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-16 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-16’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.Coming from analog? Qu will make you feel at home.
World Class Processing And FXQu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.Feature Summary
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Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools.
The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs.
You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip.
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