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Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb.
The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.
| Number of Analog Input Channels | 32 |
| Number of Mic Preamps | 16 |
| Number of Analog Output Channels | 12 |
| Max I/O Capacity | 16 x Input / 12 x Output |
| Mix Routing | 4 x Stereo FX Return |
| Groups | 4 x Mute Group 4 x DCA Group |
| Display | 5″ Touchscreen |
| Display Resolution/Color | Main Display: 800 x 480 |
| Faders | None |
| Meter Range | -48 to -3 dBFS Peak/Clip (+19 dBu at XLR Output) |
| Meter Calibration | 0 dB on Meter = -18 dBFS (+4 dBu at XLR Output) |
| Gain/Trim Range | Line: ±24 dB (Stereo Channels) Line/Mic: -5 dB to +60 dB (in 1 dB Steps) |
| Input Polarity | Normal/Reverse |
| Gate Parameters | Threshold: -72 to +18 dBu Depth: 0 to 60 dB Attack: 50 μs to 300 ms Hold: 10 ms to 5 sec Release: 10 ms to 1 sec |
| Compressor Parameters | Threshold: -46 to 18 dBu Ratio: 1:1 to ∞:1 Attack: 300 μs to 300 ms Release: 100 ms to 2 sec Knee: Soft / Hard |
| EQ | FX Returns: 4-Band Parametric |
| EQ Parameters | 1 x HF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) 2 x MF Notch/Peak: ±15 dB at 20 Hz to 20 kHz 1 x LF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) |
| Graphic EQ | 28-Band 1/3 Octave, ±12 dB 31 Hz to 16 kHz |
| Filters | High-Pass: 20 Hz to 20 kHz, 12 dB/Octave |
| Channel Output/Source Monitoring | AFL, PFL, Post-Preamp, Post-EQ, Post-FX |
| Built-In Effects | Reverb Delay Reverb (Gated) ADT Chorus Phaser Flanger |
| Real Time Analyzer | 31-Band 1/3 Octave, 20 Hz to 20 kHz |
| Audio Delay | Adjustable Up to 170 ms |
| Sample Rates | 48 kHz AES3 Output: 48 kHz Stereo Record: 48 kHz Stereo Playback: 44.1 / 48 kHz Multitrack Record: 48 kHz Multitrack Playback: 48 kHz |
| Bit Depth | AD/DA Conversion: 24-Bit Delta Sigma Stereo Record: 24-Bit Stereo Playback: 16 / 24-Bit Multitrack Record: 24-Bit Multitrack Playback: 24-Bit |
| Latency | 1.2 ms (Mic Input to XLR Output) 0.7 ms (Mic Input to AES Output) |
| dBFS Reference Level | +18 dBu = 0 dBFS |
| Headroom | +18 dB |
| Frequency Response | 20 Hz to 20 kHz +0/-0.5 dB |
| Max Input Level | Mic Input: +19 dBu Line Input: +29 dBu Aux Input: +22 dBu (+4 dBu) +18 dBu (0 dBu) |
| Output Level | Aux Output: +22 dBu (2901653168) +4 dBu (2901653169) Line Output: +22 dBu +4 dBu |
| Analog Dynamic Range | 112 dB |
| I/O Impedance | AES3 Output: 110 Ohms Aux Input: > 7 Kilohms Aux Output: < 75 Ohms XLR Line Output: < 75 Ohms XLR Line/Mic Input: > 5 Kilohms 1/4″ Line/Mic Input: > 10 Kilohms |
| Noise Floor | -90 dBu (with Inputs Muted) |
| THD+N | Mic/Line Input: 0.0005% at Unity Gain 0.001% at +30 dB Gain |
| Signal Generator | Sine, White, Pink, or Band-Pass Noise (Assignable to Any Mix) |
| Analog Inputs | 1 x XLR Talkback Input 16 x XLR Balanced Mic Input 16 x 1/4″ TRS Balanced Line Input 4 x 1/4″ TRS Balanced Aux Input (2 Stereo Pairs, Half-Normalled) 1 x 1/8″ / 3.5 mm Unbalanced Aux Input |
| Analog Outputs | 10 x XLR Balanced Mix Output 2 x XLR Balanced Main Output 4 x 1/4″ TRS Balanced Aux Output (2 Stereo Pairs) |
| Digital I/O | 1 x RJ45 (Network) 1 x XLR AES3 Output 1 x etherCON dSNAKE (I/O) |
| MIDI I/O | None |
| USB | 1 x USB Type-A (External Memory) 1 x USB Type-B (USB 2.0, Audio Streaming) |
| Expansion Ports | None |
| Max Multitrack Recording | 18 Tracks |
| Internet Connection | Yes |
| AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
| Power Consumption | 150 W (Maximum) |
| Rack Mountable | No |
| Rackmount Size | 4 RU |
| Operating Temperature | 32 to 95°F / 0 to 35°C |
| Dimensions | 17.3 x 7.1 x 7.1″ / 44 x 18 x 18.1 cm (Desk-Mounted) 19 x 6.9 x 7.1″ / 48.3 x 17.4 x 18.1 cm (Rack-Mounted) |
| Weight | 14.5 lb / 6.6 kg |
| Package Weight | 20.8 lb |
| Box Dimensions (LxWxH) | 24 x 11.5 x 11″ |
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| Settings | Allen & Heath Qu-Pac 16×12 Compact Mountable Mixer remove | Presonus StudioLive 16R remove | Allen & Heath ZED-6FX Compact Analog Mixer (with On-Board Effects Engine) remove | Dynacord PowerMate 600-3 8-Channel Powered Mixer remove | Dynacord PowerMate 2200-3 22-Channel Powered Mixer remove | Dynacord PowerMate 1600-3 16-Channel Powered Mixer remove |
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| Description |
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| A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ | A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ | |
| Content |
Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb.
The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.
Features at a Glance:
| The best 16-channel digital mixer for your rack.Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue.Features
Computer system requirements:Below are the minimum computer-system requirements for StudioLive 16R.macOS®
Windows®
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Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools.
The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs.
You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip.
Key Features
| Dynacord Power Mixer OverviewThe PowerMate3 8-Channel Powered Mixer from Dynacord features four mic/line, two mic/stereo-USB, and two stereo-line channels. It also has three auxiliary ports, one of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 9-band stereo graphic equalizer allows precise tone control for speakers and room matching. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid, hold by strong snap in magnets Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany۔In The Box
| Dynacord Power Mixer OverviewThe PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in GermanyIn the Box | Dynacord Power Mixer OverviewThe PowerMate3 16-Channel Powered Mixer from Dynacord features 12 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid with integrated handle for easy transportation Optional speaker protection allows limitation of long-term power without giving up dynamics Made in GermanyIn the Box |
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