No products in the cart.
Only this weekend
Super Discount
Items on sale this week
Top picks this week. Up to 50% off the best selling products.
Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.
Microphone Preamplifier |
|
|---|---|
| Input Type | XLR Female, balanced |
| Frequency Response to Main Output (at unity gain) | 20-20 kHz, ±0.5 dBu |
| Input Impedance | 1 kΩ |
| THD to Main Output | <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | 94 dB |
| Common Mode Rejection Ratio (1 kHz at unity gain) | 65 dB |
| Gain Control Range (±1 dB) | 0 dB to +60 dB |
| Maximum Input Level (unity gain) | +12 dBu |
| Phantom Power (±2 VDC) | 48 VDC, switchable per channel |
Line Inputs |
|
|---|---|
| Type | ¼” TRS Female, balanced |
| Frequency Response to Main Output (at unity gain) | 20-20 kHz, ±0.5 dBu |
| Input Impedance | 10 kΩ |
| THD to Main Output | <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | 94 dB |
| Maximum Input Level | +18 dBu |
Tape Inputs |
|
|---|---|
| Type | RCA Female, unbalanced (stereo pair) |
| Maximum Input Level | +12 dBu, ±0.5 dBu |
XLR Outputs |
|
|---|---|
| Type | XLR Male, balanced |
| Maximum Output Level | +24 dBu, ±0.5 dBu |
| Output Impedance | 100Ω |
Line Outputs |
|
|---|---|
| Type | ¼” TRS Female, balanced |
| Maximum Output Level | +18 dBu, ±0.5 dBu |
| Output Impedance | 100Ω |
Tape Outputs |
|
|---|---|
| Type | RCA Female, unbalanced (stereo pair) |
| Maximum Output Level | +18 dBu, ±0.5 dBu |
| Output Impedance | 100Ω |
Headphone Output |
|
|---|---|
| Type | ¼” TRS Female, active stereo |
| Maximum Output | 100 mW/ch. @ 60Ω load |
| Frequency Response | 20 Hz – 20 kHz (± 0.5 dB) |
| THD+N | 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd |
| S/N Ratio | 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd |
System Crosstalk |
|
|---|---|
| Input to Output | -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
| Adjacent Channels | -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
Digital Audio and Control |
|
|---|---|
| ADC Dynamic Range | 115 dB (A-wtd, 48 kHz) |
| DAC Dynamic Range | 115 dB (A-wtd, 48 kHz) |
| USB Recording Port | USB 2.0, Type-B |
| AES/EBU Output | XLR Male |
| Network Control Port | RJ-45 |
| AVB Audio Network Port | Locking XLR Ethernet |
| Internal Processing | 32-bit, floating point |
| Sampling Rate | 48 kHz, 44.1 kHz |
| A/D/A Bit Depth | 24 |
| Reference Level for 0 dBFS | +18 dBu |
| Total System Latency | 1.9 ms (local routing, analog in-analog out, all processing active) |
Clock |
|
|---|---|
| Jitter | <20 ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in, 1 ps out) |
Power / Environmental |
|
|---|---|
| Connector | IEC |
| Input-Voltage Range | 90 to 230 VAC (±10%) |
| Power Requirements (continuous) | 85W |
| Recommended Ambient Operating Temperature | 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
|---|---|
| Height | 6.51” (165.36 mm) |
| Width | 25.98” (659.81 mm) |
| Depth | 22.97” (583.84 mm) |
| Weight | 30 lbs. (13.6 kg) |
Only logged in customers who have purchased this product may leave a review.
| Settings | Presonus StudioLive 32SX remove | Dynacord PowerMate 1600-3 16-Channel Powered Mixer remove | Allen & Heath ZED-6FX Compact Analog Mixer (with On-Board Effects Engine) remove | Dynacord PowerMate 2200-3 22-Channel Powered Mixer remove | Allen & Heath SQ-7 32 Channel Digital Mixer remove | Allen & Heath Qu-24 30-In/24-Out Digital Mixer remove |
|---|---|---|---|---|---|---|
| Image |  |  |  |  |  |  |
| SKU | ||||||
| Rating | ||||||
| Price | ||||||
| Stock | In Stock
| In Stock
| In Stock
| In Stock
| In Stock
| In Stock
|
| Availability | In Stock | In Stock | In Stock | In Stock | In Stock | In Stock |
| Add to cart | ||||||
| Description |
|
| A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ |
|
| |
| Content | Power meets efficiency.Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.Features
| Dynacord Power Mixer OverviewThe PowerMate3 16-Channel Powered Mixer from Dynacord features 12 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid with integrated handle for easy transportation Optional speaker protection allows limitation of long-term power without giving up dynamics Made in GermanyIn the Box |
Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools.
The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs.
You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip.
Key Features
| Dynacord Power Mixer OverviewThe PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in GermanyIn the Box |
The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.
The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
| THE MIXER THAT CHANGED THE RULES30 in / 24 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
Makes Mixing Feel Natural
Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.
Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.
The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.
Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.
Coming from analogue? Qu will make you feel at home.
Qu-Drive: Record without a computerQu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.AMM: Automatic Mic MixerAMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain. FEATURE SUMMARY
|
| Weight | ||||||
| Dimensions | N/A | N/A | N/A | N/A | N/A | N/A |
| Additional information |
Reviews
There are no reviews yet.