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A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔
The PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany
| Channels | 18 x Mic/Line 4 x Mic/Stereo Line |
| Auxiliary | 2 x Pre 2 x Post 2 x Pre/Post Switchable |
| Output Power | Max Single Channel, Dynamic-Headroom, IHF-A: Into 2.66 Ohms: 2 x 1600 W Into 4 Ohms: 2 x 1250 W Into 8 Ohms: 2 x 675 W Max Single Channel, Continuous, 1 kHz, THD = 1%: Into 2.66 Ohms: 2 x 1350 W Into 4 Ohms: 2 x 1150 W Into 8 Ohms: 2 x 650 W Max Midband, 1 kHz, THD = 1%, Dual Channel: Into 2.66 Ohms: 2 x 1350 W Into 4 Ohms: 2 x 1000 W Into 8 Ohms: 2 x 600 W Rated, 20 Hz to 20 kHz, THD < 0.5%, Single Channel: Into 4 Ohms: 2 x 900 W Into 8 Ohms: 2 x 450 W |
| Maximum Output Voltage | Power Amplifier, 1 kHz, No Load: 74 V rms |
| Maximum THD @ 1kHz | MBW = 80 kHz: MIC Input to Master A L/R Outputs, +16 dBu, Typical: < 0.005% Power AMP Inputs to Speaker L/R Outputs: < 0.075% |
| DIM 30 | Power Amplifier, 3.15 kHz, 15 kHz: < 0.05% |
| IMD SMPTE | Power Amplifier, 60 Hz, 7 kHz: < 0.15% |
| Frequency Response | -3 dB, ref. 1 kHz: Any Input to Any Mixer Output: 15 Hz to 70 kHz Any Input to Speaker L/R Output: 20 Hz to 30 kHz |
| Crosstalk @ 1 kHz | Amplifier L/R: < -85 dB Channel to Channel: < -80 dB Mute- and Standby-Switch Attenuation: > 100 dB Fader and FX/AUX/MON-Send Attenuation: > 85 dB |
| CMRR | MIC Input, 1 kHz: > 80 dB |
| Input Sensitivity | All Level Controls in Max Position: Microphone: -74 dBu (155 µV) Line (Mono): -54 dBu (1.55 mV) Line (Stereo): -34 dBu (15.5 mV) CD (Stereo): -34 dBu (15.5 mV) Power AMP Inputs: +8 dBu (1.95 V) |
| Maximum Level | Mixing Desk: Microphone Inputs: 21 dBu Mono Line Inputs: 41 dBu Stereo Line Inputs: 30 dBu All Other Inputs: 22 dBu All Other Outputs: 22 dBu |
| Input Impedances | Microphone: 2 Kilohms Insert Return: 3.3 Kilohms 2-Track Return & CD Input: 10 Kilohms All Other Inputs: > 15 Kilohms |
| Output Impedances | Phones: 47 Ohms All Other Outputs: 75 Ohms |
| Equivalent Input Noise | Microphone Input, A-Weighted, 150 Ohms: -130 dBu |
| Noise | Channel Inputs to Master A L/R Outputs, A-Weighted: Master Fader Down: -97 dBu Master Fader 0 dB, Channel Fader Down: -87 dBu Master Fader 0 dB, Channel Fader 0 dB, Channel Gain Unity: -81 dBu |
| Signal / Noise | Power Amplifier, A-Weighted, 4 Ohms: 105 dB |
| Output Stage | Amplifier: Class-D |
| Equalization | LO Shelving: ±15 dB / 60 Hz MID Peaking, Mono Inputs: ±15 dB / 100 Hz to 8 kHz MID Peaking, Stereo Inputs: ±12 dB / 2.4 kHz HI Shelving: ±15 dB / 12 kHz Master EQ 11-Band (63 Hz, 125 Hz, 250 Hz, 400 Hz, 630 Hz, 1 kHz, 1.6 kHz, 2.5 kHz, 4 kHz, 6.3 kHz, 12 kHz): ±10 dB / Q = 1.5 to 2.5 |
| Filter | LO-CUT, Mono Inputs: f = 80 Hz, 18 dB/oct. Voice Filter, Mono Inputs: Switchable Feedback Filter, MON 1/2: 70 Hz to 7 kHz, Notch, -9 dB Speaker Processing: LPN, Switchable |
| Effects | Type: Dual Stereo 24/48-Bit Multi-Effects Processors Effects Presets: 100 Factory + 20 User, Tap-Delay Remote Control: Footswitch, MIDI |
| Display | 128 x 64 pixels, OLED |
| Digital Audio | Channels: 4 x Inputs / 4 x Outputs AD/DA Conversion: 24-Bit Sampling Rate: 44.1 / 48 / 88.2 / 96 kHz PC Interface: USB 2.0, Female Type-B Peak Display: 6 dB Before Clip |
| MIDI Connectors | 1 x 5-Pin DIN, Input / Output |
| Power Control | Output: Adjustable Longterm RMS Limiter |
| Protection | Mixer Outputs (Relay Controlled): MON 1, MON 2, MASTER A Amplifier: Audio Limiters, High Temperature, DC, HF, Short Circuit, Peak Current Limiters, Turn-On Delay, Back EMF Switching Mode Power Supply (µC controlled): Inrush Current Limiters, Mains Over/Undervoltage, Mains Overcurrent, High Temperature |
| Cooling | Continuous Speed-Controlled Fans |
| Phantom Power | Switchable In Groups: 48 VDC |
| Power Requirements | SMPS with Auto Range Mains Input: 100 to 240 VAC, 50/60 Hz |
| Power Consumption | At 1/8 Maximum Output Power, 4 Ohms: 450 W |
| Safety Class | I |
| Ambient Temperature | 40 to 105°F / 5 to 40°C |
| Dimensions | 32.2 x 6.1 x 19.6″ / 818.5 x 155 x 498.5 mm (without Lid) |
| Weight | 39.7 lb / 18 kg |
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| Settings | Dynacord PowerMate 2200-3 22-Channel Powered Mixer remove | Presonus StudioLive 16R remove | Presonus StudioLive 32SX remove | Allen & Heath ZED-6FX Compact Analog Mixer (with On-Board Effects Engine) remove | Presonus StudioLive 16.0.2 USB remove | Allen & Heath Qu-Pac 16×12 Compact Mountable Mixer remove |
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| Description | A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ |
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| Content | Dynacord Power Mixer OverviewThe PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in GermanyIn the Box | The best 16-channel digital mixer for your rack.Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue.Features
Computer system requirements:Below are the minimum computer-system requirements for StudioLive 16R.macOS®
Windows®
| Power meets efficiency.Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.Features
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Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools.
The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs.
You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip.
Key Features
| Small size. Bigger possibilities.In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.8 mono mic/line channel inputs, each with:
4 stereo line channel inputs, with:
2 Internal FX buses2 stereo 32-bit digital effects processors with customizable reverb and delay presetsFat Channel signal processing on all channels and buses, with:
One 31-band stereo graphic EQ (on main outputs only)18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Scene store and recallSettings can be copied among channels and buses and saved as user presets.Software bundle includes:
Lockout mode protects your settings from meddlers and accidentsMIDI Control Mode provides control over:
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Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb.
The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.
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