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A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔
The PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany
| Channels | 18 x Mic/Line 4 x Mic/Stereo Line |
| Auxiliary | 2 x Pre 2 x Post 2 x Pre/Post Switchable |
| Output Power | Max Single Channel, Dynamic-Headroom, IHF-A: Into 2.66 Ohms: 2 x 1600 W Into 4 Ohms: 2 x 1250 W Into 8 Ohms: 2 x 675 W Max Single Channel, Continuous, 1 kHz, THD = 1%: Into 2.66 Ohms: 2 x 1350 W Into 4 Ohms: 2 x 1150 W Into 8 Ohms: 2 x 650 W Max Midband, 1 kHz, THD = 1%, Dual Channel: Into 2.66 Ohms: 2 x 1350 W Into 4 Ohms: 2 x 1000 W Into 8 Ohms: 2 x 600 W Rated, 20 Hz to 20 kHz, THD < 0.5%, Single Channel: Into 4 Ohms: 2 x 900 W Into 8 Ohms: 2 x 450 W |
| Maximum Output Voltage | Power Amplifier, 1 kHz, No Load: 74 V rms |
| Maximum THD @ 1kHz | MBW = 80 kHz: MIC Input to Master A L/R Outputs, +16 dBu, Typical: < 0.005% Power AMP Inputs to Speaker L/R Outputs: < 0.075% |
| DIM 30 | Power Amplifier, 3.15 kHz, 15 kHz: < 0.05% |
| IMD SMPTE | Power Amplifier, 60 Hz, 7 kHz: < 0.15% |
| Frequency Response | -3 dB, ref. 1 kHz: Any Input to Any Mixer Output: 15 Hz to 70 kHz Any Input to Speaker L/R Output: 20 Hz to 30 kHz |
| Crosstalk @ 1 kHz | Amplifier L/R: < -85 dB Channel to Channel: < -80 dB Mute- and Standby-Switch Attenuation: > 100 dB Fader and FX/AUX/MON-Send Attenuation: > 85 dB |
| CMRR | MIC Input, 1 kHz: > 80 dB |
| Input Sensitivity | All Level Controls in Max Position: Microphone: -74 dBu (155 µV) Line (Mono): -54 dBu (1.55 mV) Line (Stereo): -34 dBu (15.5 mV) CD (Stereo): -34 dBu (15.5 mV) Power AMP Inputs: +8 dBu (1.95 V) |
| Maximum Level | Mixing Desk: Microphone Inputs: 21 dBu Mono Line Inputs: 41 dBu Stereo Line Inputs: 30 dBu All Other Inputs: 22 dBu All Other Outputs: 22 dBu |
| Input Impedances | Microphone: 2 Kilohms Insert Return: 3.3 Kilohms 2-Track Return & CD Input: 10 Kilohms All Other Inputs: > 15 Kilohms |
| Output Impedances | Phones: 47 Ohms All Other Outputs: 75 Ohms |
| Equivalent Input Noise | Microphone Input, A-Weighted, 150 Ohms: -130 dBu |
| Noise | Channel Inputs to Master A L/R Outputs, A-Weighted: Master Fader Down: -97 dBu Master Fader 0 dB, Channel Fader Down: -87 dBu Master Fader 0 dB, Channel Fader 0 dB, Channel Gain Unity: -81 dBu |
| Signal / Noise | Power Amplifier, A-Weighted, 4 Ohms: 105 dB |
| Output Stage | Amplifier: Class-D |
| Equalization | LO Shelving: ±15 dB / 60 Hz MID Peaking, Mono Inputs: ±15 dB / 100 Hz to 8 kHz MID Peaking, Stereo Inputs: ±12 dB / 2.4 kHz HI Shelving: ±15 dB / 12 kHz Master EQ 11-Band (63 Hz, 125 Hz, 250 Hz, 400 Hz, 630 Hz, 1 kHz, 1.6 kHz, 2.5 kHz, 4 kHz, 6.3 kHz, 12 kHz): ±10 dB / Q = 1.5 to 2.5 |
| Filter | LO-CUT, Mono Inputs: f = 80 Hz, 18 dB/oct. Voice Filter, Mono Inputs: Switchable Feedback Filter, MON 1/2: 70 Hz to 7 kHz, Notch, -9 dB Speaker Processing: LPN, Switchable |
| Effects | Type: Dual Stereo 24/48-Bit Multi-Effects Processors Effects Presets: 100 Factory + 20 User, Tap-Delay Remote Control: Footswitch, MIDI |
| Display | 128 x 64 pixels, OLED |
| Digital Audio | Channels: 4 x Inputs / 4 x Outputs AD/DA Conversion: 24-Bit Sampling Rate: 44.1 / 48 / 88.2 / 96 kHz PC Interface: USB 2.0, Female Type-B Peak Display: 6 dB Before Clip |
| MIDI Connectors | 1 x 5-Pin DIN, Input / Output |
| Power Control | Output: Adjustable Longterm RMS Limiter |
| Protection | Mixer Outputs (Relay Controlled): MON 1, MON 2, MASTER A Amplifier: Audio Limiters, High Temperature, DC, HF, Short Circuit, Peak Current Limiters, Turn-On Delay, Back EMF Switching Mode Power Supply (µC controlled): Inrush Current Limiters, Mains Over/Undervoltage, Mains Overcurrent, High Temperature |
| Cooling | Continuous Speed-Controlled Fans |
| Phantom Power | Switchable In Groups: 48 VDC |
| Power Requirements | SMPS with Auto Range Mains Input: 100 to 240 VAC, 50/60 Hz |
| Power Consumption | At 1/8 Maximum Output Power, 4 Ohms: 450 W |
| Safety Class | I |
| Ambient Temperature | 40 to 105°F / 5 to 40°C |
| Dimensions | 32.2 x 6.1 x 19.6″ / 818.5 x 155 x 498.5 mm (without Lid) |
| Weight | 39.7 lb / 18 kg |
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| Settings | Dynacord PowerMate 2200-3 22-Channel Powered Mixer remove | Allen & Heath SQ-6 24 Channel Digital Mixer remove | Presonus StudioLive 16.0.2 USB remove | Allen & Heath SQ-7 32 Channel Digital Mixer remove | Dynacord PowerMate 600-3 8-Channel Powered Mixer remove | Allen & Heath Qu-24 30-In/24-Out Digital Mixer remove |
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| Description | A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ |
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| A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ |
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| Content | Dynacord Power Mixer OverviewThe PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in GermanyIn the Box |
The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-6 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing.
The SQ-6 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-6 ships with a power cord.
| Small size. Bigger possibilities.In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.8 mono mic/line channel inputs, each with:
4 stereo line channel inputs, with:
2 Internal FX buses2 stereo 32-bit digital effects processors with customizable reverb and delay presetsFat Channel signal processing on all channels and buses, with:
One 31-band stereo graphic EQ (on main outputs only)18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Scene store and recallSettings can be copied among channels and buses and saved as user presets.Software bundle includes:
Lockout mode protects your settings from meddlers and accidentsMIDI Control Mode provides control over:
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The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.
The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
| Dynacord Power Mixer OverviewThe PowerMate3 8-Channel Powered Mixer from Dynacord features four mic/line, two mic/stereo-USB, and two stereo-line channels. It also has three auxiliary ports, one of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 9-band stereo graphic equalizer allows precise tone control for speakers and room matching. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid, hold by strong snap in magnets Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany۔In The Box
| THE MIXER THAT CHANGED THE RULES30 in / 24 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
Makes Mixing Feel Natural
Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.
Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.
The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.
Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.
Coming from analogue? Qu will make you feel at home.
Qu-Drive: Record without a computerQu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.AMM: Automatic Mic MixerAMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain. FEATURE SUMMARY
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