Allen & Heath ZED-6FX Compact Analog Mixer (with On-Board Effects Engine)

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Category:
  • 2x Mic/Line inputs with separate XLR and TRS jack sockets
  • 2x Stereo inputs with TRS jack sockets
  • 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes

Description

Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools.

The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs.

You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip.

 

Key Features

  • 2x Mic/Line inputs with separate XLR and TRS jack sockets
  • 2x Stereo inputs with TRS jack sockets
  • 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
  • Internal FX engine with tap tempo
  • High-pass filter for cleaning up unwanted low-frequency noise
  • 2-band EQ for tonal shaping
  • 60mm smooth travel fader on main mix
  • XLR main outputs
  • 8x LED signal metering
  • 48V Phantom Power for condenser mics
  • Internal power supply

Mixer

Number of Analog Input Channels 6 (2 Mono / 2 Stereo)
Number of Mic Preamps 2
Analog Output Channels 1 x Stereo Master Output
1 x Stereo Headphone Output
Faders 4 x Channel Fader
Meters Main Meter:
2 x 8-Segment LED

Signal Processing

EQ Parameters Low: at 80 Hz
High: at 12 kHz
Filters 2 x High-Pass: 100 Hz
Built-In Effects Yes

Connectivity

Analog Inputs 2 x XLR 3-Pin Mic Input
2 x 1/4″ TRS Line Input
4 x 1/4″ TRS Line Input (2 Stereo Pairs)
Analog Outputs 2 x XLR 3-Pin Main Output
1 x 1/4″ TRS Headphone Output
1 x 1/4″ FX Output
Phantom Power Yes

Power

AC Input Power 100 to 240 VAC, 50 / 60 Hz
Power Consumption 12 W

Physical

Rack Mountable No
Dimensions 3.5 x 9.8 x 9.3″ / 88.9 x 246.4 x 236.2 mm
Weight 3 lb / 1.4 kg
Packaging Info
Package Weight 4.95 lb
Box Dimensions (LxWxH) 14.9 x 12 x 5.6″

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Description
  • 2x Mic/Line inputs with separate XLR and TRS jack sockets
  • 2x Stereo inputs with TRS jack sockets
  • 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔
  • Qu-Pad iPad app for all live mixing controls
  • Qu-Drive direct multitrack recording/playback on USB drives
  • 15 soft keys
  • 31-band, real-time analyzer (RTA)
  • Quick copy/paste/reset for parameters
  • User permissions to restrict operator access
  • FX, processing, and channel libraries
  • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
  • USB transfer of scenes, libraries, shows
Content
Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools. The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs. You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip.  

Key Features

  • 2x Mic/Line inputs with separate XLR and TRS jack sockets
  • 2x Stereo inputs with TRS jack sockets
  • 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
  • Internal FX engine with tap tempo
  • High-pass filter for cleaning up unwanted low-frequency noise
  • 2-band EQ for tonal shaping
  • 60mm smooth travel fader on main mix
  • XLR main outputs
  • 8x LED signal metering
  • 48V Phantom Power for condenser mics
  • Internal power supply

Dynacord Power Mixer Overview

The PowerMate3 8-Channel Powered Mixer from Dynacord features four mic/line, two mic/stereo-USB, and two stereo-line channels. It also has three auxiliary ports, one of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 9-band stereo graphic equalizer allows precise tone control for speakers and room matching. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid, hold by strong snap in magnets Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany۔  

In The Box

  • Dynacord PowerMate3 8-Channel Powered Mixer
  • Power Cord (6.6′)
  • DVD with USB Driver & Software
  • Limited 3-Year Warranty
Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb. The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.

Features at a Glance:

  • 16 AnalogiQ recallable preamps
  • 16 onboard mic/line inputs (XLR / TRS)
  • Expandable up to 38 inputs via dSNAKE
  • 3 stereo inputs (TRS)
  • 32 mono + 3 stereo input channels
  • 12 onboard mix outputs (XLR)
  • 4 stereo groups
  • 2 stereo matrix outs
  • AES digital out
  • 4 DCA groups
  • 4 mute groups
  • Qu-Pad iPad app for all live mixing controls
  • Qu-You iPhone app for personal monitoring
  • Qu-Drive direct multitrack recording/playback on USB drives
  • 15 soft keys
  • 16 custom select keys
  • Qu-Control custom screen to suit the application
  • 4 FX engines
  • 4 FX sends/returns
  • 32×32 USB Audio Interface
  • 5″ touchscreen
  • iLive FX Library
  • Compatible with ME Personal Mixing System
  • Trim, polarity, HPF, gate, insert/ducker, 4-band PEQ, compressor and delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor, and delay on all mix outputs
  • Built-in signal generator
  • RTA with peak band indication
The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more. At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles. The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-6 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing. The SQ-6 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-6 ships with a power cord.
  • Compact digital mixer for live, studio, and installation.
  • 48 input channels.
  • 24 local mic inputs (XLR).
  • Two 1/4” stereo inputs (TRS).
  • One 1/8″ stereo input.
  • 36 total busses.
  • 12 stereo mixes (Aux or Group) + Main.
  • PAFL bus.
  • 16 assignable local outputs (14 XLR + two 1/4” TRS).
  • AES digital output.
  • Dedicated talkback mic input (XLR).
  • 1/4″ TRS headphone out with dedicated control.
  • SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels).
  • I/O port for option card (including 3rd party protocols – Dante/Waves).
  • 8 mute groups.
  • 8 DCA groups.
  • 8 stereo FX with dedicated FX returns.
  • DEEP processing ready.
  • RackFX effects suite.
  • 7″ color touchscreen.
  • 16 assignable SoftKeys.
  • Four assignable soft rotaries
  • Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
  • 24+1 faders with 6 layers for 96 assignable channel strips
  • Motorized faders for sends on faders, GEQ fader flip, and mix recall
  • 24 backlit LCD channel-strip displays
  • Single-point metering
  • Integrated surface illumination
  • Single/dual footswitch control
  • Input channel linking for stereo sources
  • Patchable insert points
  • Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
  • Output processing – PEQ, Graphic EQ, Compressor, Delay
  • Automatic mic mixing
  • 31-band, real-time analyzer (RTA)
  • Quick copy/paste/reset for parameters
  • User permissions to restrict operator access
  • 300 scene memories per show
  • Channel safes, global and per-scene recall filters
  • FX, processing, and channel libraries
  • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
  • USB transfer of scenes, libraries, shows
  • 32×32 channel USB streaming to/from Mac/Windows
  • DAW control driver for MIDI control via USB or TCP/IP
  • Wireless remote mixing apps for iPad and Android
  • Compatible with ME personal-monitoring range
The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more. At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles. The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing. The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
  • Compact digital mixer for live, studio, and installation
  • 48 input channels
  • 32 local mic inputs (XLR)
  • Two 1/4” stereo inputs (TRS)
  • One 1/8″ stereo input
  • 36 total busses
  • 12 stereo mixes (Aux or Group) + Main
  • PAFL bus
  • 18 assignable local outputs (16 XLR + two 1/4” TRS)
  • AES digital output
  • Dedicated talkback mic input (XLR)
  • 1/4″ TRS headphone out with dedicated control
  • SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
  • I/O port for option card (including 3rd party protocols – Dante/Waves)
  • 8 mute groups
  • 8 DCA groups
  • 8 stereo FX with dedicated FX returns
  • DEEP processing ready
  • RackFX effects suite
  • 7″ color touchscreen
  • 16 assignable SoftKeys
  • Eight assignable soft rotaries
  • Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
  • 32+1 faders with 6 layers for 192 assignable channel strips
  • Motorized faders for sends on faders, GEQ fader flip, and mix recall
  • 32 backlit LCD channel-strip displays
  • Chromatic channel metering
  • Integrated surface illumination
  • Single/dual footswitch control
  • Input channel linking for stereo sources
  • Patchable insert points
  • Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
  • Mix processing – PEQ, Graphic EQ, Compressor, Delay
  • Fully integrated Automatic Mic Mixing (AMM)
  • 31-band, real-time analyzer (RTA)
  • Quick copy/paste/reset for parameters
  • User permissions to restrict operator access
  • 300 scene memories per show
  • Channel safes, global and per-scene recall filters
  • FX, processing, and channel libraries
  • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
  • USB transfer of scenes, libraries, shows
  • 32×32 channel USB streaming to/from Mac/Windows
  • DAW control driver for MIDI control via USB or TCP/IP
  • Wireless remote mixing apps for iPad and Android
  • Compatible with ME personal-monitoring range

Dynacord Power Mixer Overview

The PowerMate3 16-Channel Powered Mixer from Dynacord features 12 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid with integrated handle for easy transportation Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany  

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