30 in / 24 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
Makes Mixing Feel Natural
Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.
Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.
The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.
Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.
Coming from analogue? Qu will make you feel at home.
Qu-Drive: Record without a computer
Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive.
Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1.
On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.
AMM: Automatic Mic Mixer
AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time.
Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly.
The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.
FEATURE SUMMARY
24 Mono Mic/Line Inputs (TRS + XLR)
Recallable AnaLOGIQTM Preamps
3 Stereo Inputs (TRS)
20 Mix Outputs (XLR)
2 Stereo Groups (switchable to Mix mode)
Up to 9 Monitor Mixes (4 mono + 5 stereo)
2 Stereo Matrix Outs
4 FX Engines
4 dedicated FX Sends / Returns
4 Mute Groups
4 DCA Groups
AES Digital Out
32×30 USB Audio Interface
dSNAKETM Remote Audio Port
25 Motor Faders
800×480 Touchscreen
10 Soft Keys
Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
Automatic Mic Mixer
Channel Ducker on all Inputs
ProFactory Mic Presets
RackFX Library
Built-in Signal Generator
RTA with Peak Band indication
Spectrogram to aid feedback elimination and room acoustics
Qu-Drive Direct Multitrack Recording / Playback on USB drives
DAW MIDI Control
Qu-Pad iPad App
Qu-You iPhone / Android personal monitoring app
Qu-Control customisable iOS app for simple wireless control
Compatible with ME Personal Mixing System
Mixer
Number of Analog Input Channels
24
Mix Routing
4 x Stereo FX Return
Groups
4 x Mute Group
Display
5″ Touchscreen
Display Resolution/Color
Main Display:
800 x 480
Faders
x 3.9″ / 100 mm Motorized
Meter Range
-48 to -3 dBFS Peak/Clip (+19 dBu at XLR Output)
Meter Calibration
0 dB on Meter = -18 dBFS (+4 dBu at XLR Output)
Signal Processing
Gain/Trim Range
Line:
±24 dB (Stereo Channels)
Mic/Line:
-10 dB to +60 dB (in 1 dB Steps)
Input Polarity
Normal/Reverse
Gate Parameters
Threshold: -72 to +18 dBu
Depth: 0 to 60 dB
Attack: 50 μs to 300 ms
Hold: 10 ms to 5 sec
Release: 10 ms to 1 sec
Compressor Parameters
Threshold: -46 to 18 dBu Ratio: 1:1 to ∞:1 Attack: 300 μs to 300 ms Release: 100 ms to 1 sec Knee: Soft / Hard
EQ
FX Returns:
4-Band Parametric
EQ Parameters
1 x HF Shelf:
±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable)
2 x MF Notch/Peak:
±15 dB at 20 Hz to 20 kHz
1 x LF Shelf:
±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable)
Mic/Line Input:
0.0005% at Unity Gain
0.001% at +30 dB Gain
Signal Generator
Sine, White, Pink, or Band-Pass Noise (Assignable to Any Mix)
Connectivity
Analog Inputs
1 x XLR Talkback Input
24 x XLR Balanced Mic Input
24 x 1/4″ TRS Balanced Line Input
4 x 1/4″ TRS Balanced Aux Input (2 Stereo Pairs, Half-Normalled)
1 x 1/8″ / 3.5 mm Unbalanced Aux Input
Analog Outputs
10 x XLR Balanced Mix Output
2 x XLR Balanced Main Output
4 x XLR Balanced Subgroup Output
4 x XLR Balanced Matrix Output
4 x 1/4″ TRS Balanced Aux Output (2 Stereo Pairs)
Digital I/O
1 x RJ45 (Network)
1 x XLR AES3 Output
1 x etherCON dSNAKE (I/O)
Power
AC Input Power
100 to 240 VAC, 50 / 60 Hz
Power Consumption
120 W (Maximum)
Physical
Operating Temperature
32 to 95°F / 0 to 35°C
Dimensions
24.9 x 19.7 x 7.4″ / 632 x 500 x 186 mm
Weight
31 lb / 14 kg
Packaging Info
Package Weight
39.5 lb
Box Dimensions (LxWxH)
30.75 x 26.5 x 13.75″
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Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
Automatic Mic Mixer
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔
2x Mic/Line inputs with separate XLR and TRS jack sockets
2x Stereo inputs with TRS jack sockets
2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
Content
THE MIXER THAT CHANGED THE RULES
30 in / 24 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
Makes Mixing Feel Natural
Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.
Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.
The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.
Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.
Coming from analogue? Qu will make you feel at home.
Qu-Drive: Record without a computer
Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive.
Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1.
On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.
AMM: Automatic Mic Mixer
AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time.
Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly.
The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.
FEATURE SUMMARY
24 Mono Mic/Line Inputs (TRS + XLR)
Recallable AnaLOGIQTM Preamps
3 Stereo Inputs (TRS)
20 Mix Outputs (XLR)
2 Stereo Groups (switchable to Mix mode)
Up to 9 Monitor Mixes (4 mono + 5 stereo)
2 Stereo Matrix Outs
4 FX Engines
4 dedicated FX Sends / Returns
4 Mute Groups
4 DCA Groups
AES Digital Out
32×30 USB Audio Interface
dSNAKETM Remote Audio Port
25 Motor Faders
800×480 Touchscreen
10 Soft Keys
Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
Automatic Mic Mixer
Channel Ducker on all Inputs
ProFactory Mic Presets
RackFX Library
Built-in Signal Generator
RTA with Peak Band indication
Spectrogram to aid feedback elimination and room acoustics
Qu-Drive Direct Multitrack Recording / Playback on USB drives
DAW MIDI Control
Qu-Pad iPad App
Qu-You iPhone / Android personal monitoring app
Qu-Control customisable iOS app for simple wireless control
Compatible with ME Personal Mixing System
Dynacord Power Mixer Overview
The PowerMate3 22-ChannelPowered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany
In the Box
Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools.
The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs.
You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip.
Key Features
2x Mic/Line inputs with separate XLR and TRS jack sockets
2x Stereo inputs with TRS jack sockets
2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
Internal FX engine with tap tempo
High-pass filter for cleaning up unwanted low-frequency noise
2-band EQ for tonal shaping
60mm smooth travel fader on main mix
XLR main outputs
8x LED signal metering
48V Phantom Power for condenser mics
Internal power supply
THE MIXER THAT CHANGED THE RULES
38 in / 28 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
World Class Processing & FX
Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.
Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.
Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.
Record. Stream. Mix
Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels.
The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers.
Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.
Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.
Everything I/O
Qu-32 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go.
But if you’re thinking of trading in the multicore for a Cat5 digital snake, the built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox from our Everything I/O range of remote expanders.
Qu-Drive: Record without a computer
Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive.
Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1.
On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.
FEATURE SUMMARY
32 Mono Mic/Line Inputs (TRS + XLR)
Recallable AnaLOGIQTM Preamps
3 Stereo Inputs (TRS)
24 Mix Outputs (XLR)
4 Stereo Groups (switchable to Mix mode)
Up to 11 Monitor Mixes (4 mono + 7 stereo)
2 Stereo Matrix Outs
4 FX Engines
4 dedicated FX Sends / Returns
4 Mute Groups
4 DCA Groups
AES Digital Out
32×32 USB Audio Interface
dSNAKETM Remote Audio Port
33 Motor Faders
7” Touchscreen
10 Soft Keys
Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
Automatic Mic Mixer
Channel Ducker on all Inputs
ProFactory Mic Presets
RackFX Library
Built-in Signal Generator
RTA with Peak Band indication
Spectrogram to aid feedback elimination and room acoustics
Qu-Drive Direct Multitrack Recording / Playback on USB drives
DAW MIDI Control
Qu-Pad iPad App
Qu-You iPhone / Android personal monitoring app
Qu-Control customisable iOS app for simple wireless control
Compatible with ME Personal Mixing System
Dynacord Power Mixer Overview
The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
Made in Germany
In the Box
Dynacord PowerMate3 10-Channel Powered Mixer
Power Cord (6.6′)
DVD with USB Driver & Software
Limited 3-Year WarrantyCg
Small size. Bigger possibilities.
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
8 mono mic/line channel inputs, each with:
High-headroom Class A XMAX mic preamplifier
XLR mic and balanced ¼-inch line inputs
60 mm precision fader
4 stereo line channel inputs, with:
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
Unbalanced RCA line inputs (Ch. 13-16)
60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
3-band semi-parametric EQ (individual band on/off)
Full-featured compressor
Standard downward expander
Limiter
Phase reverse (12 mic preamplifiers only)
Pan with dedicated 15-LED display
Stereo link for input channels and aux buses
Highpass filter
One 31-band stereo graphic EQ (on main outputs only)
18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle includes:
PreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®
PreSonus Capture® live-recording software for macOS and Windows
PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®
Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android provides wireless remote control of aux mixes
Ableton® Live Lite
Lockout mode protects your settings from meddlers and accidents
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