Allen & Heath Qu-24 30-In/24-Out Digital Mixer

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Category: Mixer

Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
Automatic Mic Mixer

Description

THE MIXER THAT CHANGED THE RULES

30 in / 24 out Digital Mixer with remote wireless control

Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.

Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.

Makes Mixing Feel Natural

Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.

Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.

The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.

Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.

Coming from analogue? Qu will make you feel at home.

Qu-Drive: Record without a computer

Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive.

Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1.

On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.

AMM: Automatic Mic Mixer

AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time.

Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly.

The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.

FEATURE SUMMARY

24 Mono Mic/Line Inputs (TRS + XLR)
Recallable AnaLOGIQ^TM Preamps
3 Stereo Inputs (TRS)
20 Mix Outputs (XLR)
2 Stereo Groups (switchable to Mix mode)
Up to 9 Monitor Mixes (4 mono + 5 stereo)
2 Stereo Matrix Outs
4 FX Engines
4 dedicated FX Sends / Returns
4 Mute Groups
4 DCA Groups
AES Digital Out
32×30 USB Audio Interface
dSNAKE^TM Remote Audio Port
25 Motor Faders
800×480 Touchscreen
10 Soft Keys

Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
Automatic Mic Mixer
Channel Ducker on all Inputs
ProFactory Mic Presets
RackFX Library
Built-in Signal Generator
RTA with Peak Band indication
Spectrogram to aid feedback elimination and room acoustics
Qu-Drive Direct Multitrack Recording / Playback on USB drives
DAW MIDI Control
Qu-Pad iPad App
Qu-You iPhone / Android personal monitoring app
Qu-Control customisable iOS app for simple wireless control
Compatible with ME Personal Mixing System

Mixer

Number of Analog Input Channels	24
Mix Routing	4 x Stereo FX Return
Groups	4 x Mute Group
Display	5″ Touchscreen
Display Resolution/Color	Main Display: 800 x 480
Faders	x 3.9″ / 100 mm Motorized
Meter Range	-48 to -3 dBFS Peak/Clip (+19 dBu at XLR Output)
Meter Calibration	0 dB on Meter = -18 dBFS (+4 dBu at XLR Output)

Signal Processing

Gain/Trim Range	Line: ±24 dB (Stereo Channels) Mic/Line: -10 dB to +60 dB (in 1 dB Steps)
Input Polarity	Normal/Reverse
Gate Parameters	Threshold: -72 to +18 dBu Depth: 0 to 60 dB Attack: 50 μs to 300 ms Hold: 10 ms to 5 sec Release: 10 ms to 1 sec
Compressor Parameters	Threshold: -46 to 18 dBu Ratio: 1:1 to ∞:1 Attack: 300 μs to 300 ms Release: 100 ms to 1 sec Knee: Soft / Hard
EQ	FX Returns: 4-Band Parametric
EQ Parameters	1 x HF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) 2 x MF Notch/Peak: ±15 dB at 20 Hz to 20 kHz 1 x LF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable)
Graphic EQ	28-Band 1/3 Octave, ±12 dB 31 Hz to 16 kHz
Filters	High-Pass: 20 Hz to 20 kHz, 12 dB/Octave
Channel Output/Source Monitoring	AFL, PFL, Post-Preamp, Post-EQ, Post-FX
Built-In Effects	Reverb Delay Reverb (Gated) ADT Chorus Phaser Flanger
Real Time Analyzer	31-Band 1/3 Octave, 20 Hz to 20 kHz
Audio Delay	Adjustable Up to 170 ms

Digital Audio

Sample Rates	48 kHz AES3 Output: 48 kHz
Bit Depth	AD/DA Conversion: 24-Bit Delta Sigma
Latency	1.2 ms (Mic Input to XLR Output) 0.7 ms (Mic Input to AES Output)

Performance

dBFS Reference Level	+18 dBu = 0 dBFS
Headroom	+18 dB
Frequency Response	20 Hz to 20 kHz +0/-0.5 dB
Max Input Level	Mic Input: +19 dBu Line Input: +29 dBu Aux Input: +22 dBu (+4 dBu) +18 dBu (0 dBu)
Output Level	Line Output: +22 dBu (Max) +4 dBu (Nominal) Stereo Output: +22 dBu (Max) +4 dBu (Nominal)
Analog Dynamic Range	112 dB
I/O Impedance	1/4″ Stereo Output: < 75 Ohms AES3 Output: 110 Ohms Aux Input: > 7 Kilohms XLR Line Output: < 75 Ohms XLR Mic/Line Input: > 5 Kilohms 1/4″ Mic/Line Input: > 10 Kilohms
Noise Floor	-90 dBu (with Inputs Muted) -91 dBu (with Inputs Muted)
THD+N	Mic/Line Input: 0.0005% at Unity Gain 0.001% at +30 dB Gain
Signal Generator	Sine, White, Pink, or Band-Pass Noise (Assignable to Any Mix)

Connectivity

Analog Inputs	1 x XLR Talkback Input 24 x XLR Balanced Mic Input 24 x 1/4″ TRS Balanced Line Input 4 x 1/4″ TRS Balanced Aux Input (2 Stereo Pairs, Half-Normalled) 1 x 1/8″ / 3.5 mm Unbalanced Aux Input
Analog Outputs	10 x XLR Balanced Mix Output 2 x XLR Balanced Main Output 4 x XLR Balanced Subgroup Output 4 x XLR Balanced Matrix Output 4 x 1/4″ TRS Balanced Aux Output (2 Stereo Pairs)
Digital I/O	1 x RJ45 (Network) 1 x XLR AES3 Output 1 x etherCON dSNAKE (I/O)

Power

AC Input Power	100 to 240 VAC, 50 / 60 Hz
Power Consumption	120 W (Maximum)

Physical

Operating Temperature	32 to 95°F / 0 to 35°C
Dimensions	24.9 x 19.7 x 7.4″ / 632 x 500 x 186 mm
Weight	31 lb / 14 kg

Packaging Info

Package Weight	39.5 lb
Box Dimensions (LxWxH)	30.75 x 26.5 x 13.75″

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Description	Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs Automatic Mic Mixer	Qu-Pad iPad app for all live mixing controls Qu-Drive direct multitrack recording/playback on USB drives 15 soft keys		A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.	31-band, real-time analyzer (RTA) Quick copy/paste/reset for parameters User permissions to restrict operator access	State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses 6 DCAs to control groups of channels
Content	THE MIXER THAT CHANGED THE RULES 30 in / 24 out Digital Mixer with remote wireless control Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu. Makes Mixing Feel Natural Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat. Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders. The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more. Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan. Coming from analogue? Qu will make you feel at home. Qu-Drive: Record without a computer Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3. AMM: Automatic Mic Mixer AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain. FEATURE SUMMARY 24 Mono Mic/Line Inputs (TRS + XLR) Recallable AnaLOGIQ^TM Preamps 3 Stereo Inputs (TRS) 20 Mix Outputs (XLR) 2 Stereo Groups (switchable to Mix mode) Up to 9 Monitor Mixes (4 mono + 5 stereo) 2 Stereo Matrix Outs 4 FX Engines 4 dedicated FX Sends / Returns 4 Mute Groups 4 DCA Groups AES Digital Out 32×30 USB Audio Interface dSNAKE^TM Remote Audio Port 25 Motor Faders 800×480 Touchscreen 10 Soft Keys Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs Automatic Mic Mixer Channel Ducker on all Inputs ProFactory Mic Presets RackFX Library Built-in Signal Generator RTA with Peak Band indication Spectrogram to aid feedback elimination and room acoustics Qu-Drive Direct Multitrack Recording / Playback on USB drives DAW MIDI Control Qu-Pad iPad App Qu-You iPhone / Android personal monitoring app Qu-Control customisable iOS app for simple wireless control Compatible with ME Personal Mixing System	Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb. The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings. Features at a Glance: 16 AnalogiQ recallable preamps 16 onboard mic/line inputs (XLR / TRS) Expandable up to 38 inputs via dSNAKE 3 stereo inputs (TRS) 32 mono + 3 stereo input channels 12 onboard mix outputs (XLR) 4 stereo groups 2 stereo matrix outs AES digital out 4 DCA groups 4 mute groups Qu-Pad iPad app for all live mixing controls Qu-You iPhone app for personal monitoring Qu-Drive direct multitrack recording/playback on USB drives 15 soft keys 16 custom select keys Qu-Control custom screen to suit the application 4 FX engines 4 FX sends/returns 32×32 USB Audio Interface 5″ touchscreen iLive FX Library Compatible with ME Personal Mixing System Trim, polarity, HPF, gate, insert/ducker, 4-band PEQ, compressor and delay on all Inputs Insert, 4-band PEQ, 1/3 octave GEQ, compressor, and delay on all mix outputs Built-in signal generator RTA with peak band indication	THE MIXER THAT CHANGED THE RULES 38 in / 28 out Digital Mixer with remote wireless control Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu. World Class Processing & FX Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series. Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units. Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ. Record. Stream. Mix Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIO^TM and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems. Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest. Everything I/O Qu-32 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. But if you’re thinking of trading in the multicore for a Cat5 digital snake, the built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox from our Everything I/O range of remote expanders. Qu-Drive: Record without a computer Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3. FEATURE SUMMARY 32 Mono Mic/Line Inputs (TRS + XLR) Recallable AnaLOGIQ^TM Preamps 3 Stereo Inputs (TRS) 24 Mix Outputs (XLR) 4 Stereo Groups (switchable to Mix mode) Up to 11 Monitor Mixes (4 mono + 7 stereo) 2 Stereo Matrix Outs 4 FX Engines 4 dedicated FX Sends / Returns 4 Mute Groups 4 DCA Groups AES Digital Out 32×32 USB Audio Interface dSNAKE^TM Remote Audio Port 33 Motor Faders 7” Touchscreen 10 Soft Keys Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs Automatic Mic Mixer Channel Ducker on all Inputs ProFactory Mic Presets RackFX Library Built-in Signal Generator RTA with Peak Band indication Spectrogram to aid feedback elimination and room acoustics Qu-Drive Direct Multitrack Recording / Playback on USB drives DAW MIDI Control Qu-Pad iPad App Qu-You iPhone / Android personal monitoring app Qu-Control customisable iOS app for simple wireless control Compatible with ME Personal Mixing System	Dynacord Power Mixer Overview The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid with integrated handle for easy transportation Optional speaker protection allows a limitation of long-term power without giving up dynamics Made in Germany In the Box Dynacord PowerMate3 10-Channel Powered Mixer Power Cord (6.6′) DVD with USB Driver & Software Limited 3-Year WarrantyCg	The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more. At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles. The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-6 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing. The SQ-6 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-6 ships with a power cord. Compact digital mixer for live, studio, and installation. 48 input channels. 24 local mic inputs (XLR). Two 1/4” stereo inputs (TRS). One 1/8″ stereo input. 36 total busses. 12 stereo mixes (Aux or Group) + Main. PAFL bus. 16 assignable local outputs (14 XLR + two 1/4” TRS). AES digital output. Dedicated talkback mic input (XLR). 1/4″ TRS headphone out with dedicated control. SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels). I/O port for option card (including 3^rd party protocols – Dante/Waves). 8 mute groups. 8 DCA groups. 8 stereo FX with dedicated FX returns. DEEP processing ready. RackFX effects suite. 7″ color touchscreen. 16 assignable SoftKeys. Four assignable soft rotaries Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width) 24+1 faders with 6 layers for 96 assignable channel strips Motorized faders for sends on faders, GEQ fader flip, and mix recall 24 backlit LCD channel-strip displays Single-point metering Integrated surface illumination Single/dual footswitch control Input channel linking for stereo sources Patchable insert points Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay Output processing – PEQ, Graphic EQ, Compressor, Delay Automatic mic mixing 31-band, real-time analyzer (RTA) Quick copy/paste/reset for parameters User permissions to restrict operator access 300 scene memories per show Channel safes, global and per-scene recall filters FX, processing, and channel libraries SQ-Drive for stereo and multitrack recording/playback direct to USB drive USB transfer of scenes, libraries, shows 32×32 channel USB streaming to/from Mac/Windows DAW control driver for MIDI control via USB or TCP/IP Wireless remote mixing apps for iPad and Android Compatible with ME personal-monitoring range	The best 16-channel digital mixer for your rack. Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue. Features Powered by the new single-core PreSonus^® FLEX DSP Engine to provide the most processing of any digital mixer in its class 18 input-channel digital rack mixer 16 local digitally controlled XMAX mic/line inputs 2 FLEX FX returns 10 mix buses 6 FlexMixes (Aux, Subgroup, Matrix) 2 dedicated FLEX FX buses Stereo Main bus 130 simultaneous processors HPF Gate/Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses 6 DCAs to control groups of channels 36-channel (18×18) recording over USB Onboard stereo SD recorder with true Virtual Soundcheck mode AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more Monitor Mix and Stage Box modes for use with StudioLive^® Series III console mixers Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system Remote control every mix function from your computer, iPad^®, or Android™ tablet with UC Surface (included) Put your musicians’ monitor mix under their fingers with QMix^®-UC (included) for iOS^® or Android Capture^® 3.0 multitrack software included Automated Virtual Soundcheck Store StudioLive mix scenes with your audio Advanced Studio One^® integration (Studio One Artist Included) XMAX mic preamp control from Studio One Control Fat Channel parameters from Studio One mixing console Ableton^® Live Lite included Computer system requirements: Below are the minimum computer-system requirements for StudioLive 16R. macOS^® macOS version 10.13 or later 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates) Available USB port Windows^® Windows 10 or later (64-Bit Only) 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support) Available USB port The above are the hardware* system requirements for this product. DAW software and Operating System requirements vary.* Click here for Studio One’s system requirements. Click here for Qmix-UC’s system requirements Click here for UC Surface’s system requirements.
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