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The PC Desktop is a free-standing tabletop microphone with a dual-section gooseneck and an elegant base. With easy switching between four polar patterns—omni, cardioid, super-cardioid, or hyper-cardioid—the PC Desktop 12 is always the right microphone, even under a variety of conditions. Available with 5-, 12-, or 18-inch gooseneck.
| Connector Type | 3-pin XLR |
| Height | 13.54″ (344mm) |
| Width | 4.49″ (114mm) |
| Depth | 7.01″ (178mm) |
| Frequency Response (-3 dB) | 50 – 20,000 Hz |
| Weight Net | 24.34oz (690g) |
| Family | PolarChoice |
| Polar Pattern | Omni, Cardioid, S-cardioid & H-cardioid |
| Wired/Wireless | Wired |
| Mic Type | Gooseneck |
| Diameter (Max) | 0.25″ (6.4mm) |
| Element | Dual condenser (back-electret) |
| Impedance, Low-Z balanced | 200Ω |
| Open Circuit Voltage | 5.6mV/Pascal |
| Case Material | Steel |
| Finish | Non-reflective camera black |
| Power Requirement | 12 – 52 VDC |
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| Settings | Electro Voice PC Desktop 12 remove | Sennheiser MKE 2 PC Lavalier Microphone remove | Sennheiser EW 135P G4 remove | Sennheiser EW 100 ENG G4 remove | Sennheiser MKE 600 Camera Mic remove | Neumann U 87 Ai Large-Diaphragm Multipattern Condenser Microphone remove |
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| Content | Multi‑pattern desktop microphone
The PC Desktop is a free-standing tabletop microphone with a dual-section gooseneck and an elegant base. With easy switching between four polar patterns—omni, cardioid, super-cardioid, or hyper-cardioid—the PC Desktop 12 is always the right microphone, even under a variety of conditions. Available with 5-, 12-, or 18-inch gooseneck. |
The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone that is suitable for both speech and instrument miking applications in all areas of live work. It fulfills the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black.
Ample Headroom for VocalsThe mic is designed to handle broadcast and theater applications, including vocals and instruments up to 130 dB, without distortion.
Omnidirectional Polar PatternThe forgiving omnidirectional polar pattern picks up sound from all around the mic and provides a consistent frequency response, even for off-axis sound. This helps to supply clear, intelligible speech and vocals, even when the talent isn’t speaking directly toward the microphone.
| Rugged all-in-one wireless system with high flexibility for broadcast quality sound. Set consists of 1
EW 135P G4 100 G4 handheld microphone, 1 MMD 835-1 (cardioid, dynamic), 1 EK 100 G4 portable receiver, output cables, and camera mount.
A broadcast quality sound solution. Providing the highest flexibility for your outdoor shoots and field recording applications. A robust wireless microphone system that offers excellent sound quality, simple mounting, and ease of use.
Differences between the setsThe 112P, 122P, 135P, and 100 ENG sets are all great options and vary depending on your needs. The 112P features our Omni-directional ME 2-II lavalier microphone while the 122P features our cardioid ME 4 lavalier microphone. The 135P swaps the bodypack transmitter and lavalier mic for the SKM 100 handheld transmitter and MMD 835 cardioid capsule. For those that need a combination of both for a range of Electronic News Gathering applications, the EW 100 ENG G4 set includes the ME 2-II lavalier and adds the SKP 100 plug-on transmitter for your existing dynamic XLR microphone or a battery-powered shotgun mic like the MKE 600.What’s in the Box
| Sennheiser EW 100 ENG G4 Multi-purpose set for mobile journalism and documentary. Includes a plug-on transmitter and clip-on mic that offers excellent speech intelligibility.
A broadcast quality sound solution. Providing the highest flexibility for your video sound and field recording applications.
A robust wireless microphone system that offers excellent sound quality, simple mounting, and ease of use.
Multi-purpose set for mobile journalism and documentary. The powerful plug-on transmitter SKP 100 turns every wired dynamic microphone into a wireless transmitter while the easy-to-use clip-on microphone ME 2-II (omnidirectional) offers excellent speech intelligibility during interviews.
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The MKE 600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges. Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear. The switchable “Low Cut” filter additionally minimizes wind noise.
Because some video cameras/camcorders do not provide phantom power, the MKE 600 can also be battery-powered. A battery on/off switch prevents the battery from discharging prematurely; “Low Batt” is displayed.
| The ultimate studio standard all over the world. For 50 years!
The Gold StandardThe Neumann U 87 Ai may be the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low-cut options make it adaptable to a wide range of applications.
Omnipresent and Special
The Neumann U 87 Ai is a true legend. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. And when those hits were announced on the radio, many a DJ sat before a U 87 Ai.
The U 87 Ai is the epitome of a large-diaphragm condenser microphone. Its tapered body and iconic design have become part of the collective consciousness—this is what a studio microphone looks like. The same is true of its sound; the U 87 Ai represents studio quality and has become the gold standard by which other microphones are measured.
What sets the U 87 Ai apart is its special combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma, making the U 87 Ai both versatile and instantly recognizable.
Classic Neumann EngineeringTechnically speaking, the U 87 Ai is a traditional design whose timeless formula has remained unchanged for decades. The U 87 Ai uses the same dual-diaphragm condenser capsule design as its predecessor, the no less legendary U 67 of the early 1960s. Its head amplifier, too, is based on the same design principles as its tube-driven predecessor, but the U 87 Ai realizes them by means of a FET circuit with a minimal signal path and a transformer-balanced output, ensuring maximum signal integrity and high common mode rejection.
Versatile ApplicationsThe result is a studio microphone of unmatched clarity. Its natural sound and midrange presence make the U 87 Ai the ultimate vocal microphone, praised by singers and engineers alike as well as the prime choice for speech applications, such as voice-over, dubbing, and audiobooks. Due to its balanced response in each of its three directional patterns, the U 87 Ai is also a versatile microphone for anything from acoustic guitars to drums overheads. Due to its solid bass response and excellent midrange detail, it is often seen in front of the bass and guitar cabinets. For classical recordings, the U 87 Ai is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87 Ai mics is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music.
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