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The Sennheiser EW 112P G4 camera-mount wireless lavalier microphone system features the proven combination of reliability, flexible control, and broadcast-quality sound that has made the EW Series an industry standard for videographers, journalists, and content creators all over the world.
The EW 112P G4 gives you the tools to adapt and meet the wireless challenges that inevitably arise on set. The frequency scan function automatically searches for the cleanest frequency at your location, while the adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio.
The system includes the improved ME 2-II omnidirectional lavalier mic, a bodypack transmitter, and a camera-mount receiver. It connects to a camcorder or a DSLR/mirrorless camera to capture crisp-sounding speech or dialog for projects ranging from documentaries to wedding videos, corporate spots, and hands-free interviews.
The EW 112P G4 is backward-compatible with previous evolution systems, giving you the ability to mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 500 systems.
| Wireless Technology | Analog UHF |
| Number of RF Channel Frequencies | 1680 |
| Included Transmitters | 1 x Bodypack with Microphone |
| Diversity | Antenna Diversity |
| RF Frequency Band | A: 516 to 558 MHz |
| RF Bandwidth | 42 MHz |
| Frequency Step Size | 25 kHz |
| Max Operating Range | 330′ / 100.6 m (Line of Sight) |
| Max Transmitters per Band | 12 |
| Deviation | 48 kHz (Peak) |
| Modulation | Wideband FM |
| Receiver Type | Camera-Mount |
| Mounting Options | Shoe-Mount (with Included Hardware) |
| Antenna | 1 x Flexible Whip, Fixed |
| Number of Audio Channels | 1 |
| Audio I/O | 1 x 1/8″ / 3.5 mm TRS Female Unbalanced Output (Lockable) |
| Gain Range | 42 dB (6 dB Steps) |
| Audio Output Level | +12 dBu |
| Squelch | 5 to 25 dBμV |
| Adjacent Channel Isolation | >65 dB |
| Power Requirements | Battery |
| Battery Type | 2 x AA (Included) 1 x Sennheiser Accupack (Not Included) |
| Approx. Battery Life | 8 Hours (Alkaline) |
| Display & Indicators | 1 x Backlit LCD (Battery Status, Output Level, RF Level) |
| Housing | Metal |
| Operating Temperature | 14 to 131°F / -10 to 55°C |
| Dimensions | 2.5 x 3.2 x 0.9″ / 64 x 82 x 24 mm |
| Weight | 5.6 oz / 160 g (with Batteries) |
| Transmitter Type | Bodypack |
| RF Output Power | 30 mW |
| Audio I/O | 1 x 1/8″ / 3.5 mm TRS Female Unbalanced Input (Lockable) |
| Muting | Mute Switch |
| Audio Input Level | 3 V RMS (Max) |
| Gain Range | 60 dB (3 dB Steps) |
| Frequency Response | 80 Hz to 18 kHz (Mic) 25 Hz to 18 kHz (Line) |
| Sync Method | IR |
| Antenna | 1 x Flexible Whip, Fixed (Beltpack) |
| Power Requirements | Battery |
| Battery Type | 2 x AA (Included) 1 x Sennheiser Accupack (Not Included) |
| Approx. Battery Life | 8 Hours (Alkaline) |
| Display & Indicators | 1 x Backlit LCD (Audio Level, Battery Status, Signal Strength) |
| Housing | Metal |
| Dimensions | 2.5 x 3.2 x 0.9″ / 64 x 82 x 24 mm |
| Weight | 5.6 oz / 160 g (with Batteries) |
| Microphone Type | Lavalier |
| Sound Field | Mono |
| Capsule | Electret Condenser |
| Polar Pattern | Omnidirectional |
| Frequency Range | 50 Hz to 18 kHz |
| Equivalent Noise Level | 36 dB |
| Maximum SPL | 130 dB SPL Peak |
| Sensitivity | 20 mV/Pa |
| Output Connectors | 1 x 1/8″ / 3.5 mm TRS Male Unbalanced (Lockable) |
| Cable Length | 5.25′ / 1.6 m |
| Operating Voltage | 7.5 V |
| Package Weight | 1.85 lb |
| Box Dimensions (LxWxH) | 16.05 x 7.25 x 3″ |
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| Settings | Sennheiser EW 112P G4 Camera-Mount Wireless Omni Lavalier Microphone System remove | Sennheiser EW 135P G4 remove | Sennheiser EW 100 G4-ME2 Wireless Omni Lavalier Microphone System remove | Sennheiser MKE 600 Camera Mic remove | Presonus AudioBox 96 Studio Bundle 25th Anniversary Edition remove | Neumann U 87 Ai Large-Diaphragm Multipattern Condenser Microphone remove |
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The Sennheiser EW 112P G4 camera-mount wireless lavalier microphone system features the proven combination of reliability, flexible control, and broadcast-quality sound that has made the EW Series an industry standard for videographers, journalists, and content creators all over the world.
The EW 112P G4 gives you the tools to adapt and meet the wireless challenges that inevitably arise on set. The frequency scan function automatically searches for the cleanest frequency at your location, while the adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio.
The system includes the improved ME 2-II omnidirectional lavalier mic, a bodypack transmitter, and a camera-mount receiver. It connects to a camcorder or a DSLR/mirrorless camera to capture crisp-sounding speech or dialog for projects ranging from documentaries to wedding videos, corporate spots, and hands-free interviews.
The EW 112P G4 is backward-compatible with previous evolution systems, giving you the ability to mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 500 systems.
Built for Dependable Performance in the Field
Proven Broadcast-Quality Sound
Additional Features
EW 100 G4 vs EW 500 G4 Systems at a Glance
| Rugged all-in-one wireless system with high flexibility for broadcast quality sound. Set consists of 1
EW 135P G4 100 G4 handheld microphone, 1 MMD 835-1 (cardioid, dynamic), 1 EK 100 G4 portable receiver, output cables, and camera mount.
A broadcast quality sound solution. Providing the highest flexibility for your outdoor shoots and field recording applications. A robust wireless microphone system that offers excellent sound quality, simple mounting, and ease of use.
Differences between the setsThe 112P, 122P, 135P, and 100 ENG sets are all great options and vary depending on your needs. The 112P features our Omni-directional ME 2-II lavalier microphone while the 122P features our cardioid ME 4 lavalier microphone. The 135P swaps the bodypack transmitter and lavalier mic for the SKM 100 handheld transmitter and MMD 835 cardioid capsule. For those that need a combination of both for a range of Electronic News Gathering applications, the EW 100 ENG G4 set includes the ME 2-II lavalier and adds the SKP 100 plug-on transmitter for your existing dynamic XLR microphone or a battery-powered shotgun mic like the MKE 600.What’s in the Box
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The perfect choice for moderators and presenters: Robust bodypack transmitter and unobtrusive clip-on microphone, ME 2-II (omnidirectional) or ME 4 (cardioid) with high speech intelligibility for easy hands-free operation on any stage.
Reliability and performance
When taking any stage, large or small, a presenter needs to have just as much confidence in their equipment as they do in themselves. The ability to rely on technology is just as much a factor as the content itself when it comes to delivering a message to an audience. Enter the evolution wireless G4 100 Series—a wireless system built on the need for dependability that continues to deliver for presenters and A/V technicians time and time again.
Feature-rich and built to last
The evolution wireless G4 100 Series is packed with features that make it possible to get you up and running fast and efficiently. Use the Easy Setup function to automatically scan and select the best frequencies around you and take full advantage of the UHF spectrum. With up to 100 meters of range and a battery life of 8 hours, it’s easy to see how the durably constructed ewG4 transmitters and receivers will perform when you need them to.
What’s in the Box
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The MKE 600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges. Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear. The switchable “Low Cut” filter additionally minimizes wind noise.
Because some video cameras/camcorders do not provide phantom power, the MKE 600 can also be battery-powered. A battery on/off switch prevents the battery from discharging prematurely; “Low Batt” is displayed.
| PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95.
For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions.
General Features M7
Features Eris E3.5Components and construction
User controls
Power and safety
Inputs and outputs
Included Accessories
Features HD7
Features AudioBox USB 96
Input/Output
Digitalia
Included Software
Physical
Computer system requirements:Below are the minimum computer-system requirements for AudioBox USB 96.macOS®
Windows®
Chrome OSFor information on compatibility with Chrome OS, click here.iOS/iPadOSFor information on compatibility with iOS/iPadOS, click here.AndroidFor information on compatibility with Android devices, click here. | The ultimate studio standard all over the world. For 50 years!
The Gold StandardThe Neumann U 87 Ai may be the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low-cut options make it adaptable to a wide range of applications.
Omnipresent and Special
The Neumann U 87 Ai is a true legend. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. And when those hits were announced on the radio, many a DJ sat before a U 87 Ai.
The U 87 Ai is the epitome of a large-diaphragm condenser microphone. Its tapered body and iconic design have become part of the collective consciousness—this is what a studio microphone looks like. The same is true of its sound; the U 87 Ai represents studio quality and has become the gold standard by which other microphones are measured.
What sets the U 87 Ai apart is its special combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma, making the U 87 Ai both versatile and instantly recognizable.
Classic Neumann EngineeringTechnically speaking, the U 87 Ai is a traditional design whose timeless formula has remained unchanged for decades. The U 87 Ai uses the same dual-diaphragm condenser capsule design as its predecessor, the no less legendary U 67 of the early 1960s. Its head amplifier, too, is based on the same design principles as its tube-driven predecessor, but the U 87 Ai realizes them by means of a FET circuit with a minimal signal path and a transformer-balanced output, ensuring maximum signal integrity and high common mode rejection.
Versatile ApplicationsThe result is a studio microphone of unmatched clarity. Its natural sound and midrange presence make the U 87 Ai the ultimate vocal microphone, praised by singers and engineers alike as well as the prime choice for speech applications, such as voice-over, dubbing, and audiobooks. Due to its balanced response in each of its three directional patterns, the U 87 Ai is also a versatile microphone for anything from acoustic guitars to drums overheads. Due to its solid bass response and excellent midrange detail, it is often seen in front of the bass and guitar cabinets. For classical recordings, the U 87 Ai is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87 Ai mics is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music.
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