Sennheiser EW 112P G4 Camera-Mount Wireless Omni Lavalier Microphone System

In Stock

Category: Microphone

Adaptive-diversity reception for reliable transmission up to 330′
42 MHz bandwidth with 1680 tunable UHF frequencies for clean reception
20 frequency banks, each with up to 12 factory-preset channels to prevent intermodulation

Description

The Sennheiser EW 112P G4 camera-mount wireless lavalier microphone system features the proven combination of reliability, flexible control, and broadcast-quality sound that has made the EW Series an industry standard for videographers, journalists, and content creators all over the world.

The EW 112P G4 gives you the tools to adapt and meet the wireless challenges that inevitably arise on set. The frequency scan function automatically searches for the cleanest frequency at your location, while the adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio.

The system includes the improved ME 2-II omnidirectional lavalier mic, a bodypack transmitter, and a camera-mount receiver. It connects to a camcorder or a DSLR/mirrorless camera to capture crisp-sounding speech or dialog for projects ranging from documentaries to wedding videos, corporate spots, and hands-free interviews.

The EW 112P G4 is backward-compatible with previous evolution systems, giving you the ability to mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 500 systems.

Built for Dependable Performance in the Field

The EW 112P G4 features rugged, all-metal chassis well suited for extended use on location. The lightweight, the compact bodypack transmitter is easy to conceal and offers rounded edges that are soft to the touch and comfortable for the talent to wear. A locking connector ensures that your lav doesn’t detach at a critical moment, while a convenient switch allows you to mute your mic.
Using the included shoe-mount adapter, the equally compact receiver easily mounts your camera without adding much weight. The included cables allow you to connect the receiver to the 3.5mm or XLR audio input of any DSLR/mirrorless, camcorder, or recording device.
Both transmitter and receiver feature daylight-readable LED displays showing reception quality, battery status, and audio level. To get you going quickly, they synchronize via an infrared interface with the simple push of a button.

Proven Broadcast-Quality Sound

The EW 112P G4 ships with the popular ME 2-II omnidirectional lavalier microphone, which delivers a natural sound optimized for speech intelligibility. Its omnidirectional polar pattern ensures that the sound remains consistent, even when the speaker’s head moves away from the mic.
To take full advantage of the ME 2-II’s dynamic range, the system employs proprietary HDX compander technology, preserving your sound without adding unwanted noise during transmission, and delivering audio with remarkable accuracy and quality.

Additional Features

Adaptive-diversity reception for reliable transmission up to 330′
42 MHz bandwidth with 1680 tunable UHF frequencies for clean reception
20 frequency banks, each with up to 12 factory-preset channels to prevent intermodulation
Pilot tone squelch for eliminating RF noise when the transmitter is turned off
Receiver with an adjustable output range of 42 dB to match the audio input of your camera or recording device
User-friendly menu operation with flexible control options
Transmitter and receiver feature a 4-step battery-life indicator
Auto-Lock function avoids accidental changing of settings
RF Mute function
8 hours of battery life
Powered via AA batteries or rechargeable BA 2015 Accupack batteries (available separately)
Side contacts for recharging the Accupacks without removing them from either transmitter or receiver—requires the L 2015 quick-charging unit (available separately)
Operate up to 12 wireless mics at once on set
Unlike digital wireless systems, the SK 100 G4 transmitter can transmit to an unlimited number of EW Series receivers
Wide range of accessories adapts the system to a variety of applications

EW 100 G4 vs EW 500 G4 Systems at a Glance

Bandwidth: Up to 46 MHz vs up to 88 MHz
UHF Frequencies: 1680 vs up to 3520
RF Output Power: Fixed 30 mW vs adjustable 10/30/50 mW
Mics at Once: Up to 12 mics vs up to 32 mics
Included Lavalier Mic: ME 2-II omni or ME 4 cardioid vs professional MKE 2 omni
Headphone Output: No vs yes
Audio Output: Unbalanced vs balanced
Plug-On Transmitter: No phantom vs +48V phantom power

System

Wireless Technology	Analog UHF
Number of RF Channel Frequencies	1680
Included Transmitters	1 x Bodypack with Microphone
Diversity	Antenna Diversity
RF Frequency Band	A: 516 to 558 MHz
RF Bandwidth	42 MHz
Frequency Step Size	25 kHz
Max Operating Range	330′ / 100.6 m (Line of Sight)
Max Transmitters per Band	12
Deviation	48 kHz (Peak)
Modulation	Wideband FM

Receiver

Receiver Type	Camera-Mount
Mounting Options	Shoe-Mount (with Included Hardware)
Antenna	1 x Flexible Whip, Fixed
Number of Audio Channels	1
Audio I/O	1 x 1/8″ / 3.5 mm TRS Female Unbalanced Output (Lockable)
Gain Range	42 dB (6 dB Steps)
Audio Output Level	+12 dBu
Squelch	5 to 25 dBμV
Adjacent Channel Isolation	>65 dB
Power Requirements	Battery
Battery Type	2 x AA (Included) 1 x Sennheiser Accupack (Not Included)
Approx. Battery Life	8 Hours (Alkaline)
Display & Indicators	1 x Backlit LCD (Battery Status, Output Level, RF Level)
Housing	Metal
Operating Temperature	14 to 131°F / -10 to 55°C
Dimensions	2.5 x 3.2 x 0.9″ / 64 x 82 x 24 mm
Weight	5.6 oz / 160 g (with Batteries)

Transmitter

Transmitter Type	Bodypack
RF Output Power	30 mW
Audio I/O	1 x 1/8″ / 3.5 mm TRS Female Unbalanced Input (Lockable)
Muting	Mute Switch
Audio Input Level	3 V RMS (Max)
Gain Range	60 dB (3 dB Steps)
Frequency Response	80 Hz to 18 kHz (Mic) 25 Hz to 18 kHz (Line)
Sync Method	IR
Antenna	1 x Flexible Whip, Fixed (Beltpack)
Power Requirements	Battery
Battery Type	2 x AA (Included) 1 x Sennheiser Accupack (Not Included)
Approx. Battery Life	8 Hours (Alkaline)
Display & Indicators	1 x Backlit LCD (Audio Level, Battery Status, Signal Strength)
Housing	Metal
Dimensions	2.5 x 3.2 x 0.9″ / 64 x 82 x 24 mm
Weight	5.6 oz / 160 g (with Batteries)

Microphone

Microphone Type	Lavalier
Sound Field	Mono
Capsule	Electret Condenser
Polar Pattern	Omnidirectional
Frequency Range	50 Hz to 18 kHz
Equivalent Noise Level	36 dB
Maximum SPL	130 dB SPL Peak
Sensitivity	20 mV/Pa
Output Connectors	1 x 1/8″ / 3.5 mm TRS Male Unbalanced (Lockable)
Cable Length	5.25′ / 1.6 m
Operating Voltage	7.5 V

Packaging Info

Package Weight	1.85 lb
Box Dimensions (LxWxH)	16.05 x 7.25 x 3″

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Quick Comparison

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Description	Adaptive-diversity reception for reliable transmission up to 330′ 42 MHz bandwidth with 1680 tunable UHF frequencies for clean reception 20 frequency banks, each with up to 12 factory-preset channels to prevent intermodulation	Professional condenser microphone at an unbeatable price Great choice for recording vocals, guitar, podcasts, and more Exceptional clarity throughout its frequency-response range, with a warm top end	Easy switching between omni, cardioid, supercardioid, or hypercardioid patterns Mute switch with LED can be programmed as either push-on/off or push-to-mute Smooth, uniform frequency response in all patterns Extended low-frequency response and switchable high-pass filter	The discrete ME 2-II and MKE 2 lavalier mics provide exceptional clarity in spoken-word applications. The lightweight ME 3-II is a comfortable, durable headset microphone for active presentations. The Ci 1 instrument cable lets you connect the bodypack transmitter to a guitar or bass.	New Umbrella Diaphragm™ protects the mic against sweat Very high sound pressure handling capability Versatile attachment due to an extensive range of accessories	8 hours of battery life For Mobile Journalist, Videographers ME 2-II Omnidirectional Lav Mic
Content	The Sennheiser EW 112P G4 camera-mount wireless lavalier microphone system features the proven combination of reliability, flexible control, and broadcast-quality sound that has made the EW Series an industry standard for videographers, journalists, and content creators all over the world. The EW 112P G4 gives you the tools to adapt and meet the wireless challenges that inevitably arise on set. The frequency scan function automatically searches for the cleanest frequency at your location, while the adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio. The system includes the improved ME 2-II omnidirectional lavalier mic, a bodypack transmitter, and a camera-mount receiver. It connects to a camcorder or a DSLR/mirrorless camera to capture crisp-sounding speech or dialog for projects ranging from documentaries to wedding videos, corporate spots, and hands-free interviews. The EW 112P G4 is backward-compatible with previous evolution systems, giving you the ability to mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 500 systems. Built for Dependable Performance in the Field The EW 112P G4 features rugged, all-metal chassis well suited for extended use on location. The lightweight, the compact bodypack transmitter is easy to conceal and offers rounded edges that are soft to the touch and comfortable for the talent to wear. A locking connector ensures that your lav doesn’t detach at a critical moment, while a convenient switch allows you to mute your mic. Using the included shoe-mount adapter, the equally compact receiver easily mounts your camera without adding much weight. The included cables allow you to connect the receiver to the 3.5mm or XLR audio input of any DSLR/mirrorless, camcorder, or recording device. Both transmitter and receiver feature daylight-readable LED displays showing reception quality, battery status, and audio level. To get you going quickly, they synchronize via an infrared interface with the simple push of a button. Proven Broadcast-Quality Sound The EW 112P G4 ships with the popular ME 2-II omnidirectional lavalier microphone, which delivers a natural sound optimized for speech intelligibility. Its omnidirectional polar pattern ensures that the sound remains consistent, even when the speaker’s head moves away from the mic. To take full advantage of the ME 2-II’s dynamic range, the system employs proprietary HDX compander technology, preserving your sound without adding unwanted noise during transmission, and delivering audio with remarkable accuracy and quality. Additional Features Adaptive-diversity reception for reliable transmission up to 330′ 42 MHz bandwidth with 1680 tunable UHF frequencies for clean reception 20 frequency banks, each with up to 12 factory-preset channels to prevent intermodulation Pilot tone squelch for eliminating RF noise when the transmitter is turned off Receiver with an adjustable output range of 42 dB to match the audio input of your camera or recording device User-friendly menu operation with flexible control options Transmitter and receiver feature a 4-step battery-life indicator Auto-Lock function avoids accidental changing of settings RF Mute function 8 hours of battery life Powered via AA batteries or rechargeable BA 2015 Accupack batteries (available separately) Side contacts for recharging the Accupacks without removing them from either transmitter or receiver—requires the L 2015 quick-charging unit (available separately) Operate up to 12 wireless mics at once on set Unlike digital wireless systems, the SK 100 G4 transmitter can transmit to an unlimited number of EW Series receivers Wide range of accessories adapts the system to a variety of applications EW 100 G4 vs EW 500 G4 Systems at a Glance Bandwidth: Up to 46 MHz vs up to 88 MHz UHF Frequencies: 1680 vs up to 3520 RF Output Power: Fixed 30 mW vs adjustable 10/30/50 mW Mics at Once: Up to 12 mics vs up to 32 mics Included Lavalier Mic: ME 2-II omni or ME 4 cardioid vs professional MKE 2 omni Headphone Output: No vs yes Audio Output: Unbalanced vs balanced Plug-On Transmitter: No phantom vs +48V phantom power	PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95. For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions. General Features M7 Professional condenser microphone at an unbeatable price Great choice for recording vocals, guitar, podcasts, and more Exceptional clarity throughout its frequency-response range, with a warm top end Cardioid polar pattern Side address 1-inch (25 mm) back electret condenser capsule Rugged construction Hard mount, 10-foot XLR cable, and carrying case included Features Eris E3.5 Components and construction 3.5-inch (89 mm), woven composite, low-frequency transducer 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer Rear-firing acoustic port for superior bass-frequency reproduction Optimized, resonance-suppressing internal bracing User controls High- and low-frequency tuning controls Front-panel Volume control for speakers and headphone amplifier Power and safety 50 watt (25W/side), Class AB biamplification RF interference, output current limiting, over-temperature, transient, and subsonic protection Amplifier “soft start” feature eliminates popping on power-up Internal power supply with IEC connector Power switch with on/off LED Inputs and outputs Balanced ¼-inch TRS, unbalanced 1/8-inch stereo, and RCA inputs Integrated stereo headphone amplifier with front-panel 1/8-inch output Included Accessories Speaker wire 1/8-inch TRS to Stereo RCA cable Stereo RCA to Stereo TS cable Studio One^® Prime and Studio Magic Software Suite ($1,000 value!) Features HD7 High-resolution drivers Precision-tuned acoustic chamber Extended bass response Built tough to withstand abuse Auto-fit head pads Comfortable and long-lasting ear pads Single-side cable Optimized pressure Lightweight Features AudioBox USB 96 2 dual-purpose front-panel input channels, each with high-quality mic preamplifiers 2 combo mic/instrument inputs Individual channel-trim controls with 0 to +35 dBu mic gain range 48V phantom power for condenser microphones Mixer control (blends the input signal with the computer playback stream for zero-latency monitoring) Headphone jack with level control Main-output level control LED clip indicator for each channel Input/Output 1 USB 2.0 port 2 combo XLR/¼-inch mic/instrument inputs 2 balanced ¼-inch main (L/R) line outputs 1 stereo ¼-inch headphone output MIDI In/Out Digitalia 24-bit resolution and 44.1, 48, 88.2, and 96 kHz sampling rate Professional-grade A/D/A converters (+105 dBu dynamic range) Zero-latency monitoring via internal mixer Compatible with most Mac® and Windows® recording software Included Software Studio One^® Artist Studio Magic Software Suite Ableton^® Live Lite Physical 1/3U rack-mountable (with optional 3UMR rack-mounting system) Road-rugged construction with all-metal chassis and metal knobs Weighs just 5 lbs (2.3 kg) Powered via USB bus—no wall wart! Computer system requirements: Below are the minimum computer-system requirements for AudioBox USB 96. macOS^® macOS version 10.13 or later 200 MB storage space and 4 GB RAM for Universal Control (required for firmware updates) Available USB port Windows^® Windows 10 or later (64-Bit Only) 200 MB storage space and 4 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support) Available USB port Chrome OS For information on compatibility with Chrome OS, click here. iOS/iPadOS For information on compatibility with iOS/iPadOS, click here. Android For information on compatibility with Android devices, click here.	Multi‑pattern desktop microphone Easy switching between omni, cardioid, supercardioid, or hypercardioid patterns Mute switch with LED can be programmed as either push on/off or push-to-mute Smooth, uniform frequency response in all patterns Extended low-frequency response and switchable high-pass filter Sturdy steel base The PC Desktop is a free-standing tabletop microphone with a dual-section gooseneck and an elegant base. With easy switching between four polar patterns—omni, cardioid, super-cardioid, or hyper-cardioid—the PC Desktop 12 is always the right microphone, even under a variety of conditions. Available with 5-, 12-, or 18-inch gooseneck.	The Sennheiser EW 100 G4-835-S is an easy-to-set-up rackmount wireless handheld microphone system that brings high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses of worship, theaters, or on musical stages. The EW 100 G4-835-S features a true diversity, half-rack receiver housed in a rugged, full-metal chassis. The receiver’s auto-scan function searches a wide 42 MHz UHF tuning range with 1680 selectable frequencies available, seeking out a clean, interference-free channel for your audio transmission. This system includes an SKM 100 G4-S handheld transmitter equipped with an interchangeable MMD 835 dynamic cardioid microphone capsule optimized for speech. The handheld transmitter provides up to 8 hours of operation on two AA batteries, with a fixed 30mW RF power output and a transmission range up to 330′. Up to 12 wireless mics can operate simultaneously in the same space, with the receivers linked together for a fast, multi-channel frequency setup. The EW 100 G4-835-S is backward-compatible with previous evolution systems. You can mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 300/500 systems. Lightweight Handheld Transmitter with MMD 835 Cardioid Capsule The MMD 835 dynamic capsule features a cardioid polar pattern that minimizes background noise and feedback.The rugged, all-metal handheld transmitter features a mute function and can be locked out to prevent accidental changes during a performance. A backlit LCD displays essential information and provides fast menu access. The transmitter syncs to the receiver via infrared with a quick press of the Sync button. The SKM 100 G4-S is powered via two AA batteries or a rechargeable BA 2015 Accupack battery (available separately). An LA 2 charging adapter (available separately) allows for recharging the Accupack without removing it from the transmitter—requires the L 2015 quick-charging unit (available separately). The transmitter’s interchangeable capsule design allows you to use a variety of optional dynamic and condenser mic capsules, with pickup patterns ranging from wide omnidirectional to narrow super cardioid —capsules include the MMD 835, MMD 845, MME 865, MMD 935, MMD 945, and MMD 42. Easy-to-Operate Receiver with True-Diversity Reception The robust, metal EM 100 receiver offers a high-contrast, black-and-white LCD. The display uses a streamlined menu system with a dedicated Escape button for quick menu navigation and shows battery status of the associated transmitter.The system features 20 fixed frequency banks with up to 12 compatible frequency presets and 1 user bank with up to 12 user-programmable frequencies. To prevent interference, the EM 100 receiver’s true-diversity reception compares incoming signals on two independent receiver circuits to ensure optimal RF quality. To ensure crystal clear audio, Sennheiser’s proprietary HDX compander technology maximizes the microphone’s signal-to-noise ratio, while avoiding RF noise. The built-in equalizer enables you to change the frequency response of the output signal; you can reduce the bass range and boost the treble range. The receiver also offers an adjustable output level range of 48 dB to match the audio input of your mixing board or PA system. Musicians will appreciate the built-in guitar tuner. The back panel houses a balanced XLR output as well as an unbalanced 1/4″ output. A kit is included for rackmount installation. The unit comes with a universal power supply and EU, US, UK, Korea, Australia, and China adapters. Fast Multi-Channel Setup for Expanded System To simplify and speed up your workflow, two RJ10 data networking ports allow you to daisy-chain up to 12 receivers and quickly perform a frequency setup for the entire multi-channel system via the Easy Setup function.If you assign the frequencies manually, you can expand the setup to accommodate a maximum of 20 receivers. An RJ10 cable is included. Enhance the Performance of Your System The detachable antennas with BNC sockets allow you to create a larger system using up to four EM 100 receivers connected to a single pair of remote antennas. This setup requires the ASA 214 active antenna splitter (available separately).Adding a pair of A 1031-U omnidirectional antennas or a pair of A 2003 UHF directional antennas increases the range of your system and offers increased protection against interference. Add Functionality to Your System Sennheiser offers a bodypack transmitter with a variety of lavalier and headset microphone options to adapt your EW system as your needs evolve. The discrete ME 2-II and MKE 2 lavalier mics provide exceptional clarity in spoken-word applications. The lightweight ME 3-II is a comfortable, durable headset microphone for active presentations. The Ci 1 instrument cable lets you connect the bodypack transmitter to a guitar or bass. In the Box Sennheiser EW 100 G4-835-S Wireless Handheld Microphone System 2 x Rod Antennas RJ10 Cable 2 x AA Batteries Rackmount Kit Limited 2-Year Warranty	The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone that is suitable for both speech and instrument miking applications in all areas of live work. It fulfills the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black. New Umbrella Diaphragm™ protects the mic against sweat Very high sound pressure handling capability Versatile attachment due to an extensive range of accessories XLR Connector Compatible with a Wide Variety of Professional Audio Gear The MKE 2 will work with mixers, cameras, camcorders, portable audio recorders, interfaces, and a wide range of audio gear able to supply the mic with phantom power. Ample Headroom for Vocals The mic is designed to handle broadcast and theater applications, including vocals and instruments up to 130 dB, without distortion. Omnidirectional Polar Pattern The forgiving omnidirectional polar pattern picks up sound from all around the mic and provides a consistent frequency response, even for off-axis sound. This helps to supply clear, intelligible speech and vocals, even when the talent isn’t speaking directly toward the microphone.	Sennheiser EW 100 ENG G4 Multi-purpose set for mobile journalism and documentary. Includes a plug-on transmitter and clip-on mic that offers excellent speech intelligibility. A broadcast quality sound solution. Providing the highest flexibility for your video sound and field recording applications. A robust wireless microphone system that offers excellent sound quality, simple mounting, and ease of use. Multi-purpose set for mobile journalism and documentary. The powerful plug-on transmitter SKP 100 turns every wired dynamic microphone into a wireless transmitter while the easy-to-use clip-on microphone ME 2-II (omnidirectional) offers excellent speech intelligibility during interviews. Rugged all-in-one wireless system with high flexibility for broadcast-quality sound Excellent sound and construction quality Easy to use and fast setup time Powerful and reliable wireless transmission Range: up to 100 meters / 330 feet Up to 8 hours of operation time Feature-rich and built to last Key Features For Mobile Journalist, Videographers ME 2-II Omnidirectional Lav Mic Rugged Bodypack Transmitter Plug-On Transmitter for Handheld Mic Adaptive-diversity reception for reliable transmission up to 330′ 42 MHz bandwidth with 1680 tunable UHF frequencies for interference-free reception The frequency scan function automatically searches for the cleanest frequency at your location 20 frequency banks, each with up to 12 factory-preset channels to prevent intermodulation Adjustable input sensitivity on both transmitters accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio Pilot tone squelch for eliminating RF noise when the transmitter is turned off Receiver with an adjustable output range of 42 dB to match the audio input of your camera or recording device User-friendly menu operation with flexible control options Transmitter and receiver feature a 4-step battery-life indicator Auto-Lock function avoids accidental changing of settings RF Mute function 8 hours of battery life
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Additional information