Electro Voice PC Desktop 12

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  • Easy switching between omni, cardioid, supercardioid, or hypercardioid patterns
  • Mute switch with LED can be programmed as either push-on/off or push-to-mute
  • Smooth, uniform frequency response in all patterns
  • Extended low-frequency response and switchable high-pass filter

Description

Multi‑pattern desktop microphone

  • Easy switching between omni, cardioid, supercardioid, or hypercardioid patterns
  • Mute switch with LED can be programmed as either push on/off or push-to-mute
  • Smooth, uniform frequency response in all patterns
  • Extended low-frequency response and switchable high-pass filter
  • Sturdy steel base

The PC Desktop is a free-standing tabletop microphone with a dual-section gooseneck and an elegant base. With easy switching between four polar patterns—omni, cardioid, super-cardioid, or hyper-cardioid—the PC Desktop 12 is always the right microphone, even under a variety of conditions. Available with 5-, 12-, or 18-inch gooseneck.

Connector Type 3-pin XLR
Height 13.54″ (344mm)
Width 4.49″ (114mm)
Depth 7.01″ (178mm)
Frequency Response (-3 dB) 50 – 20,000 Hz
Weight Net 24.34oz (690g)
Family PolarChoice
Polar Pattern Omni, Cardioid, S-cardioid & H-cardioid
Wired/Wireless Wired
Mic Type Gooseneck
Diameter (Max) 0.25″ (6.4mm)
Element Dual condenser (back-electret)
Impedance, Low-Z balanced 200Ω
Open Circuit Voltage 5.6mV/Pascal
Case Material Steel
Finish Non-reflective camera black
Power Requirement 12 – 52 VDC

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Description
  • Easy switching between omni, cardioid, supercardioid, or hypercardioid patterns
  • Mute switch with LED can be programmed as either push-on/off or push-to-mute
  • Smooth, uniform frequency response in all patterns
  • Extended low-frequency response and switchable high-pass filter
  • 8 hours of battery life
  • For Mobile Journalist, Videographers
  • ME 2-II Omnidirectional Lav Mic
  • New Umbrella Diaphragm™ protects the mic against sweat
  • Very high sound pressure handling capability
  • Versatile attachment due to an extensive range of accessories
  • Professional condenser microphone at an unbeatable price
  • Great choice for recording vocals, guitar, podcasts, and more
  • Exceptional clarity throughout its frequency-response range, with a warm top end
  • Adaptive-diversity reception for reliable transmission up to 330′
  • 42 MHz bandwidth with 1680 tunable UHF frequencies for clean reception
  • 20 frequency banks, each with up to 12 factory-preset channels to prevent intermodulation
  • Battery switch with “Low Batt” indicator
  • Rugged all-metal housing
  • Very good suppression of structure-borne noise
Content

Multi‑pattern desktop microphone

  • Easy switching between omni, cardioid, supercardioid, or hypercardioid patterns
  • Mute switch with LED can be programmed as either push on/off or push-to-mute
  • Smooth, uniform frequency response in all patterns
  • Extended low-frequency response and switchable high-pass filter
  • Sturdy steel base

The PC Desktop is a free-standing tabletop microphone with a dual-section gooseneck and an elegant base. With easy switching between four polar patterns—omni, cardioid, super-cardioid, or hyper-cardioid—the PC Desktop 12 is always the right microphone, even under a variety of conditions. Available with 5-, 12-, or 18-inch gooseneck.

Sennheiser EW 100 ENG G4 Multi-purpose set for mobile journalism and documentary. Includes a plug-on transmitter and clip-on mic that offers excellent speech intelligibility.
A broadcast quality sound solution. Providing the highest flexibility for your video sound and field recording applications. A robust wireless microphone system that offers excellent sound quality, simple mounting, and ease of use. Multi-purpose set for mobile journalism and documentary. The powerful plug-on transmitter SKP 100 turns every wired dynamic microphone into a wireless transmitter while the easy-to-use clip-on microphone ME 2-II (omnidirectional) offers excellent speech intelligibility during interviews.  
  • Rugged all-in-one wireless system with high flexibility for broadcast-quality sound
  • Excellent sound and construction quality
  • Easy to use and fast setup time
  • Powerful and reliable wireless transmission
  • Range: up to 100 meters / 330 feet
  • Up to 8 hours of operation time

    Feature-rich and built to last

    Key Features
    • For Mobile Journalist, Videographers
    • ME 2-II Omnidirectional Lav Mic
    • Rugged Bodypack Transmitter
    • Plug-On Transmitter for Handheld Mic
    • Adaptive-diversity reception for reliable transmission up to 330′
    • 42 MHz bandwidth with 1680 tunable UHF frequencies for interference-free reception
    • The frequency scan function automatically searches for the cleanest frequency at your location
    • 20 frequency banks, each with up to 12 factory-preset channels to prevent intermodulation
    • Adjustable input sensitivity on both transmitters accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio
    • Pilot tone squelch for eliminating RF noise when the transmitter is turned off
    • Receiver with an adjustable output range of 42 dB to match the audio input of your camera or recording device
    • User-friendly menu operation with flexible control options
    • Transmitter and receiver feature a 4-step battery-life indicator
    • Auto-Lock function avoids accidental changing of settings
    • RF Mute function
    • 8 hours of battery life
The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone that is suitable for both speech and instrument miking applications in all areas of live work. It fulfills the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black.
  • New Umbrella Diaphragm™ protects the mic against sweat
  • Very high sound pressure handling capability
  • Versatile attachment due to an extensive range of accessories
    XLR Connector
    Compatible with a Wide Variety of Professional Audio Gear
    The MKE 2 will work with mixers, cameras, camcorders, portable audio recorders, interfaces, and a wide range of audio gear able to supply the mic with phantom power.

Ample Headroom for Vocals

The mic is designed to handle broadcast and theater applications, including vocals and instruments up to 130 dB, without distortion.

Omnidirectional Polar Pattern

The forgiving omnidirectional polar pattern picks up sound from all around the mic and provides a consistent frequency response, even for off-axis sound. This helps to supply clear, intelligible speech and vocals, even when the talent isn’t speaking directly toward the microphone.
PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95. For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions.

General Features M7

  • Professional condenser microphone at an unbeatable price
  • Great choice for recording vocals, guitar, podcasts, and more
  • Exceptional clarity throughout its frequency-response range, with a warm top end
  • Cardioid polar pattern
  • Side address
  • 1-inch (25 mm) back electret condenser capsule
  • Rugged construction
  • Hard mount, 10-foot XLR cable, and carrying case included

Features Eris E3.5

Components and construction

  • 3.5-inch (89 mm), woven composite, low-frequency transducer
  • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
  • Rear-firing acoustic port for superior bass-frequency reproduction
  • Optimized, resonance-suppressing internal bracing

User controls

  • High- and low-frequency tuning controls
  • Front-panel Volume control for speakers and headphone amplifier

Power and safety

  • 50 watt (25W/side), Class AB biamplification
  • RF interference, output current limiting, over-temperature, transient, and subsonic protection
  • Amplifier “soft start” feature eliminates popping on power-up
  • Internal power supply with IEC connector
  • Power switch with on/off LED

Inputs and outputs

  • Balanced ¼-inch TRS, unbalanced 1/8-inch stereo, and RCA inputs
  • Integrated stereo headphone amplifier with front-panel 1/8-inch output

Included Accessories

  • Speaker wire
  • 1/8-inch TRS to Stereo RCA cable
  • Stereo RCA to Stereo TS cable
  • Studio One® Prime and Studio Magic Software Suite ($1,000 value!)

Features HD7

  • High-resolution drivers
  • Precision-tuned acoustic chamber
  • Extended bass response
  • Built tough to withstand abuse
  • Auto-fit head pads
  • Comfortable and long-lasting ear pads
  • Single-side cable
  • Optimized pressure
  • Lightweight

Features AudioBox USB 96

  • 2 dual-purpose front-panel input channels, each with high-quality mic preamplifiers
  • 2 combo mic/instrument inputs
  • Individual channel-trim controls with 0 to +35 dBu mic gain range
  • 48V phantom power for condenser microphones
  • Mixer control (blends the input signal with the computer playback stream for zero-latency monitoring)
  • Headphone jack with level control
  • Main-output level control
  • LED clip indicator for each channel

Input/Output

  • 1 USB 2.0 port
  • 2 combo XLR/¼-inch mic/instrument inputs
  • 2 balanced ¼-inch main (L/R) line outputs
  • 1 stereo ¼-inch headphone output
  • MIDI In/Out

Digitalia

  • 24-bit resolution and 44.1, 48, 88.2, and 96 kHz sampling rate
  • Professional-grade A/D/A converters (+105 dBu dynamic range)
  • Zero-latency monitoring via internal mixer
  • Compatible with most Mac® and Windows® recording software

Included Software

  • Studio One® Artist
  • Studio Magic Software Suite
  • Ableton® Live Lite

Physical

  • 1/3U rack-mountable (with optional 3UMR rack-mounting system)
  • Road-rugged construction with all-metal chassis and metal knobs
  • Weighs just 5 lbs (2.3 kg)
  • Powered via USB bus—no wall wart!

Computer system requirements:

Below are the minimum computer-system requirements for AudioBox USB 96.

macOS®

  • macOS version 10.13 or later
  • 200 MB storage space and 4 GB RAM for Universal Control (required for firmware updates)
  • Available USB port

Windows®

  • Windows 10 or later (64-Bit Only)
  • 200 MB storage space and 4 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
  • Available USB port

Chrome OS

For information on compatibility with Chrome OS, click here.

iOS/iPadOS

For information on compatibility with iOS/iPadOS, click here.

Android

For information on compatibility with Android devices, click here.
The Sennheiser EW 112P G4 camera-mount wireless lavalier microphone system features the proven combination of reliability, flexible control, and broadcast-quality sound that has made the EW Series an industry standard for videographers, journalists, and content creators all over the world. The EW 112P G4 gives you the tools to adapt and meet the wireless challenges that inevitably arise on set. The frequency scan function automatically searches for the cleanest frequency at your location, while the adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio. The system includes the improved ME 2-II omnidirectional lavalier mic, a bodypack transmitter, and a camera-mount receiver. It connects to a camcorder or a DSLR/mirrorless camera to capture crisp-sounding speech or dialog for projects ranging from documentaries to wedding videos, corporate spots, and hands-free interviews. The EW 112P G4 is backward-compatible with previous evolution systems, giving you the ability to mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 500 systems.

Built for Dependable Performance in the Field

  • The EW 112P G4 features rugged, all-metal chassis well suited for extended use on location. The lightweight, the compact bodypack transmitter is easy to conceal and offers rounded edges that are soft to the touch and comfortable for the talent to wear. A locking connector ensures that your lav doesn’t detach at a critical moment, while a convenient switch allows you to mute your mic.
  • Using the included shoe-mount adapter, the equally compact receiver easily mounts your camera without adding much weight. The included cables allow you to connect the receiver to the 3.5mm or XLR audio input of any DSLR/mirrorless, camcorder, or recording device.
  • Both transmitter and receiver feature daylight-readable LED displays showing reception quality, battery status, and audio level. To get you going quickly, they synchronize via an infrared interface with the simple push of a button.
 

Proven Broadcast-Quality Sound

  • The EW 112P G4 ships with the popular ME 2-II omnidirectional lavalier microphone, which delivers a natural sound optimized for speech intelligibility. Its omnidirectional polar pattern ensures that the sound remains consistent, even when the speaker’s head moves away from the mic.
  • To take full advantage of the ME 2-II’s dynamic range, the system employs proprietary HDX compander technology, preserving your sound without adding unwanted noise during transmission, and delivering audio with remarkable accuracy and quality.
 

Additional Features

  • Adaptive-diversity reception for reliable transmission up to 330′
  • 42 MHz bandwidth with 1680 tunable UHF frequencies for clean reception
  • 20 frequency banks, each with up to 12 factory-preset channels to prevent intermodulation
  • Pilot tone squelch for eliminating RF noise when the transmitter is turned off
  • Receiver with an adjustable output range of 42 dB to match the audio input of your camera or recording device
  • User-friendly menu operation with flexible control options
  • Transmitter and receiver feature a 4-step battery-life indicator
  • Auto-Lock function avoids accidental changing of settings
  • RF Mute function
  • 8 hours of battery life
  • Powered via AA batteries or rechargeable BA 2015 Accupack batteries (available separately)
  • Side contacts for recharging the Accupacks without removing them from either transmitter or receiver—requires the L 2015 quick-charging unit (available separately)
  • Operate up to 12 wireless mics at once on set
  • Unlike digital wireless systems, the SK 100 G4 transmitter can transmit to an unlimited number of EW Series receivers
  • Wide range of accessories adapts the system to a variety of applications

EW 100 G4 vs EW 500 G4 Systems at a Glance

  • Bandwidth: Up to 46 MHz vs up to 88 MHz
  • UHF Frequencies: 1680 vs up to 3520
  • RF Output Power: Fixed 30 mW vs adjustable 10/30/50 mW
  • Mics at Once: Up to 12 mics vs up to 32 mics
  • Included Lavalier Mic: ME 2-II omni or ME 4 cardioid vs professional MKE 2 omni
  • Headphone Output: No vs yes
  • Audio Output: Unbalanced vs balanced
  • Plug-On Transmitter: No phantom vs +48V phantom power
The MKE 600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges. Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear. The switchable “Low Cut” filter additionally minimizes wind noise. Because some video cameras/camcorders do not provide phantom power, the MKE 600 can also be battery-powered. A battery on/off switch prevents the battery from discharging prematurely; “Low Batt” is displayed.
  • Pronounced directivity
  • Maximal rejection of side noise
  • Switchable “Low Cut” filter minimizes wind noise
  • Phantom or battery powering
  • Battery switch with “Low Batt” indicator
  • Rugged all-metal housing
  • Very good suppression of structure-borne noise
  • Supplied with foam windshield, shock mount, and adapter cable for cameras with 3.5 mm TRS jack connection
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