Allen & Heath SQ-6 24 Channel Digital Mixer

In Stock

Category: Mixer

31-band, real-time analyzer (RTA)
Quick copy/paste/reset for parameters
User permissions to restrict operator access

Description

The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.

At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.

The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-6 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing.

The SQ-6 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-6 ships with a power cord.

Compact digital mixer for live, studio, and installation.
48 input channels.
24 local mic inputs (XLR).
Two 1/4” stereo inputs (TRS).
One 1/8″ stereo input.
36 total busses.
12 stereo mixes (Aux or Group) + Main.
PAFL bus.
16 assignable local outputs (14 XLR + two 1/4” TRS).
AES digital output.
Dedicated talkback mic input (XLR).
1/4″ TRS headphone out with dedicated control.
SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels).
I/O port for option card (including 3^rd party protocols – Dante/Waves).
8 mute groups.
8 DCA groups.
8 stereo FX with dedicated FX returns.
DEEP processing ready.
RackFX effects suite.
7″ color touchscreen.
16 assignable SoftKeys.
Four assignable soft rotaries
Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
24+1 faders with 6 layers for 96 assignable channel strips
Motorized faders for sends on faders, GEQ fader flip, and mix recall
24 backlit LCD channel-strip displays
Single-point metering
Integrated surface illumination
Single/dual footswitch control
Input channel linking for stereo sources
Patchable insert points
Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
Output processing – PEQ, Graphic EQ, Compressor, Delay
Automatic mic mixing
31-band, real-time analyzer (RTA)
Quick copy/paste/reset for parameters
User permissions to restrict operator access
300 scene memories per show
Channel safes, global and per-scene recall filters
FX, processing, and channel libraries
SQ-Drive for stereo and multitrack recording/playback direct to USB drive
USB transfer of scenes, libraries, shows
32×32 channel USB streaming to/from Mac/Windows
DAW control driver for MIDI control via USB or TCP/IP
Wireless remote mixing apps for iPad and Android
Compatible with ME personal-monitoring range

Mixer

Number of Analog Input Channels	48
Mix Routing	8 x Stereo FX Return
Groups	8 x Mute Group 8 x DCA Group
Display	7″ Touchscreen
Display Resolution/Color	Main Display: 800 x 480 8-Bit RGB
Faders	x 3.9″ / 100 mm
Meters	Main Meter: 2 x 12-Segment LED Channel Meter: Single LED
Meter Range	-3 dBFS Peak/Clip (+19 dBu at XLR Output)
Meter Calibration	0 dB on Meter = -18 dBFS (+4 dBu at XLR Output)

Signal Processing

Gain/Trim Range	Line: ±24 dB (Stereo Channels) Mic/Line: 0 dB to +60 dB (in 1 dB Steps)
Input Pad	-20 dB
Input Polarity	Normal/Reverse
Gate Parameters	Threshold: -72 to +18 dBu Depth: 0 to 60 dB Attack: 50 μs to 300 ms Hold: 10 ms to 5 sec Release: 10 ms to 1 sec
Compressor Parameters	Threshold: -46 to +18 dBu Ratio: 1:1 to ∞:1 Attack: 30 μs to 300 ms Release: 50 ms to 2 sec Knee: Soft / Hard Blend: Yes
Sidechain Filters	Compressor: High-Pass: 20 to 5 kHz Band-Pass: 120 Hz to 10 kHz Low-Pass: 120 Hz to 20 kHz Gate: High-Pass: 20 Hz to 5 kHz Band-Pass: 120 Hz to 10 kHz Low-Pass: 120 Hz to 20 kHz
EQ	FX Returns: 4-Band Parametric
EQ Parameters	1 x HF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) 2 x MF Notch/Peak: ±15 dB at 20 Hz to 20 kHz 1 x LF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable)
Graphic EQ	28-Band 1/3 Octave, ±12 dB 31 Hz to 16 kHz
Filters	High-Pass: 20 Hz to 2 kHz, 12 dB/Octave
Channel Output/Source Monitoring	AFL, PFL, Post-Preamp, Post-HPF, Post-Gate, Post-EQ, Post-Compressor, Post-FX, Insert Return
Built-In Effects	Reverb Stereo Delay (Tap) Reverb (Gated) ADT 2 x Chorus Flanger Phaser
Real Time Analyzer	31-Band 1/3 Octave, 20 Hz to 20 kHz
Audio Delay	Adjustable Up to 682 ms

Digital Audio

Sample Rates	96 kHz AES3 Output: 44.1 / 48 / 88.2 / 96 kHz Stereo Record: 96 kHz Stereo Playback: 44.1 / 48 / 96 kHz Multitrack Playback/Multitrack Record: 96 kHz
Bit Depth	Up to 96-Bit Stereo Record: 24-Bit Stereo Playback: 16 / 24-Bit Multitrack Playback, Multitrack Record: 24-Bit
Latency	< 0.7 ms (Mic Input to Main Output)

Performance

dBFS Reference Level	+18 dBu = 0 dBFS
Headroom	+18 dB
Frequency Response	20 Hz to 20 kHz +0/-0.5 dB
Max Input Level	Mic/Line Input: +30 dBu Aux Input: +22 dBu (+4 dBu) +18 dBu (0 dBu)
Output Level	Analog Output: +4 dBu (Nominal) +22 dBu (Max)
Analog Dynamic Range	112 dB
I/O Impedance	1/4″, XLR Output: < 75 Ohms AES3 Output: 110 Ohms Aux Input: > 7 Kilohms Mic/Line Input: > 5 Kilohms
Noise Floor	-90 dBu (with Inputs Muted)
THD+N	0.006% at Unity Gain Mic/Line Input to AES3 Output: 0.002% at Unity Gain 0.003% at +30 dB Gain
Signal Generator	Sine, White, Pink, or Band-Pass Noise (Assignable to Any Mix)

Connectivity

Analog Inputs	1 x XLR Talkback Input 24 x XLR Balanced Mic/Line Input 4 x 1/4″ TRS Balanced Aux Input (2 Stereo Pair, Half-Normalled) 1 x 1/8″ / 3.5 mm Unbalanced Aux Input
Analog Outputs	14 x XLR Balanced Output 2 x 1/4″ TRS Balanced Output
Phantom Power	+48 V
Digital I/O	1 x RJ45 (Network) 1 x XLR AES3 Output 1 x etherCON (I/O)
USB	1 x USB Type-A (External Memory) 1 x USB Type-B (USB 2.0, Audio Streaming)
Expansion Ports	1 x I/O Card

Recording

Max Multitrack Recording	16 Tracks
File Format Support	WAV

Power

AC Input Power

100 to 240 VAC, 50 / 60 Hz

Physical

Operating Temperature	32 to 104°F / 0 to 40°C
Dimensions	25.1 x 20.3 x 7.8″ / 638 x 514.9 x 198 mm
Weight	29.3 lb / 13.3 kg

Packaging Info

Package Weight	40.3 lb
Box Dimensions (LxWxH)	32.5 x 27 x 14.5″

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Quick Comparison

Settings	Allen & Heath SQ-6 24 Channel Digital Mixer remove	Allen & Heath Qu-16 Rackmountable Digital Mixer remove	Presonus StudioLive 16.0.2 USB remove	Presonus StudioLive 32SX remove	Allen & Heath ZED-6FX Compact Analog Mixer (with On-Board Effects Engine) remove	Presonus StudioLive 16R remove
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Description	31-band, real-time analyzer (RTA) Quick copy/paste/reset for parameters User permissions to restrict operator access	19” Rack Mountable 16 Mono Mic/Line Inputs (TRS + XLR) Recallable AnaLOGIQ^TM Preamps	High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15) XLR mic inputs (Ch. 9, 11, 13, and 15) Balanced ¼-inch line inputs (Ch. 9-16)	FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses 24 DCAs to control groups of channels 128-channel (64×64) recording over USB	2x Mic/Line inputs with separate XLR and TRS jack sockets 2x Stereo inputs with TRS jack sockets 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes	State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses 6 DCAs to control groups of channels
Content	The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more. At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles. The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-6 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing. The SQ-6 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-6 ships with a power cord. Compact digital mixer for live, studio, and installation. 48 input channels. 24 local mic inputs (XLR). Two 1/4” stereo inputs (TRS). One 1/8″ stereo input. 36 total busses. 12 stereo mixes (Aux or Group) + Main. PAFL bus. 16 assignable local outputs (14 XLR + two 1/4” TRS). AES digital output. Dedicated talkback mic input (XLR). 1/4″ TRS headphone out with dedicated control. SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels). I/O port for option card (including 3^rd party protocols – Dante/Waves). 8 mute groups. 8 DCA groups. 8 stereo FX with dedicated FX returns. DEEP processing ready. RackFX effects suite. 7″ color touchscreen. 16 assignable SoftKeys. Four assignable soft rotaries Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width) 24+1 faders with 6 layers for 96 assignable channel strips Motorized faders for sends on faders, GEQ fader flip, and mix recall 24 backlit LCD channel-strip displays Single-point metering Integrated surface illumination Single/dual footswitch control Input channel linking for stereo sources Patchable insert points Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay Output processing – PEQ, Graphic EQ, Compressor, Delay Automatic mic mixing 31-band, real-time analyzer (RTA) Quick copy/paste/reset for parameters User permissions to restrict operator access 300 scene memories per show Channel safes, global and per-scene recall filters FX, processing, and channel libraries SQ-Drive for stereo and multitrack recording/playback direct to USB drive USB transfer of scenes, libraries, shows 32×32 channel USB streaming to/from Mac/Windows DAW control driver for MIDI control via USB or TCP/IP Wireless remote mixing apps for iPad and Android Compatible with ME personal-monitoring range	THE MIXER THAT CHANGED THE RULES Compact 22 in / 12 out Digital Mixer with remote wireless control Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu. Our Best-Selling Digital Mixer Inputs: 16 Mono / 3 Stereo Mixes: 4 Mono / 3 Stereo / LR 24×22 USB Audio Interface Comprehensive Channel Processing and FX Intuitive Interface with Full Colour Touchscreen Range of Remote Expanders Suitable for: Live Studio Streaming A/V Install Corporate Audio Houses of Worship Makes Mixing Feel Natural Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.Qu-16 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-16 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-16’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.Coming from analog? Qu will make you feel at home. World Class Processing And FX Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ. Feature Summary 19” Rack Mountable 16 Mono Mic/Line Inputs (TRS + XLR) Recallable AnaLOGIQ^TM Preamps 3 Stereo Inputs (TRS) 12 Mix Outputs (XLR) 7 Monitor Mixes (4 mono + 3 stereo) 4 FX Engines 2 dedicated FX Sends / Returns 4 Mute Groups 4 DCA Groups AES Digital Out 24×22 USB Audio Interface dSNAKE^TM Remote Audio Port 17 Motor Faders 800×480 Touchscreen 4 Soft Keys Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs Automatic Mic Mixer Channel Ducker on all Inputs ProFactory Mic Presets RackFX Library Built-in Signal Generator RTA with Peak Band indication Spectrogram to aid feedback elimination and room acoustics Qu-Drive Direct Multitrack Recording / Playback on USB drives DAW MIDI Control Qu-Pad iPad App Qu-You iPhone / Android personal monitoring app Qu-Control customisable iOS app for simple wireless control Compatible with ME Personal Mixing System	Small size. Bigger possibilities. 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And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm. 8 mono mic/line channel inputs, each with: High-headroom Class A XMAX mic preamplifier XLR mic and balanced ¼-inch line inputs 60 mm precision fader 4 stereo line channel inputs, with: High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15) XLR mic inputs (Ch. 9, 11, 13, and 15) Balanced ¼-inch line inputs (Ch. 9-16) Unbalanced RCA line inputs (Ch. 13-16) 60 mm precision fader (4 stereo) 4 Auxiliary buses (pre/post-fader send) 2 Internal FX buses 2 stereo 32-bit digital effects processors with customizable reverb and delay presets Fat Channel signal processing on all channels and buses, with: 3-band semi-parametric EQ (individual band on/off) Full-featured compressor Standard downward expander Limiter Phase reverse (12 mic preamplifiers only) Pan with dedicated 15-LED display Stereo link for input channels and aux buses Highpass filter One 31-band stereo graphic EQ (on main outputs only) 18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz) Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall Settings can be copied among channels and buses and saved as user presets. Software bundle includes: PreSonus^® Studio One^® Artist digital audio workstation for macOS^® and Windows ^® PreSonus Capture^® live-recording software for macOS and Windows PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS^® Free downloadable PreSonus QMix^®-UC software for iPhone^®/iPod touch^® and Android provides wireless remote control of aux mixes Ableton^_® Live Lite Lockout mode protects your settings from meddlers and accidents MIDI Control Mode provides control over: Scene and FX Preset recall Main Volume, FXA, and FXB output levels FXA and FXB assign/unassign to Mains	Power meets efficiency. Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space. Features Powered by the new dual-core PreSonus^® FLEX DSP Engine to provide the most processing of any digital mixer in its class 40 input-channel digital mixer with 25 touch-sensitive motorized faders 32 local digitally controlled XMAX mic/line inputs 2 balanced stereo aux inputs 1 stereo tape input (RCA, USB, AVB or SD) 4 FLEX FX returns 1 Talkback 26 mix buses 16 FlexMixes (Aux, Subgroup, Matrix) 4 dedicated FLEX FX buses 4 dedicated subgroups Stereo Main bus 286 simultaneous processors HPF Gate/Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses 24 DCAs to control groups of channels 128-channel (64×64) recording over USB Onboard multi-channel SD recorder (34×34) with true Virtual Soundcheck mode AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more User Profiles for managing multiple operators with custom permissions Per channel digital patching from any analog, AVB, USB, or SD Card source DAW Control Advanced Studio One^® control integration MCU emulation mode optimized for Logic HUI emulation mode optimized for Pro Tools Remote control every mix function from your computer, iPad^®, or Android™ tablet with UC Surface (included) Put your musicians’ monitor mix under their fingers with QMix^®-UC (included) for iOS^® or Android Capture^® 3.0 multitrack software included Automated Virtual Soundcheck Store StudioLive^® mix scenes with your audio Advanced Studio One integration (Studio One Artist Included) XMAX mic preamp control from Studio One Control Fat Channel parameters from Studio One mixing console Ableton^® Live Lite included	Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools. The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs. You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip. Key Features 2x Mic/Line inputs with separate XLR and TRS jack sockets 2x Stereo inputs with TRS jack sockets 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes Internal FX engine with tap tempo High-pass filter for cleaning up unwanted low-frequency noise 2-band EQ for tonal shaping 60mm smooth travel fader on main mix XLR main outputs 8x LED signal metering 48V Phantom Power for condenser mics Internal power supply	The best 16-channel digital mixer for your rack. Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue. Features Powered by the new single-core PreSonus^® FLEX DSP Engine to provide the most processing of any digital mixer in its class 18 input-channel digital rack mixer 16 local digitally controlled XMAX mic/line inputs 2 FLEX FX returns 10 mix buses 6 FlexMixes (Aux, Subgroup, Matrix) 2 dedicated FLEX FX buses Stereo Main bus 130 simultaneous processors HPF Gate/Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses 6 DCAs to control groups of channels 36-channel (18×18) recording over USB Onboard stereo SD recorder with true Virtual Soundcheck mode AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more Monitor Mix and Stage Box modes for use with StudioLive^® Series III console mixers Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system Remote control every mix function from your computer, iPad^®, or Android™ tablet with UC Surface (included) Put your musicians’ monitor mix under their fingers with QMix^®-UC (included) for iOS^® or Android Capture^® 3.0 multitrack software included Automated Virtual Soundcheck Store StudioLive mix scenes with your audio Advanced Studio One^® integration (Studio One Artist Included) XMAX mic preamp control from Studio One Control Fat Channel parameters from Studio One mixing console Ableton^® Live Lite included Computer system requirements: Below are the minimum computer-system requirements for StudioLive 16R. macOS^® macOS version 10.13 or later 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates) Available USB port Windows^® Windows 10 or later (64-Bit Only) 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support) Available USB port The above are the hardware* system requirements for this product. DAW software and Operating System requirements vary.* Click here for Studio One’s system requirements. Click here for Qmix-UC’s system requirements Click here for UC Surface’s system requirements.
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