Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb.
The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.
Features at a Glance:
16 AnalogiQ recallable preamps
16 onboard mic/line inputs (XLR / TRS)
Expandable up to 38 inputs via dSNAKE
3 stereo inputs (TRS)
32 mono + 3 stereo input channels
12 onboard mix outputs (XLR)
4 stereo groups
2 stereo matrix outs
AES digital out
4 DCA groups
4 mute groups
Qu-Pad iPad app for all live mixing controls
Qu-You iPhone app for personal monitoring
Qu-Drive direct multitrack recording/playback on USB drives
15 soft keys
16 custom select keys
Qu-Control custom screen to suit the application
4 FX engines
4 FX sends/returns
32×32 USB Audio Interface
5″ touchscreen
iLive FX Library
Compatible with ME Personal Mixing System
Trim, polarity, HPF, gate, insert/ducker, 4-band PEQ, compressor and delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, and delay on all mix outputs
Built-in signal generator
RTA with peak band indication
Mixer
Number of Analog Input Channels
32
Number of Mic Preamps
16
Number of Analog Output Channels
12
Max I/O Capacity
16 x Input / 12 x Output
Mix Routing
4 x Stereo FX Return
Groups
4 x Mute Group
4 x DCA Group
Display
5″ Touchscreen
Display Resolution/Color
Main Display:
800 x 480
Faders
None
Meter Range
-48 to -3 dBFS Peak/Clip (+19 dBu at XLR Output)
Meter Calibration
0 dB on Meter = -18 dBFS (+4 dBu at XLR Output)
Signal Processing
Gain/Trim Range
Line:
±24 dB (Stereo Channels)
Line/Mic:
-5 dB to +60 dB (in 1 dB Steps)
Input Polarity
Normal/Reverse
Gate Parameters
Threshold: -72 to +18 dBu
Depth: 0 to 60 dB
Attack: 50 μs to 300 ms
Hold: 10 ms to 5 sec
Release: 10 ms to 1 sec
Compressor Parameters
Threshold: -46 to 18 dBu Ratio: 1:1 to ∞:1 Attack: 300 μs to 300 ms Release: 100 ms to 2 sec Knee: Soft / Hard
EQ
FX Returns:
4-Band Parametric
EQ Parameters
1 x HF Shelf:
±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable)
2 x MF Notch/Peak:
±15 dB at 20 Hz to 20 kHz
1 x LF Shelf:
±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable)
Mic/Line Input:
0.0005% at Unity Gain
0.001% at +30 dB Gain
Signal Generator
Sine, White, Pink, or Band-Pass Noise (Assignable to Any Mix)
Connectivity
Analog Inputs
1 x XLR Talkback Input
16 x XLR Balanced Mic Input
16 x 1/4″ TRS Balanced Line Input
4 x 1/4″ TRS Balanced Aux Input (2 Stereo Pairs, Half-Normalled)
1 x 1/8″ / 3.5 mm Unbalanced Aux Input
Analog Outputs
10 x XLR Balanced Mix Output
2 x XLR Balanced Main Output
4 x 1/4″ TRS Balanced Aux Output (2 Stereo Pairs)
Digital I/O
1 x RJ45 (Network)
1 x XLR AES3 Output
1 x etherCON dSNAKE (I/O)
MIDI I/O
None
USB
1 x USB Type-A (External Memory)
1 x USB Type-B (USB 2.0, Audio Streaming)
Expansion Ports
None
Recording
Max Multitrack Recording
18 Tracks
Compatibility
Internet Connection
Yes
Power
AC Input Power
100 to 240 VAC, 50 / 60 Hz
Power Consumption
150 W (Maximum)
Physical
Rack Mountable
No
Rackmount Size
4 RU
Operating Temperature
32 to 95°F / 0 to 35°C
Dimensions
17.3 x 7.1 x 7.1″ / 44 x 18 x 18.1 cm (Desk-Mounted)
19 x 6.9 x 7.1″ / 48.3 x 17.4 x 18.1 cm (Rack-Mounted)
Weight
14.5 lb / 6.6 kg
Packaging Info
Package Weight
20.8 lb
Box Dimensions (LxWxH)
24 x 11.5 x 11″
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Qu-Drive direct multitrack recording/playback on USB drives
15 soft keys
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
6 DCAs to control groups of channels
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔
2x Mic/Line inputs with separate XLR and TRS jack sockets
2x Stereo inputs with TRS jack sockets
2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.
Content
Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb.
The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.
Features at a Glance:
16 AnalogiQ recallable preamps
16 onboard mic/line inputs (XLR / TRS)
Expandable up to 38 inputs via dSNAKE
3 stereo inputs (TRS)
32 mono + 3 stereo input channels
12 onboard mix outputs (XLR)
4 stereo groups
2 stereo matrix outs
AES digital out
4 DCA groups
4 mute groups
Qu-Pad iPad app for all live mixing controls
Qu-You iPhone app for personal monitoring
Qu-Drive direct multitrack recording/playback on USB drives
15 soft keys
16 custom select keys
Qu-Control custom screen to suit the application
4 FX engines
4 FX sends/returns
32×32 USB Audio Interface
5″ touchscreen
iLive FX Library
Compatible with ME Personal Mixing System
Trim, polarity, HPF, gate, insert/ducker, 4-band PEQ, compressor and delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, and delay on all mix outputs
Built-in signal generator
RTA with peak band indication
The best 16-channel digital mixer for your rack.
Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue.
Features
Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
18 input-channel digital rack mixer
16 local digitally controlled XMAX mic/line inputs
2 FLEX FX returns
10 mix buses
6 FlexMixes (Aux, Subgroup, Matrix)
2 dedicated FLEX FX buses
Stereo Main bus
130 simultaneous processors
HPF
Gate/Expander
Compressor with Fat Channel plug-in models
4-band/6-band parametric EQ with Fat Channel plug-in models
Limiter
31-band graphic EQ
4 FLEX FX slots featuring legendary classic reverb emulations and delays
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
6 DCAs to control groups of channels
36-channel (18×18) recording over USB
Onboard stereo SD recorder with true Virtual Soundcheck mode
AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
Capture® 3.0 multitrack software included
Automated Virtual Soundcheck
Store StudioLive mix scenes with your audio
Advanced Studio One® integration (Studio One Artist Included)
XMAX mic preamp control from Studio One
Control Fat Channel parameters from Studio One mixing console
Ableton® Live Lite included
Computer system requirements:
Below are the minimum computer-system requirements for StudioLive 16R.
macOS®
macOS version 10.13 or later
200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)
Available USB port
Windows®
Windows 10 or later (64-Bit Only)
200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
8 mono mic/line channel inputs, each with:
High-headroom Class A XMAX mic preamplifier
XLR mic and balanced ¼-inch line inputs
60 mm precision fader
4 stereo line channel inputs, with:
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼-inch line inputs (Ch. 9-16)
Unbalanced RCA line inputs (Ch. 13-16)
60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
3-band semi-parametric EQ (individual band on/off)
Full-featured compressor
Standard downward expander
Limiter
Phase reverse (12 mic preamplifiers only)
Pan with dedicated 15-LED display
Stereo link for input channels and aux buses
Highpass filter
One 31-band stereo graphic EQ (on main outputs only)
18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle includes:
PreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®
PreSonus Capture® live-recording software for macOS and Windows
PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®
Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android provides wireless remote control of aux mixes
Ableton® Live Lite
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
Scene and FX Preset recall
Main Volume, FXA, and FXB output levels
FXA and FXB assign/unassign to Mains
Dynacord Power Mixer Overview
The PowerMate3 22-ChannelPowered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany
In the Box
Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools.
The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs.
You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip.
Key Features
2x Mic/Line inputs with separate XLR and TRS jack sockets
2x Stereo inputs with TRS jack sockets
2x Guitar DI high-impedance inputs, eliminating the need for DI boxes
Internal FX engine with tap tempo
High-pass filter for cleaning up unwanted low-frequency noise
2-band EQ for tonal shaping
60mm smooth travel fader on main mix
XLR main outputs
8x LED signal metering
48V Phantom Power for condenser mics
Internal power supply
Dynacord Power Mixer Overview
The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
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