Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.
Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.
Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.
Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels.
The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers.
Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.
Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.
| Number of Analog Input Channels | 32 |
| Mix Routing | 4 x Stereo FX Return |
| Groups | 4 x Mute Group 4 x DCA Group |
| Display | 7″ Touchscreen |
| Display Resolution/Color | Main Display: 800 x 480 |
| Faders | x 3.9″ / 100 mm Motorized |
| Meter Range | -48 to -3 dBFS Peak/Clip (+19 dBu at XLR Output) |
| Meter Calibration | 0 dB on Meter = -18 dBFS (+4 dBu at XLR Output) |
| Gain/Trim Range | Line: ±24 dB (Stereo Channels) Mic/Line: -10 dB to +60 dB (in 1 dB Steps) |
| Input Polarity | Normal/Reverse |
| Gate Parameters | Threshold: -72 to +18 dBu Depth: 0 to 60 dB Attack: 50 μs to 300 ms Hold: 10 ms to 5 sec Release: 10 ms to 1 sec |
| Compressor Parameters | Threshold: -46 to 18 dBu Ratio: 1:1 to ∞:1 Attack: 300 μs to 300 ms Release: 100 ms to 2 sec Knee: Soft / Hard |
| EQ | FX Returns: 4-Band Parametric |
| EQ Parameters | 1 x HF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) 2 x MF Notch/Peak: ±15 dB at 20 Hz to 20 kHz 1 x LF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) |
| Graphic EQ | 28-Band 1/3 Octave, ±12 dB 31 Hz to 16 kHz |
| Filters | High-Pass: 20 Hz to 20 kHz, 12 dB/Octave |
| Channel Output/Source Monitoring | AFL, PFL, Post-Preamp, Post-EQ, Post-FX |
| Built-In Effects | Reverb Delay Reverb (Gated) ADT Chorus Phaser Flanger |
| Real Time Analyzer | 31-Band 1/3 Octave, 20 Hz to 20 kHz |
| Audio Delay | Adjustable Up to 170 ms |
| Sample Rates | 48 kHz AES3 Output: 48 kHz Stereo Record: 48 kHz Stereo Playback: 44.1 / 48 kHz Multitrack Record: 48 kHz Multitrack Playback: 48 kHz |
| Bit Depth | AD/DA Conversion: 24-Bit Delta Sigma Stereo Record: 24-Bit Stereo Playback: 16 / 24-Bit Multitrack Record: 24-Bit Multitrack Playback: 24-Bit |
| Latency | 1.2 ms (Mic Input to XLR Output) 0.7 ms (Mic Input to AES Output) |
| dBFS Reference Level | +18 dBu = 0 dBFS |
| Headroom | +18 dB |
| Frequency Response | 20 Hz to 20 kHz +0/-0.5 dB |
| Max Input Level | Aux Input: +22 dBu Mic Input: +19 dBu Line Input: +29 dBu |
| Output Level | Line Output: +22 dBu (Max) +4 dBu (Nominal) Stereo Output: +22 dBu (Max) +4 dBu (Nominal) |
| Analog Dynamic Range | 112 dB |
| I/O Impedance | 1/4″ Stereo Output: < 75 Ohms AES3 Output: 110 Ohms Aux Input: > 7 Kilohms XLR Line Output: < 75 Ohms XLR Mic/Line Input: > 5 Kilohms 1/4″ Mic/Line Input: > 10 Kilohms |
| Noise Floor | -90 dBu (with Inputs Muted) |
| THD+N | Mic/Line Input: 0.0005% at Unity Gain 0.001% at +30 dB Gain |
| Signal Generator | Sine, White, Pink, or Band-Pass Noise (Assignable to Any Mix) |
| Analog Inputs | 1 x XLR Talkback Input 32 x XLR Balanced Mic Input 32 x 1/4″ TRS Balanced Line Input 4 x 1/4″ TRS Balanced Aux Input (2 Stereo Pairs, Half-Normalled) 1 x 1/8″ / 3.5 mm Unbalanced Aux Input |
| Analog Outputs | 10 x XLR Balanced Mix Output 2 x XLR Balanced Main Output 4 x XLR Balanced Subgroup Output 4 x XLR Balanced Matrix Output 4 x 1/4″ TRS Balanced Aux Output (2 Stereo Pairs) |
| Digital I/O | 1 x RJ45 (Network) 1 x XLR AES3 Output 1 x etherCON dSNAKE (I/O) |
| USB | 1 x USB Type-A (External Memory) 1 x USB Type-B (USB 2.0, Audio Streaming) |
| Max Multitrack Recording | 18 Tracks |
| AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
| Power Consumption | 150 W (Maximum) |
| Operating Temperature | 32 to 95°F / 0 to 35°C |
| Dimensions | 33.5 x 19.7 x 7.4″ / 850 x 500 x 186 mm |
| Weight | 44 lb / 20 kg |
| Package Weight | 50.5 lb |
| Box Dimensions (LxWxH) | 39 x 26 x 13″ |
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| Settings | Allen & Heath Qu-32 – 38-In/28-Out Digital Mixing Console remove | Allen & Heath Qu-Pac 16×12 Compact Mountable Mixer remove | Allen & Heath Qu-24 30-In/24-Out Digital Mixer remove | Allen & Heath Qu-16 Rackmountable Digital Mixer remove | Dynacord PowerMate 2200-3 22-Channel Powered Mixer remove | Presonus StudioLive 16.0.2 USB remove |
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| A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ |
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| Content | THE MIXER THAT CHANGED THE RULES38 in / 28 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
World Class Processing & FX
Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.
Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.
Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.
Record. Stream. Mix
Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels.
The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers.
Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.
Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.
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Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rackmountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5 core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb.
The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital connectivity system from Allen & Heath, which allows for up to 38 inputs. The Qu-Pac can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network. Engineered for intuitive navigation, the mixer also features a 5″ touchscreen display, providing access to all settings.
Features at a Glance:
| THE MIXER THAT CHANGED THE RULES30 in / 24 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
Makes Mixing Feel Natural
Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.
Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.
The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.
Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.
Coming from analogue? Qu will make you feel at home.
Qu-Drive: Record without a computerQu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.AMM: Automatic Mic MixerAMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain. FEATURE SUMMARY
| THE MIXER THAT CHANGED THE RULESCompact 22 in / 12 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
Makes Mixing Feel Natural
Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.Qu-16 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-16 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-16’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.Coming from analog? Qu will make you feel at home.
World Class Processing And FXQu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.Feature Summary
| Dynacord Power Mixer OverviewThe PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in GermanyIn the Box | Small size. Bigger possibilities.In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.8 mono mic/line channel inputs, each with:
4 stereo line channel inputs, with:
2 Internal FX buses2 stereo 32-bit digital effects processors with customizable reverb and delay presetsFat Channel signal processing on all channels and buses, with:
One 31-band stereo graphic EQ (on main outputs only)18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Scene store and recallSettings can be copied among channels and buses and saved as user presets.Software bundle includes:
Lockout mode protects your settings from meddlers and accidentsMIDI Control Mode provides control over:
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