Dynacord PowerMate 600-3 8-Channel Powered Mixer

In Stock

Category: Mixer

A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔

Description

Dynacord Power Mixer Overview

The PowerMate3 8-Channel Powered Mixer from Dynacord features four mic/line, two mic/stereo-USB, and two stereo-line channels. It also has three auxiliary ports, one of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.

A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 9-band stereo graphic equalizer allows precise tone control for speakers and room matching. The amplifier features 2 x 1000W at 4 Ohms (RMS).

Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid, hold by strong snap in magnets Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany۔

In The Box

Dynacord PowerMate3 8-Channel Powered Mixer
Power Cord (6.6′)
DVD with USB Driver & Software
Limited 3-Year Warranty

Channels	4 x Mic/Line 2 x Mic/Stereo-USB 2 x Stereo-Line
Auxiliary	1 x Pre 1 x Post 1 x Pre/Post Switchable
Output Power	Max Single Channel, Dynamic-Headroom, IHF-A: Into 2.66 Ohms: 2 x 1600 W Into 4 Ohms: 2 x 1250 W Into 8 Ohms: 2 x 675 W Max Single Channel, Continuous, 1 kHz, THD = 1%: Into 2.66 Ohms: 2 x 1350 W Into 4 Ohms: 2 x 1150 W Into 8 Ohms: 2 x 650 W Max Midband, 1 kHz, THD = 1%, Dual Channel: Into 2.66 Ohms: 2 x 1350 W Into 4 Ohms: 2 x 1000 W Into 8 Ohms: 2 x 600 W Rated, 20 Hz to 20 kHz, THD < 0.5%, Single Channel: Into 4 Ohms: 2 x 900 W Into 8 Ohms: 2 x 450 W
Maximum Output Voltage	Power Amplifier, 1 kHz, No Load: 74 V rms
Maximum THD @ 1kHz	MBW = 80 kHz: MIC Input to Master A L/R Outputs, +16 dBu, Typical: < 0.005% Power AMP Inputs to Speaker L/R Outputs: < 0.075%
DIM 30	Power Amplifier, 3.15 kHz, 15 kHz: < 0.05%
IMD SMPTE	Power Amplifier, 60 Hz, 7 kHz: < 0.15%
Frequency Response	-3 dB, ref. 1 kHz: Any Input to Any Mixer Output: 15 Hz to 70 kHz Any Input to Speaker L/R Output: 20 Hz to 30 kHz
Crosstalk @ 1 kHz	Amplifier L/R: < -85 dB Channel to Channel: < -80 dB Mute- and Standby-Switch Attenuation: > 100 dB Fader and FX/AUX/MON-Send Attenuation: > 85 dB
CMRR	MIC Input, 1 kHz: > 80 dB
Input Sensitivity	All Level Controls in Max Position: Microphone: -74 dBu (155 µV) Line (Mono): -54 dBu (1.55 mV) Line (Stereo): -34 dBu (15.5 mV) CD (Stereo): -34 dBu (15.5 mV) Power AMP Inputs: +8 dBu (1.95 V)
Maximum Level	Mixing Desk: Microphone Inputs: 11 dBu Mono Line Inputs: 31 dBu Stereo Line Inputs: 31 dBu All Other Inputs: 22 dBu All Other Outputs: 22 dBu
Input Impedances	Microphone: 2 Kilohms CD Input: 10 Kilohms All Other Inputs: > 15 Kilohms
Output Impedances	Phones: 47 Ohms All Other Outputs (Balanced/Unbalanced): 150 Ohms / 75 Ohms
Equivalent Input Noise	Microphone Input, A-Weighted, 150 Ohms: -130 dBu
Noise	Channel Inputs to Master A L/R Outputs, A-Weighted: Master Fader Down: -100 dBu Master Fader 0 dB, Channel Fader Down: -92 dBu Master Fader 0 dB, Channel Fader 0 dB, Channel Gain Unity: -82 dBu
Signal / Noise	Power Amplifier, A-Weighted, 4 Ohms: 105 dB
Output Stage	Amplifier: Class-D
Equalization	LO Shelving: ±15 dB / 60 Hz MID Peaking: ±12 dB / 2.4 kHz HI Shelving: ±15 dB / 12 kHz Master EQ 9-Band (63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 6.3 kHz, 12 kHz): ±10 dB / Q = 1.5 to 2.5
Filter	LO-CUT, Mono Inputs: f = 80 Hz, 18 dB/oct., Switchable Speaker Processing: LPN, Switchable
Effects	Type: Dual Stereo 24/48-Bit Multi-Effects Processors Effects Presets: 100 Factory + 20 User, Tap-Delay Remote Control: Footswitch, MIDI
Display	128 x 64 pixels, OLED
Digital Audio	Channels: 4 x Inputs / 4 x Outputs AD/DA Conversion: 24-Bit Sampling Rate: 44.1 / 48 / 88.2 / 96 kHz PC Interface: USB 2.0, Female Type-B Peak Display: 6 dB Before Clip
MIDI Connectors	1 x 5-Pin DIN, Input / Output
Power Control	Output: Adjustable Longterm RMS Limiter
Protection	Mixer Outputs (Relay Controlled): AUX, MON, MASTER A L/R Amplifier: Audio Limiters, High Temperature, DC, HF, Short Circuit, Peak Current Limiters, Turn-On Delay, Back EMF Switching Mode Power Supply (µC controlled): Inrush Current Limiters, Mains Over/Undervoltage, Mains Overcurrent, High Temperature
Cooling	Continuous Speed-Controlled Fans
Phantom Power	Switchable: 48 VDC
Power Requirements	SMPS with Auto Range Mains Input: 100 to 240 VAC, 50/60 Hz
Power Consumption	At 1/8 Maximum Output Power, 4 Ohms: 450 W
Safety Class	I
Ambient Temperature	40 to 105°F / 5 to 40°C
Dimensions	17.3 x 6.4 x 14.3″ / 438.8 x 161.7 x 362.5 mm (with Lid) 19 x 5.3 x 12.2″ / 483 x 135.8 x 310.3 mm (7 RU, Rackmount)
Weight	19.8 lb / 9 kg (without Lid) 20.9 lb / 9.5 kg (with Lid)

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Description	A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔	A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔	FX, processing, and channel libraries SQ-Drive for stereo and multitrack recording/playback direct to USB drive USB transfer of scenes, libraries, shows	2x Mic/Line inputs with separate XLR and TRS jack sockets 2x Stereo inputs with TRS jack sockets 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes		State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses 6 DCAs to control groups of channels
Content	Dynacord Power Mixer Overview The PowerMate3 8-Channel Powered Mixer from Dynacord features four mic/line, two mic/stereo-USB, and two stereo-line channels. It also has three auxiliary ports, one of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 9-band stereo graphic equalizer allows precise tone control for speakers and room matching. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid, hold by strong snap in magnets Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany۔ In The Box Dynacord PowerMate3 8-Channel Powered Mixer Power Cord (6.6′) DVD with USB Driver & Software Limited 3-Year Warranty	Dynacord Power Mixer Overview The PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany In the Box Dynacord PowerMate3 22-Channel Powered Mixer Power Cord (6.6′) DVD with USB Driver & Software Limited 3-Year Warranty	The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more. At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles. The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing. The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord. Compact digital mixer for live, studio, and installation 48 input channels 32 local mic inputs (XLR) Two 1/4” stereo inputs (TRS) One 1/8″ stereo input 36 total busses 12 stereo mixes (Aux or Group) + Main PAFL bus 18 assignable local outputs (16 XLR + two 1/4” TRS) AES digital output Dedicated talkback mic input (XLR) 1/4″ TRS headphone out with dedicated control SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels) I/O port for option card (including 3^rd party protocols – Dante/Waves) 8 mute groups 8 DCA groups 8 stereo FX with dedicated FX returns DEEP processing ready RackFX effects suite 7″ color touchscreen 16 assignable SoftKeys Eight assignable soft rotaries Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width) 32+1 faders with 6 layers for 192 assignable channel strips Motorized faders for sends on faders, GEQ fader flip, and mix recall 32 backlit LCD channel-strip displays Chromatic channel metering Integrated surface illumination Single/dual footswitch control Input channel linking for stereo sources Patchable insert points Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay Mix processing – PEQ, Graphic EQ, Compressor, Delay Fully integrated Automatic Mic Mixing (AMM) 31-band, real-time analyzer (RTA) Quick copy/paste/reset for parameters User permissions to restrict operator access 300 scene memories per show Channel safes, global and per-scene recall filters FX, processing, and channel libraries SQ-Drive for stereo and multitrack recording/playback direct to USB drive USB transfer of scenes, libraries, shows 32×32 channel USB streaming to/from Mac/Windows DAW control driver for MIDI control via USB or TCP/IP Wireless remote mixing apps for iPad and Android Compatible with ME personal-monitoring range	Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZED-6FX is a six-input analog mixer with an internal effects engine that sports reverb, delay, chorusing, and tap-tempo functionality. Solo musicians, lectures, and small bands alike can find this unit suitable for modest venues, hotels, churches, and schools. The ZED-6FX is crafted with preamps modeled on the Allen & Heath GS2-R24, and, as such, aims to provide low noise, warmth, and a vast expanse of headroom. On-board two-band MusiQ EQs also come standard with the unit, as well as 48V phantom power for the two mic inputs. Guitar players using the ZED-6FX need not lug an extra DI box around, as the unit features two high-impedance guitar inputs. Channels three and four host dual 1/4″ stereo line-level inputs. You can monitor the outputs of the mixer either through headphones or through two XLR outputs, utilizing an eight-LED meter all the while. If you’d like to hear a sound source before placing it within the audible mix, simply press the PFL button located at the bottom of each channel strip. Key Features 2x Mic/Line inputs with separate XLR and TRS jack sockets 2x Stereo inputs with TRS jack sockets 2x Guitar DI high-impedance inputs, eliminating the need for DI boxes Internal FX engine with tap tempo High-pass filter for cleaning up unwanted low-frequency noise 2-band EQ for tonal shaping 60mm smooth travel fader on main mix XLR main outputs 8x LED signal metering 48V Phantom Power for condenser mics Internal power supply	THE MIXER THAT CHANGED THE RULES 38 in / 28 out Digital Mixer with remote wireless control Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu. World Class Processing & FX Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series. Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units. Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ. Record. Stream. Mix Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIO^TM and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems. Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest. Everything I/O Qu-32 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. But if you’re thinking of trading in the multicore for a Cat5 digital snake, the built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox from our Everything I/O range of remote expanders. Qu-Drive: Record without a computer Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3. FEATURE SUMMARY 32 Mono Mic/Line Inputs (TRS + XLR) Recallable AnaLOGIQ^TM Preamps 3 Stereo Inputs (TRS) 24 Mix Outputs (XLR) 4 Stereo Groups (switchable to Mix mode) Up to 11 Monitor Mixes (4 mono + 7 stereo) 2 Stereo Matrix Outs 4 FX Engines 4 dedicated FX Sends / Returns 4 Mute Groups 4 DCA Groups AES Digital Out 32×32 USB Audio Interface dSNAKE^TM Remote Audio Port 33 Motor Faders 7” Touchscreen 10 Soft Keys Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs Automatic Mic Mixer Channel Ducker on all Inputs ProFactory Mic Presets RackFX Library Built-in Signal Generator RTA with Peak Band indication Spectrogram to aid feedback elimination and room acoustics Qu-Drive Direct Multitrack Recording / Playback on USB drives DAW MIDI Control Qu-Pad iPad App Qu-You iPhone / Android personal monitoring app Qu-Control customisable iOS app for simple wireless control Compatible with ME Personal Mixing System	The best 16-channel digital mixer for your rack. Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue. Features Powered by the new single-core PreSonus^® FLEX DSP Engine to provide the most processing of any digital mixer in its class 18 input-channel digital rack mixer 16 local digitally controlled XMAX mic/line inputs 2 FLEX FX returns 10 mix buses 6 FlexMixes (Aux, Subgroup, Matrix) 2 dedicated FLEX FX buses Stereo Main bus 130 simultaneous processors HPF Gate/Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses 6 DCAs to control groups of channels 36-channel (18×18) recording over USB Onboard stereo SD recorder with true Virtual Soundcheck mode AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more Monitor Mix and Stage Box modes for use with StudioLive^® Series III console mixers Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system Remote control every mix function from your computer, iPad^®, or Android™ tablet with UC Surface (included) Put your musicians’ monitor mix under their fingers with QMix^®-UC (included) for iOS^® or Android Capture^® 3.0 multitrack software included Automated Virtual Soundcheck Store StudioLive mix scenes with your audio Advanced Studio One^® integration (Studio One Artist Included) XMAX mic preamp control from Studio One Control Fat Channel parameters from Studio One mixing console Ableton^® Live Lite included Computer system requirements: Below are the minimum computer-system requirements for StudioLive 16R. macOS^® macOS version 10.13 or later 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates) Available USB port Windows^® Windows 10 or later (64-Bit Only) 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support) Available USB port The above are the hardware* system requirements for this product. DAW software and Operating System requirements vary.* Click here for Studio One’s system requirements. Click here for Qmix-UC’s system requirements Click here for UC Surface’s system requirements.
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