Sennheiser MKE 600 Camera Mic

In Stock

Category: Microphone

Battery switch with “Low Batt” indicator
Rugged all-metal housing
Very good suppression of structure-borne noise

Description

The MKE 600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges. Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear. The switchable “Low Cut” filter additionally minimizes wind noise.
Because some video cameras/camcorders do not provide phantom power, the MKE 600 can also be battery-powered. A battery on/off switch prevents the battery from discharging prematurely; “Low Batt” is displayed.

Pronounced directivity
Maximal rejection of side noise
Switchable “Low Cut” filter minimizes wind noise
Phantom or battery powering
Battery switch with “Low Batt” indicator
Rugged all-metal housing
Very good suppression of structure-borne noise
Supplied with foam windshield, shock mount, and adapter cable for cameras with 3.5 mm TRS jack connection

Dimensions

diameter 20 mm, length 256 mm
Microphone

super-cardioid/lobar
Frequency response

40 Hz to 20 kHz
Max. sound pressure level

132 dB SPL at P48; 126 dB SPL with battery powering
Weight

128 g (without battery)
Sensitivity in free field, no load (1kHz)

21 mV/Pa at P48; 19mV/Pa with battery powering
Equivalent noise level

15 dB (A) at P48; 16 dB (A) with battery powering
Operating time

approx. 150 hrs
Power supply

48 V +/- 4V (P48, IEC 61938) or battery/rechargeable batt. 1,5V/1,2V AA size
Current consumption

4,4 mA at P48

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Quick Comparison

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Description	Battery switch with “Low Batt” indicator Rugged all-metal housing Very good suppression of structure-borne noise	Fast frequency allocation for up to 12 receivers via new linking functionality Up to 20 compatible channels Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range		Easy switching between omni, cardioid, supercardioid, or hypercardioid patterns Mute switch with LED can be programmed as either push-on/off or push-to-mute Smooth, uniform frequency response in all patterns Extended low-frequency response and switchable high-pass filter	New Umbrella Diaphragm™ protects the mic against sweat Very high sound pressure handling capability Versatile attachment due to an extensive range of accessories	Professional condenser microphone at an unbeatable price Great choice for recording vocals, guitar, podcasts, and more Exceptional clarity throughout its frequency-response range, with a warm top end
Content	The MKE 600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges. Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear. The switchable “Low Cut” filter additionally minimizes wind noise. Because some video cameras/camcorders do not provide phantom power, the MKE 600 can also be battery-powered. A battery on/off switch prevents the battery from discharging prematurely; “Low Batt” is displayed. Pronounced directivity Maximal rejection of side noise Switchable “Low Cut” filter minimizes wind noise Phantom or battery powering Battery switch with “Low Batt” indicator Rugged all-metal housing Very good suppression of structure-borne noise Supplied with foam windshield, shock mount, and adapter cable for cameras with 3.5 mm TRS jack connection	The perfect choice for moderators and presenters: Robust bodypack transmitter and unobtrusive clip-on microphone, ME 2-II (omnidirectional) or ME 4 (cardioid) with high speech intelligibility for easy hands-free operation on any stage. Engineered for professional live sound: Rugged all-in-one wireless system for presenters and moderators. The robust bodypack transmitter and unobtrusive clip-on microphone, ME 2-II (Omni-directional) or ME 4 (cardioid) with high speech intelligibility for daily use on stage True diversity half-rack receiver in a full-metal housing with an intuitive LCD display for full control Easy and flexible wireless synchronization between transmitter and receiver via infrared Fast frequency allocation for up to 12 receivers via new linking functionality Up to 20 compatible channels Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range Transmission Range: up to 100 meters / 300 feet High RF output power (up to 30 mW) depending on country regulations Reliability and performance When taking any stage, large or small, a presenter needs to have just as much confidence in their equipment as they do in themselves. The ability to rely on technology is just as much a factor as the content itself when it comes to delivering a message to an audience. Enter the evolution wireless G4 100 Series—a wireless system built on the need for dependability that continues to deliver for presenters and A/V technicians time and time again. Feature-rich and built to last The evolution wireless G4 100 Series is packed with features that make it possible to get you up and running fast and efficiently. Use the Easy Setup function to automatically scan and select the best frequencies around you and take full advantage of the UHF spectrum. With up to 100 meters of range and a battery life of 8 hours, it’s easy to see how the durably constructed ewG4 transmitters and receivers will perform when you need them to. What’s in the Box EM 100 G4 true diversity receiver SK 100 G4 bodypack transmitter ME 2 clip-on microphone (ew 100 G4-ME2 set only) ME 4 clip-on microphone (ew 100 G4-ME4 set only) rackmount set power supply 2 AA batteries 2-rod antennas RJ 10 cable quick guide safety guide manufacturer declaration sheet frequency supplement sheet	The ultimate studio standard all over the world. For 50 years! The most widely used studio microphone for 50 years Balanced frequency response in three polar patterns Very low self-noise Classic Sound The Gold Standard The Neumann U 87 Ai may be the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low-cut options make it adaptable to a wide range of applications. Omnipresent and Special The Neumann U 87 Ai is a true legend. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. And when those hits were announced on the radio, many a DJ sat before a U 87 Ai. The U 87 Ai is the epitome of a large-diaphragm condenser microphone. Its tapered body and iconic design have become part of the collective consciousness—this is what a studio microphone looks like. The same is true of its sound; the U 87 Ai represents studio quality and has become the gold standard by which other microphones are measured. What sets the U 87 Ai apart is its special combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma, making the U 87 Ai both versatile and instantly recognizable. Classic Neumann Engineering Technically speaking, the U 87 Ai is a traditional design whose timeless formula has remained unchanged for decades. The U 87 Ai uses the same dual-diaphragm condenser capsule design as its predecessor, the no less legendary U 67 of the early 1960s. Its head amplifier, too, is based on the same design principles as its tube-driven predecessor, but the U 87 Ai realizes them by means of a FET circuit with a minimal signal path and a transformer-balanced output, ensuring maximum signal integrity and high common mode rejection. Versatile Applications The result is a studio microphone of unmatched clarity. Its natural sound and midrange presence make the U 87 Ai the ultimate vocal microphone, praised by singers and engineers alike as well as the prime choice for speech applications, such as voice-over, dubbing, and audiobooks. Due to its balanced response in each of its three directional patterns, the U 87 Ai is also a versatile microphone for anything from acoustic guitars to drums overheads. Due to its solid bass response and excellent midrange detail, it is often seen in front of the bass and guitar cabinets. For classical recordings, the U 87 Ai is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87 Ai mics is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music. Features at a Glance The world’s most famous studio microphone Classic sound, instantly recognizable and versatile Balanced frequency response Elastically suspended dual-diaphragm capsule Omni, cardioid, and figure-8 polar patterns A switchable low-cut filter and -10 dB pad Low self-noise XLR 3-pin output 48V phantom powered Includes color-matched shock mount and wooden box	Multi‑pattern desktop microphone Easy switching between omni, cardioid, supercardioid, or hypercardioid patterns Mute switch with LED can be programmed as either push on/off or push-to-mute Smooth, uniform frequency response in all patterns Extended low-frequency response and switchable high-pass filter Sturdy steel base The PC Desktop is a free-standing tabletop microphone with a dual-section gooseneck and an elegant base. With easy switching between four polar patterns—omni, cardioid, super-cardioid, or hyper-cardioid—the PC Desktop 12 is always the right microphone, even under a variety of conditions. Available with 5-, 12-, or 18-inch gooseneck.	The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone that is suitable for both speech and instrument miking applications in all areas of live work. It fulfills the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black. New Umbrella Diaphragm™ protects the mic against sweat Very high sound pressure handling capability Versatile attachment due to an extensive range of accessories XLR Connector Compatible with a Wide Variety of Professional Audio Gear The MKE 2 will work with mixers, cameras, camcorders, portable audio recorders, interfaces, and a wide range of audio gear able to supply the mic with phantom power. Ample Headroom for Vocals The mic is designed to handle broadcast and theater applications, including vocals and instruments up to 130 dB, without distortion. Omnidirectional Polar Pattern The forgiving omnidirectional polar pattern picks up sound from all around the mic and provides a consistent frequency response, even for off-axis sound. This helps to supply clear, intelligible speech and vocals, even when the talent isn’t speaking directly toward the microphone.	PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95. For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions. General Features M7 Professional condenser microphone at an unbeatable price Great choice for recording vocals, guitar, podcasts, and more Exceptional clarity throughout its frequency-response range, with a warm top end Cardioid polar pattern Side address 1-inch (25 mm) back electret condenser capsule Rugged construction Hard mount, 10-foot XLR cable, and carrying case included Features Eris E3.5 Components and construction 3.5-inch (89 mm), woven composite, low-frequency transducer 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer Rear-firing acoustic port for superior bass-frequency reproduction Optimized, resonance-suppressing internal bracing User controls High- and low-frequency tuning controls Front-panel Volume control for speakers and headphone amplifier Power and safety 50 watt (25W/side), Class AB biamplification RF interference, output current limiting, over-temperature, transient, and subsonic protection Amplifier “soft start” feature eliminates popping on power-up Internal power supply with IEC connector Power switch with on/off LED Inputs and outputs Balanced ¼-inch TRS, unbalanced 1/8-inch stereo, and RCA inputs Integrated stereo headphone amplifier with front-panel 1/8-inch output Included Accessories Speaker wire 1/8-inch TRS to Stereo RCA cable Stereo RCA to Stereo TS cable Studio One^® Prime and Studio Magic Software Suite ($1,000 value!) Features HD7 High-resolution drivers Precision-tuned acoustic chamber Extended bass response Built tough to withstand abuse Auto-fit head pads Comfortable and long-lasting ear pads Single-side cable Optimized pressure Lightweight Features AudioBox USB 96 2 dual-purpose front-panel input channels, each with high-quality mic preamplifiers 2 combo mic/instrument inputs Individual channel-trim controls with 0 to +35 dBu mic gain range 48V phantom power for condenser microphones Mixer control (blends the input signal with the computer playback stream for zero-latency monitoring) Headphone jack with level control Main-output level control LED clip indicator for each channel Input/Output 1 USB 2.0 port 2 combo XLR/¼-inch mic/instrument inputs 2 balanced ¼-inch main (L/R) line outputs 1 stereo ¼-inch headphone output MIDI In/Out Digitalia 24-bit resolution and 44.1, 48, 88.2, and 96 kHz sampling rate Professional-grade A/D/A converters (+105 dBu dynamic range) Zero-latency monitoring via internal mixer Compatible with most Mac® and Windows® recording software Included Software Studio One^® Artist Studio Magic Software Suite Ableton^® Live Lite Physical 1/3U rack-mountable (with optional 3UMR rack-mounting system) Road-rugged construction with all-metal chassis and metal knobs Weighs just 5 lbs (2.3 kg) Powered via USB bus—no wall wart! Computer system requirements: Below are the minimum computer-system requirements for AudioBox USB 96. macOS^® macOS version 10.13 or later 200 MB storage space and 4 GB RAM for Universal Control (required for firmware updates) Available USB port Windows^® Windows 10 or later (64-Bit Only) 200 MB storage space and 4 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support) Available USB port Chrome OS For information on compatibility with Chrome OS, click here. iOS/iPadOS For information on compatibility with iOS/iPadOS, click here. Android For information on compatibility with Android devices, click here.
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