Sennheiser EW 135P G4

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Category: Microphone

Excellent sound and construction quality
Easy to use and fast setup time
Powerful and reliable wireless transmission

Description

Rugged all-in-one wireless system with high flexibility for broadcast quality sound. Set consists of 1

EW 135P G4 100 G4 handheld microphone, 1 MMD 835-1 (cardioid, dynamic), 1 EK 100 G4 portable receiver, output cables, and camera mount.

A broadcast quality sound solution. Providing the highest flexibility for your outdoor shoots and field recording applications. A robust wireless microphone system that offers excellent sound quality, simple mounting, and ease of use.

Rugged all-in-one wireless system with high flexibility for broadcast-quality sound
Excellent sound and construction quality
Easy to use and fast setup time
Powerful and reliable wireless transmission
Range: up to 100 meters / 330 feet
Up to 8 hours of operation time

Differences between the sets

The 112P, 122P, 135P, and 100 ENG sets are all great options and vary depending on your needs. The 112P features our Omni-directional ME 2-II lavalier microphone while the 122P features our cardioid ME 4 lavalier microphone. The 135P swaps the bodypack transmitter and lavalier mic for the SKM 100 handheld transmitter and MMD 835 cardioid capsule. For those that need a combination of both for a range of Electronic News Gathering applications, the EW 100 ENG G4 set includes the ME 2-II lavalier and adds the SKP 100 plug-on transmitter for your existing dynamic XLR microphone or a battery-powered shotgun mic like the MKE 600.

What’s in the Box

EK 100 G4 camera receiver
SKM 100 G4 handheld transmitter
MMD 835-1 microphone head
MZQ 1 microphone clamp
4 AA batteries
CA 2 camera adapter
CL 1 3.5 mm jack cable
CL 100 XLR to 3.5 mm jack adapter cable
quick guide
safety guide
manufacturer declaration sheet

Dimensions

Approx. Ø 50 x 265 mm
Frequency range

748.3 MHz – 757.7 MHz
Compander

Sennheiser HDX
THD, total harmonic distortion

≤ 0.9 %
Weight

(incl. batteries) approx. 450 g
Signal-to-noise ratio

≥ 110 dBA
RF output power

Max. 30 mW
Switching bandwidth

up to 42 MHz
Peak deviation

±48 kHz
Nominal deviation

±24 kHz
Operating time

Typically 8 h
Modulation

Wideband FM
Power supply

2 AA batteries, 1.5 V or BA 2015 accuracy
Current consumption

at nominal voltage: typ. 180 mA

with transmitter switched off: ≤ 25 µA
Input impedance

40 kΩ
Max. Input voltage

3 Veff
Powering

3 V battery / 2.4 V rechargeable battery
Transmission frequency

Max. 1680 transmitting frequencies, adjustable in 25 kHz steps 20 frequency banks, each with up to 12 factory-preset channels, no intermodulation 1 frequency bank with up to 12 programmable channels
AF frequency response

80 – 18,000 Hz
Temperature Range

-10 °C to +55 °C
Frequency stability

≤ ±15 ppm

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Quick Comparison

Settings	Sennheiser EW 135P G4 remove	Electro Voice PC Desktop 12 remove	Sennheiser EW 112P G4 Camera-Mount Wireless Omni Lavalier Microphone System remove	Neumann U 87 Ai Large-Diaphragm Multipattern Condenser Microphone remove	Sennheiser MKE 600 Camera Mic remove	Presonus AudioBox 96 Studio Bundle 25th Anniversary Edition remove
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Description	Excellent sound and construction quality Easy to use and fast setup time Powerful and reliable wireless transmission	Easy switching between omni, cardioid, supercardioid, or hypercardioid patterns Mute switch with LED can be programmed as either push-on/off or push-to-mute Smooth, uniform frequency response in all patterns Extended low-frequency response and switchable high-pass filter	Adaptive-diversity reception for reliable transmission up to 330′ 42 MHz bandwidth with 1680 tunable UHF frequencies for clean reception 20 frequency banks, each with up to 12 factory-preset channels to prevent intermodulation		Battery switch with “Low Batt” indicator Rugged all-metal housing Very good suppression of structure-borne noise	Professional condenser microphone at an unbeatable price Great choice for recording vocals, guitar, podcasts, and more Exceptional clarity throughout its frequency-response range, with a warm top end
Content	Rugged all-in-one wireless system with high flexibility for broadcast quality sound. Set consists of 1 EW 135P G4 100 G4 handheld microphone, 1 MMD 835-1 (cardioid, dynamic), 1 EK 100 G4 portable receiver, output cables, and camera mount. A broadcast quality sound solution. Providing the highest flexibility for your outdoor shoots and field recording applications. A robust wireless microphone system that offers excellent sound quality, simple mounting, and ease of use. Rugged all-in-one wireless system with high flexibility for broadcast-quality sound Excellent sound and construction quality Easy to use and fast setup time Powerful and reliable wireless transmission Range: up to 100 meters / 330 feet Up to 8 hours of operation time Differences between the sets The 112P, 122P, 135P, and 100 ENG sets are all great options and vary depending on your needs. The 112P features our Omni-directional ME 2-II lavalier microphone while the 122P features our cardioid ME 4 lavalier microphone. The 135P swaps the bodypack transmitter and lavalier mic for the SKM 100 handheld transmitter and MMD 835 cardioid capsule. For those that need a combination of both for a range of Electronic News Gathering applications, the EW 100 ENG G4 set includes the ME 2-II lavalier and adds the SKP 100 plug-on transmitter for your existing dynamic XLR microphone or a battery-powered shotgun mic like the MKE 600. What’s in the Box EK 100 G4 camera receiver SKM 100 G4 handheld transmitter MMD 835-1 microphone head MZQ 1 microphone clamp 4 AA batteries CA 2 camera adapter CL 1 3.5 mm jack cable CL 100 XLR to 3.5 mm jack adapter cable quick guide safety guide manufacturer declaration sheet	Multi‑pattern desktop microphone Easy switching between omni, cardioid, supercardioid, or hypercardioid patterns Mute switch with LED can be programmed as either push on/off or push-to-mute Smooth, uniform frequency response in all patterns Extended low-frequency response and switchable high-pass filter Sturdy steel base The PC Desktop is a free-standing tabletop microphone with a dual-section gooseneck and an elegant base. With easy switching between four polar patterns—omni, cardioid, super-cardioid, or hyper-cardioid—the PC Desktop 12 is always the right microphone, even under a variety of conditions. Available with 5-, 12-, or 18-inch gooseneck.	The Sennheiser EW 112P G4 camera-mount wireless lavalier microphone system features the proven combination of reliability, flexible control, and broadcast-quality sound that has made the EW Series an industry standard for videographers, journalists, and content creators all over the world. The EW 112P G4 gives you the tools to adapt and meet the wireless challenges that inevitably arise on set. The frequency scan function automatically searches for the cleanest frequency at your location, while the adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio. The system includes the improved ME 2-II omnidirectional lavalier mic, a bodypack transmitter, and a camera-mount receiver. It connects to a camcorder or a DSLR/mirrorless camera to capture crisp-sounding speech or dialog for projects ranging from documentaries to wedding videos, corporate spots, and hands-free interviews. The EW 112P G4 is backward-compatible with previous evolution systems, giving you the ability to mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 500 systems. Built for Dependable Performance in the Field The EW 112P G4 features rugged, all-metal chassis well suited for extended use on location. The lightweight, the compact bodypack transmitter is easy to conceal and offers rounded edges that are soft to the touch and comfortable for the talent to wear. A locking connector ensures that your lav doesn’t detach at a critical moment, while a convenient switch allows you to mute your mic. Using the included shoe-mount adapter, the equally compact receiver easily mounts your camera without adding much weight. The included cables allow you to connect the receiver to the 3.5mm or XLR audio input of any DSLR/mirrorless, camcorder, or recording device. Both transmitter and receiver feature daylight-readable LED displays showing reception quality, battery status, and audio level. To get you going quickly, they synchronize via an infrared interface with the simple push of a button. Proven Broadcast-Quality Sound The EW 112P G4 ships with the popular ME 2-II omnidirectional lavalier microphone, which delivers a natural sound optimized for speech intelligibility. Its omnidirectional polar pattern ensures that the sound remains consistent, even when the speaker’s head moves away from the mic. To take full advantage of the ME 2-II’s dynamic range, the system employs proprietary HDX compander technology, preserving your sound without adding unwanted noise during transmission, and delivering audio with remarkable accuracy and quality. Additional Features Adaptive-diversity reception for reliable transmission up to 330′ 42 MHz bandwidth with 1680 tunable UHF frequencies for clean reception 20 frequency banks, each with up to 12 factory-preset channels to prevent intermodulation Pilot tone squelch for eliminating RF noise when the transmitter is turned off Receiver with an adjustable output range of 42 dB to match the audio input of your camera or recording device User-friendly menu operation with flexible control options Transmitter and receiver feature a 4-step battery-life indicator Auto-Lock function avoids accidental changing of settings RF Mute function 8 hours of battery life Powered via AA batteries or rechargeable BA 2015 Accupack batteries (available separately) Side contacts for recharging the Accupacks without removing them from either transmitter or receiver—requires the L 2015 quick-charging unit (available separately) Operate up to 12 wireless mics at once on set Unlike digital wireless systems, the SK 100 G4 transmitter can transmit to an unlimited number of EW Series receivers Wide range of accessories adapts the system to a variety of applications EW 100 G4 vs EW 500 G4 Systems at a Glance Bandwidth: Up to 46 MHz vs up to 88 MHz UHF Frequencies: 1680 vs up to 3520 RF Output Power: Fixed 30 mW vs adjustable 10/30/50 mW Mics at Once: Up to 12 mics vs up to 32 mics Included Lavalier Mic: ME 2-II omni or ME 4 cardioid vs professional MKE 2 omni Headphone Output: No vs yes Audio Output: Unbalanced vs balanced Plug-On Transmitter: No phantom vs +48V phantom power	The ultimate studio standard all over the world. For 50 years! The most widely used studio microphone for 50 years Balanced frequency response in three polar patterns Very low self-noise Classic Sound The Gold Standard The Neumann U 87 Ai may be the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low-cut options make it adaptable to a wide range of applications. Omnipresent and Special The Neumann U 87 Ai is a true legend. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. And when those hits were announced on the radio, many a DJ sat before a U 87 Ai. The U 87 Ai is the epitome of a large-diaphragm condenser microphone. Its tapered body and iconic design have become part of the collective consciousness—this is what a studio microphone looks like. The same is true of its sound; the U 87 Ai represents studio quality and has become the gold standard by which other microphones are measured. What sets the U 87 Ai apart is its special combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma, making the U 87 Ai both versatile and instantly recognizable. Classic Neumann Engineering Technically speaking, the U 87 Ai is a traditional design whose timeless formula has remained unchanged for decades. The U 87 Ai uses the same dual-diaphragm condenser capsule design as its predecessor, the no less legendary U 67 of the early 1960s. Its head amplifier, too, is based on the same design principles as its tube-driven predecessor, but the U 87 Ai realizes them by means of a FET circuit with a minimal signal path and a transformer-balanced output, ensuring maximum signal integrity and high common mode rejection. Versatile Applications The result is a studio microphone of unmatched clarity. Its natural sound and midrange presence make the U 87 Ai the ultimate vocal microphone, praised by singers and engineers alike as well as the prime choice for speech applications, such as voice-over, dubbing, and audiobooks. Due to its balanced response in each of its three directional patterns, the U 87 Ai is also a versatile microphone for anything from acoustic guitars to drums overheads. Due to its solid bass response and excellent midrange detail, it is often seen in front of the bass and guitar cabinets. For classical recordings, the U 87 Ai is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87 Ai mics is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music. Features at a Glance The world’s most famous studio microphone Classic sound, instantly recognizable and versatile Balanced frequency response Elastically suspended dual-diaphragm capsule Omni, cardioid, and figure-8 polar patterns A switchable low-cut filter and -10 dB pad Low self-noise XLR 3-pin output 48V phantom powered Includes color-matched shock mount and wooden box	The MKE 600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges. Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear. The switchable “Low Cut” filter additionally minimizes wind noise. Because some video cameras/camcorders do not provide phantom power, the MKE 600 can also be battery-powered. A battery on/off switch prevents the battery from discharging prematurely; “Low Batt” is displayed. Pronounced directivity Maximal rejection of side noise Switchable “Low Cut” filter minimizes wind noise Phantom or battery powering Battery switch with “Low Batt” indicator Rugged all-metal housing Very good suppression of structure-borne noise Supplied with foam windshield, shock mount, and adapter cable for cameras with 3.5 mm TRS jack connection	PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95. For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions. General Features M7 Professional condenser microphone at an unbeatable price Great choice for recording vocals, guitar, podcasts, and more Exceptional clarity throughout its frequency-response range, with a warm top end Cardioid polar pattern Side address 1-inch (25 mm) back electret condenser capsule Rugged construction Hard mount, 10-foot XLR cable, and carrying case included Features Eris E3.5 Components and construction 3.5-inch (89 mm), woven composite, low-frequency transducer 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer Rear-firing acoustic port for superior bass-frequency reproduction Optimized, resonance-suppressing internal bracing User controls High- and low-frequency tuning controls Front-panel Volume control for speakers and headphone amplifier Power and safety 50 watt (25W/side), Class AB biamplification RF interference, output current limiting, over-temperature, transient, and subsonic protection Amplifier “soft start” feature eliminates popping on power-up Internal power supply with IEC connector Power switch with on/off LED Inputs and outputs Balanced ¼-inch TRS, unbalanced 1/8-inch stereo, and RCA inputs Integrated stereo headphone amplifier with front-panel 1/8-inch output Included Accessories Speaker wire 1/8-inch TRS to Stereo RCA cable Stereo RCA to Stereo TS cable Studio One^® Prime and Studio Magic Software Suite ($1,000 value!) Features HD7 High-resolution drivers Precision-tuned acoustic chamber Extended bass response Built tough to withstand abuse Auto-fit head pads Comfortable and long-lasting ear pads Single-side cable Optimized pressure Lightweight Features AudioBox USB 96 2 dual-purpose front-panel input channels, each with high-quality mic preamplifiers 2 combo mic/instrument inputs Individual channel-trim controls with 0 to +35 dBu mic gain range 48V phantom power for condenser microphones Mixer control (blends the input signal with the computer playback stream for zero-latency monitoring) Headphone jack with level control Main-output level control LED clip indicator for each channel Input/Output 1 USB 2.0 port 2 combo XLR/¼-inch mic/instrument inputs 2 balanced ¼-inch main (L/R) line outputs 1 stereo ¼-inch headphone output MIDI In/Out Digitalia 24-bit resolution and 44.1, 48, 88.2, and 96 kHz sampling rate Professional-grade A/D/A converters (+105 dBu dynamic range) Zero-latency monitoring via internal mixer Compatible with most Mac® and Windows® recording software Included Software Studio One^® Artist Studio Magic Software Suite Ableton^® Live Lite Physical 1/3U rack-mountable (with optional 3UMR rack-mounting system) Road-rugged construction with all-metal chassis and metal knobs Weighs just 5 lbs (2.3 kg) Powered via USB bus—no wall wart! Computer system requirements: Below are the minimum computer-system requirements for AudioBox USB 96. macOS^® macOS version 10.13 or later 200 MB storage space and 4 GB RAM for Universal Control (required for firmware updates) Available USB port Windows^® Windows 10 or later (64-Bit Only) 200 MB storage space and 4 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support) Available USB port Chrome OS For information on compatibility with Chrome OS, click here. iOS/iPadOS For information on compatibility with iOS/iPadOS, click here. Android For information on compatibility with Android devices, click here.
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