Electro Voice PC Desktop 12

• The EW 112P G4 features rugged, all-metal chassis well suited for extended use on location. The lightweight, the compact bodypack transmitter is easy to conceal and offers rounded edges that are soft to the touch and comfortable for the talent to wear. A locking connector ensures that your lav doesn’t detach at a critical moment, while a convenient switch allows you to mute your mic.
• Using the included shoe-mount adapter, the equally compact receiver easily mounts your camera without adding much weight. The included cables allow you to connect the receiver to the 3.5mm or XLR audio input of any DSLR/mirrorless, camcorder, or recording device.
• Both transmitter and receiver feature daylight-readable LED displays showing reception quality, battery status, and audio level. To get you going quickly, they synchronize via an infrared interface with the simple push of a button.

 

• The EW 112P G4 ships with the popular ME 2-II omnidirectional lavalier microphone, which delivers a natural sound optimized for speech intelligibility. Its omnidirectional polar pattern ensures that the sound remains consistent, even when the speaker’s head moves away from the mic.
• To take full advantage of the ME 2-II’s dynamic range, the system employs proprietary HDX compander technology, preserving your sound without adding unwanted noise during transmission, and delivering audio with remarkable accuracy and quality.

 

• Adaptive-diversity reception for reliable transmission up to 330′
• 42 MHz bandwidth with 1680 tunable UHF frequencies for clean reception
• 20 frequency banks, each with up to 12 factory-preset channels to prevent intermodulation
• Pilot tone squelch for eliminating RF noise when the transmitter is turned off
• Receiver with an adjustable output range of 42 dB to match the audio input of your camera or recording device
• User-friendly menu operation with flexible control options
• Transmitter and receiver feature a 4-step battery-life indicator
• Auto-Lock function avoids accidental changing of settings
• RF Mute function
• 8 hours of battery life
• Powered via AA batteries or rechargeable BA 2015 Accupack batteries (available separately)
• Side contacts for recharging the Accupacks without removing them from either transmitter or receiver—requires the L 2015 quick-charging unit (available separately)
• Operate up to 12 wireless mics at once on set
• Unlike digital wireless systems, the SK 100 G4 transmitter can transmit to an unlimited number of EW Series receivers
• Wide range of accessories adapts the system to a variety of applications

• Bandwidth: Up to 46 MHz vs up to 88 MHz
• UHF Frequencies: 1680 vs up to 3520
• RF Output Power: Fixed 30 mW vs adjustable 10/30/50 mW
• Mics at Once: Up to 12 mics vs up to 32 mics
• Included Lavalier Mic: ME 2-II omni or ME 4 cardioid vs professional MKE 2 omni
• Headphone Output: No vs yes
• Audio Output: Unbalanced vs balanced
• Plug-On Transmitter: No phantom vs +48V phantom power

The MMD 835 dynamic capsule features a cardioid polar pattern that minimizes background noise and feedback.The rugged, all-metal handheld transmitter features a mute function and can be locked out to prevent accidental changes during a performance. A backlit LCD displays essential information and provides fast menu access. The transmitter syncs to the receiver via infrared with a quick press of the Sync button. The SKM 100 G4-S is powered via two AA batteries or a rechargeable BA 2015 Accupack battery (available separately). An LA 2 charging adapter (available separately) allows for recharging the Accupack without removing it from the transmitter—requires the L 2015 quick-charging unit (available separately). The transmitter’s interchangeable capsule design allows you to use a variety of optional dynamic and condenser mic capsules, with pickup patterns ranging from wide omnidirectional to narrow super cardioid —capsules include the MMD 835, MMD 845, MME 865, MMD 935, MMD 945, and MMD 42.  

The robust, metal EM 100 receiver offers a high-contrast, black-and-white LCD. The display uses a streamlined menu system with a dedicated Escape button for quick menu navigation and shows battery status of the associated transmitter.The system features 20 fixed frequency banks with up to 12 compatible frequency presets and 1 user bank with up to 12 user-programmable frequencies. To prevent interference, the EM 100 receiver’s true-diversity reception compares incoming signals on two independent receiver circuits to ensure optimal RF quality. To ensure crystal clear audio, Sennheiser’s proprietary HDX compander technology maximizes the microphone’s signal-to-noise ratio, while avoiding RF noise. The built-in equalizer enables you to change the frequency response of the output signal; you can reduce the bass range and boost the treble range. The receiver also offers an adjustable output level range of 48 dB to match the audio input of your mixing board or PA system. Musicians will appreciate the built-in guitar tuner. The back panel houses a balanced XLR output as well as an unbalanced 1/4″ output. A kit is included for rackmount installation. The unit comes with a universal power supply and EU, US, UK, Korea, Australia, and China adapters.

To simplify and speed up your workflow, two RJ10 data networking ports allow you to daisy-chain up to 12 receivers and quickly perform a frequency setup for the entire multi-channel system via the Easy Setup function.If you assign the frequencies manually, you can expand the setup to accommodate a maximum of 20 receivers. An RJ10 cable is included.  

The detachable antennas with BNC sockets allow you to create a larger system using up to four EM 100 receivers connected to a single pair of remote antennas. This setup requires the ASA 214 active antenna splitter (available separately).Adding a pair of A 1031-U omnidirectional antennas or a pair of A 2003 UHF directional antennas increases the range of your system and offers increased protection against interference.

Sennheiser offers a bodypack transmitter with a variety of lavalier and headset microphone options to adapt your EW system as your needs evolve.

• The discrete ME 2-II and MKE 2 lavalier mics provide exceptional clarity in spoken-word applications.
• The lightweight ME 3-II is a comfortable, durable headset microphone for active presentations.
• The Ci 1 instrument cable lets you connect the bodypack transmitter to a guitar or bass.

• In the Box

  • Sennheiser EW 100 G4-835-S Wireless Handheld Microphone System
  • 2 x Rod Antennas
  • RJ10 Cable
  • 2 x AA Batteries
  • Rackmount Kit
  • Limited 2-Year Warranty

The Neumann U 87 Ai may be the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low-cut options make it adaptable to a wide range of applications.

The Neumann U 87 Ai is a true legend. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. And when those hits were announced on the radio, many a DJ sat before a U 87 Ai. The U 87 Ai is the epitome of a large-diaphragm condenser microphone. Its tapered body and iconic design have become part of the collective consciousness—this is what a studio microphone looks like. The same is true of its sound; the U 87 Ai represents studio quality and has become the gold standard by which other microphones are measured. What sets the U 87 Ai apart is its special combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma, making the U 87 Ai both versatile and instantly recognizable.

Technically speaking, the U 87 Ai is a traditional design whose timeless formula has remained unchanged for decades. The U 87 Ai uses the same dual-diaphragm condenser capsule design as its predecessor, the no less legendary U 67 of the early 1960s. Its head amplifier, too, is based on the same design principles as its tube-driven predecessor, but the U 87 Ai realizes them by means of a FET circuit with a minimal signal path and a transformer-balanced output, ensuring maximum signal integrity and high common mode rejection.

The result is a studio microphone of unmatched clarity. Its natural sound and midrange presence make the U 87 Ai the ultimate vocal microphone, praised by singers and engineers alike as well as the prime choice for speech applications, such as voice-over, dubbing, and audiobooks. Due to its balanced response in each of its three directional patterns, the U 87 Ai is also a versatile microphone for anything from acoustic guitars to drums overheads. Due to its solid bass response and excellent midrange detail, it is often seen in front of the bass and guitar cabinets. For classical recordings, the U 87 Ai is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87 Ai mics is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music.

• The world’s most famous studio microphone
• Classic sound, instantly recognizable and versatile
• Balanced frequency response
• Elastically suspended dual-diaphragm capsule
• Omni, cardioid, and figure-8 polar patterns
• A switchable low-cut filter and -10 dB pad
• Low self-noise
• XLR 3-pin output
• 48V phantom powered
• Includes color-matched shock mount and wooden box