A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.
The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
Made in Germany
In the Box
Dynacord PowerMate3 10-Channel Powered Mixer
Power Cord (6.6′)
DVD with USB Driver & Software
Limited 3-Year WarrantyCg
Channels
6 x Mic/Line
4 x Mic/Stereo Line
Auxiliary
2 x Pre
2 x Post
2 x Pre/Post Switchable
Output Power
Max Single Channel, Dynamic-Headroom, IHF-A:
Into 2.66 Ohms: 2 x 1600 W
Into 4 Ohms: 2 x 1250 W
Into 8 Ohms: 2 x 675 W
Max Single Channel, Continuous, 1 kHz, THD = 1%:
Into 2.66 Ohms: 2 x 1350 W
Into 4 Ohms: 2 x 1150 W
Into 8 Ohms: 2 x 650 W
Max Midband, 1 kHz, THD = 1%, Dual Channel:
Into 2.66 Ohms: 2 x 1350 W
Into 4 Ohms: 2 x 1000 W
Into 8 Ohms: 2 x 600 W
Rated, 20 Hz to 20 kHz, THD < 0.5%, Single Channel:
Into 4 Ohms: 2 x 900 W
Into 8 Ohms: 2 x 450 W
Maximum Output Voltage
Power Amplifier, 1 kHz, No Load: 74 V rms
Maximum THD @ 1kHz
MBW = 80 kHz:
MIC Input to Master A L/R Outputs, +16 dBu, Typical: < 0.005%
Power AMP Inputs to Speaker L/R Outputs: < 0.075%
DIM 30
Power Amplifier, 3.15 kHz, 15 kHz: < 0.05%
IMD SMPTE
Power Amplifier, 60 Hz, 7 kHz: < 0.15%
Frequency Response
-3 dB, ref. 1 kHz:
Any Input to Any Mixer Output: 15 Hz to 70 kHz
Any Input to Speaker L/R Output: 20 Hz to 30 kHz
Crosstalk @ 1 kHz
Amplifier L/R: < -85 dB
Channel to Channel: < -80 dB
Mute- and Standby-Switch Attenuation: > 100 dB
Fader and FX/AUX/MON-Send Attenuation: > 85 dB
CMRR
MIC Input, 1 kHz: > 80 dB
Input Sensitivity
All Level Controls in Max Position:
Microphone: -74 dBu (155 µV)
Line (Mono): -54 dBu (1.55 mV)
Line (Stereo): -34 dBu (15.5 mV)
CD (Stereo): -34 dBu (15.5 mV)
Power AMP Inputs: +8 dBu (1.95 V)
Maximum Level
Mixing Desk:
Microphone Inputs: 21 dBu
Mono Line Inputs: 41 dBu
Stereo Line Inputs: 30 dBu
All Other Inputs: 22 dBu
All Other Outputs: 22 dBu
Input Impedances
Microphone: 2 Kilohms
Insert Return: 3.3 Kilohms
2-Track Return & CD Input: 10 Kilohms
All Other Inputs: > 15 Kilohms
Channels: 4 x Inputs / 4 x Outputs
AD/DA Conversion: 24-Bit
Sampling Rate: 44.1 / 48 / 88.2 / 96 kHz
PC Interface: USB 2.0, Female Type-B
Peak Display: 6 dB Before Clip
MIDI Connectors
1 x 5-Pin DIN, Input / Output
Power Control
Output: Adjustable Longterm RMS Limiter
Protection
Mixer Outputs (Relay Controlled): MON 1, MON 2, MASTER A
Amplifier: Audio Limiters, High Temperature, DC, HF, Short Circuit, Peak Current Limiters, Turn-On Delay, Back EMF
Switching Mode Power Supply (µC controlled): Inrush Current Limiters, Mains Over/Undervoltage, Mains Overcurrent, High Temperature
Cooling
Continuous Speed-Controlled Fans
Phantom Power
Switchable In Groups: 48 VDC
Power Requirements
SMPS with Auto Range Mains Input: 100 to 240 VAC, 50/60 Hz
Power Consumption
At 1/8 Maximum Output Power, 4 Ohms: 450 W
Safety Class
I
Ambient Temperature
40 to 105°F / 5 to 40°C
Dimensions
20.1 x 6.5 x 22.5″ / 510.5 x 164.5 x 571.5 mm (with Lid)
19 x 5.3 x 17.5″ / 483 x 135 x 443.7 mm (Rackmount)
Weight
27.6 lb / 12.5 kg (without Lid)
30.9 lb / 14 kg (with Lid)
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A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔
FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses
24 DCAs to control groups of channels
128-channel (64×64) recording over USB
31-band, real-time analyzer (RTA)
Quick copy/paste/reset for parameters
User permissions to restrict operator access
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
6 DCAs to control groups of channels
Content
Dynacord Power Mixer Overview
The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories.
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
Made in Germany
In the Box
Dynacord PowerMate3 10-Channel Powered Mixer
Power Cord (6.6′)
DVD with USB Driver & Software
Limited 3-Year WarrantyCg
Dynacord Power Mixer Overview
The PowerMate3 22-ChannelPowered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany
In the Box
THE MIXER THAT CHANGED THE RULES
38 in / 28 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
World Class Processing & FX
Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.
Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.
Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.
Record. Stream. Mix
Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels.
The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers.
Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.
Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.
Everything I/O
Qu-32 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go.
But if you’re thinking of trading in the multicore for a Cat5 digital snake, the built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox from our Everything I/O range of remote expanders.
Qu-Drive: Record without a computer
Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive.
Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1.
On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.
FEATURE SUMMARY
32 Mono Mic/Line Inputs (TRS + XLR)
Recallable AnaLOGIQTM Preamps
3 Stereo Inputs (TRS)
24 Mix Outputs (XLR)
4 Stereo Groups (switchable to Mix mode)
Up to 11 Monitor Mixes (4 mono + 7 stereo)
2 Stereo Matrix Outs
4 FX Engines
4 dedicated FX Sends / Returns
4 Mute Groups
4 DCA Groups
AES Digital Out
32×32 USB Audio Interface
dSNAKETM Remote Audio Port
33 Motor Faders
7” Touchscreen
10 Soft Keys
Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
Automatic Mic Mixer
Channel Ducker on all Inputs
ProFactory Mic Presets
RackFX Library
Built-in Signal Generator
RTA with Peak Band indication
Spectrogram to aid feedback elimination and room acoustics
Qu-Drive Direct Multitrack Recording / Playback on USB drives
DAW MIDI Control
Qu-Pad iPad App
Qu-You iPhone / Android personal monitoring app
Qu-Control customisable iOS app for simple wireless control
Compatible with ME Personal Mixing System
Power meets efficiency.
Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.
Features
Powered by the new dual-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
40 input-channel digital mixer with 25 touch-sensitive motorized faders
32 local digitally controlled XMAX mic/line inputs
2 balanced stereo aux inputs
1 stereo tape input (RCA, USB, AVB or SD)
4 FLEX FX returns
1 Talkback
26 mix buses
16 FlexMixes (Aux, Subgroup, Matrix)
4 dedicated FLEX FX buses
4 dedicated subgroups
Stereo Main bus
286 simultaneous processors
HPF
Gate/Expander
Compressor with Fat Channel plug-in models
4-band/6-band parametric EQ with Fat Channel plug-in models
Limiter
31-band graphic EQ
4 FLEX FX slots featuring legendary classic reverb emulations and delays
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses
24 DCAs to control groups of channels
128-channel (64×64) recording over USB
Onboard multi-channel SD recorder (34×34) with true Virtual Soundcheck mode
AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more
User Profiles for managing multiple operators with custom permissions
Per channel digital patching from any analog, AVB, USB, or SD Card source
DAW Control
Advanced Studio One® control integration
MCU emulation mode optimized for Logic
HUI emulation mode optimized for Pro Tools
Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
Capture® 3.0 multitrack software included
Automated Virtual Soundcheck
Store StudioLive® mix scenes with your audio
Advanced Studio One integration (Studio One Artist Included)
XMAX mic preamp control from Studio One
Control Fat Channel parameters from Studio One mixing console
Ableton® Live Lite included
The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-6 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing.
The SQ-6 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-6 ships with a power cord.
Compact digital mixer for live, studio, and installation.
48 input channels.
24 local mic inputs (XLR).
Two 1/4” stereo inputs (TRS).
One 1/8″ stereo input.
36 total busses.
12 stereo mixes (Aux or Group) + Main.
PAFL bus.
16 assignable local outputs (14 XLR + two 1/4” TRS).
AES digital output.
Dedicated talkback mic input (XLR).
1/4″ TRS headphone out with dedicated control.
SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels).
I/O port for option card (including 3rd party protocols – Dante/Waves).
Channel safes, global and per-scene recall filters
FX, processing, and channel libraries
SQ-Drive for stereo and multitrack recording/playback direct to USB drive
USB transfer of scenes, libraries, shows
32×32 channel USB streaming to/from Mac/Windows
DAW control driver for MIDI control via USB or TCP/IP
Wireless remote mixing apps for iPad and Android
Compatible with ME personal-monitoring range
The best 16-channel digital mixer for your rack.
Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue.
Features
Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
18 input-channel digital rack mixer
16 local digitally controlled XMAX mic/line inputs
2 FLEX FX returns
10 mix buses
6 FlexMixes (Aux, Subgroup, Matrix)
2 dedicated FLEX FX buses
Stereo Main bus
130 simultaneous processors
HPF
Gate/Expander
Compressor with Fat Channel plug-in models
4-band/6-band parametric EQ with Fat Channel plug-in models
Limiter
31-band graphic EQ
4 FLEX FX slots featuring legendary classic reverb emulations and delays
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
6 DCAs to control groups of channels
36-channel (18×18) recording over USB
Onboard stereo SD recorder with true Virtual Soundcheck mode
AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
Capture® 3.0 multitrack software included
Automated Virtual Soundcheck
Store StudioLive mix scenes with your audio
Advanced Studio One® integration (Studio One Artist Included)
XMAX mic preamp control from Studio One
Control Fat Channel parameters from Studio One mixing console
Ableton® Live Lite included
Computer system requirements:
Below are the minimum computer-system requirements for StudioLive 16R.
macOS®
macOS version 10.13 or later
200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)
Available USB port
Windows®
Windows 10 or later (64-Bit Only)
200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
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