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Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.Qu-16 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-16 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-16’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.Coming from analog? Qu will make you feel at home.
Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.
| Number of Analog Input Channels | 16 |
| Number of Mic Preamps | None |
| Number of Analog Output Channels | 6 |
| Mix Routing | 22 x Return 24 x Send 4 x Stereo FX Return |
| Groups | 4 x Mute Group |
| Presets | None |
| Display | 5″ Touchscreen |
| Display Resolution/Color | Main Display: 800 x 480 |
| Faders | 16 x 3.9″ / 100 mm Motorized |
| Meter Range | -48 to -3 dBFS Peak/Clip (+19 dBu at XLR Output) |
| Meter Calibration | 0 dB on Meter = -18 dBFS (+4 dBu at XLR Output) |
| Gain/Trim Range | Line: ±24 dB (Stereo Channels) Line/Mic: -5 dB to 60 dB (in 1 dB Steps) |
| Input Polarity | Normal/Reverse |
| Gate Parameters | Threshold: -72 to +18 dBu Depth: 0 to 60 dB Attack: 50 μs to 300 ms Hold: 10 ms to 5 sec Release: 10 ms to 1 sec |
| Compressor Parameters | Threshold: -46 to 18 dBu Ratio: 1:1 to ∞:1 Attack: 300 μs to 300 ms Release: 100 ms to 2 sec Knee: Soft / Hard |
| EQ | FX Returns: 4-Band Parametric Input Channels: 4-Band Parametric |
| EQ Parameters | 1 x HF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) 2 x MF Notch/Peak: ±15 dB at 20 Hz to 20 kHz 1 x LF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) |
| Graphic EQ | 28-Band 1/3 Octave, ±12 dB 31 Hz to 16 kHz |
| Filters | High-Pass: 20 Hz to 2 kHz, 12 dB/Octave |
| Channel Output/Source Monitoring | AFL, PFL, Post-Preamp, Post-EQ, Post-FX |
| Built-In Effects | Reverb Delay Reverb (Gated) ADT 2 x Chorus Phaser Flanger |
| Real Time Analyzer | 31-Band 1/3 Octave, 20 Hz to 20 kHz |
| Audio Delay | Adjustable Up to 85 ms |
| Sample Rates | 48 kHz AES3 Output: 48 kHz Stereo Record: 48 kHz Stereo Playback: 44.1 / 48 kHz Multitrack Playback/Multitrack Record: 48 kHz |
| Bit Depth | A/D Conversion: 24-Bit Delta Sigma D/A Conversion: 24-Bit Delta Sigma Stereo Record: 24-Bit Stereo Playback: 16 / 24-Bit Multitrack Playback, Multitrack Record: 24-Bit |
| Latency | 1.2 ms (Mic Input to XLR Output) 0.7 ms (Mic Input to AES Output) |
| dBFS Reference Level | +18 dBu = 0 dBFS |
| Headroom | +18 dB |
| Frequency Response | 20 Hz to 20 kHz ±0.5 dB |
| Max Input Level | XLR Input: +19 dBu 1/4″ TRS Input: +29 dBu 1/4″ Aux Input: +22 dBu 1/8″ / 3.5 mm Input: +19 dBu |
| Output Level | 1/4″ TRS / XLR Output: 22 dBu (2901653168) 4 dBu (2901653169) |
| Analog Dynamic Range | 112 dB |
| I/O Impedance | AES3 Output: 110 Ohms XLR Input: > 5 Kilohms 1/4″ TRS Input: > 10 Kilohms Stereo Input: > 7 Kilohms 1/4″ TRS, XLR Output: < 75 Ohms |
| THD+N | 0.0005% at Unity Gain 0.001% at +30 dB Gain |
| Signal Generator | Sine, White, Pink, or Band-Pass Noise (Assignable to Any Mix) |
| Analog Inputs | 1 x XLR 3-Pin Talkback Input 16 x 1/4″ TRS Balanced Line Input 16 x XLR 3-Pin Mic Input 4 x 1/4″ TRS Balanced Input (2 Stereo Pairs, Half-Normalled) 1 x 1/8″ / 3.5 mm TRS Unbalanced Input |
| Analog Outputs | 4 x XLR 3-Pin Mono Mix Output 6 x XLR 3-Pin Mix Output (3 Stereo Pairs) 2 x XLR 3-Pin Main Output (1 Stereo Pair) 2 x 1/4″ TRS Mix Output (1 Stereo Pair) 2 x 1/4″ TRS Aux Output (1 Stereo Pair) |
| Digital I/O | 1 x RJ45 (Network) 1 x XLR AES3 Output 1 x etherCON dSNAKE (I/O) |
| MIDI I/O | None |
| USB | 1 x USB Type-A (External Memory) 1 x USB Type-B (USB 2.0, Audio Streaming) |
| Max Multitrack Recording | 18 Tracks |
| File Format Support | WAV |
| Internet Connection | Yes |
| AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
| Power Consumption | 82 W (Maximum) |
| Rack Mountable | Yes |
| Rackmount Size | 11 RU (with Optional Hardware) |
| Operating Temperature | 32 to 95°F / 0 to 35°C |
| Dimensions | 17.4 x 19.7 x 7.4″ / 44.2 x 50 x 18.8 cm (Desk-Mounted) 19 x 19.1 x 7.5″ / 48.3 x 48.5 x 19.1 cm (Rack-Mounted) |
| Weight | 22 lb / 10 kg |
| Package Weight | 30 lb |
| Box Dimensions (LxWxH) | 26.5 x 23.5 x 13.5″ |
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| Settings | Allen & Heath Qu-16 Rackmountable Digital Mixer remove | Allen & Heath Qu-24 30-In/24-Out Digital Mixer remove | Dynacord PowerMate 600-3 8-Channel Powered Mixer remove | Allen & Heath SQ-7 32 Channel Digital Mixer remove | Dynacord PowerMate 2200-3 22-Channel Powered Mixer remove | Dynacord PowerMate 1600-3 16-Channel Powered Mixer remove |
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| A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ |
| A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz۔ | |
| Content | THE MIXER THAT CHANGED THE RULESCompact 22 in / 12 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
Makes Mixing Feel Natural
Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.Qu-16 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-16 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-16’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.Coming from analog? Qu will make you feel at home.
World Class Processing And FXQu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.Feature Summary
| THE MIXER THAT CHANGED THE RULES30 in / 24 out Digital Mixer with remote wireless control
Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality.
Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.
Makes Mixing Feel Natural
Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.
Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.
The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.
Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan.
Coming from analogue? Qu will make you feel at home.
Qu-Drive: Record without a computerQu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.AMM: Automatic Mic MixerAMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain. FEATURE SUMMARY
| Dynacord Power Mixer OverviewThe PowerMate3 8-Channel Powered Mixer from Dynacord features four mic/line, two mic/stereo-USB, and two stereo-line channels. It also has three auxiliary ports, one of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 9-band stereo graphic equalizer allows precise tone control for speakers and room matching. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid, hold by strong snap in magnets Optional speaker protection allows limitation of long-term power without giving up dynamics Made in Germany۔In The Box
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The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.
The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
| Dynacord Power Mixer OverviewThe PowerMate3 22-Channel Powered Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post-fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. Dynacord PowerMate 2200-3 22-Channel Powered Mixer in Pakistan A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows the integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Optional speaker protection allows limitation of long-term power without giving up dynamics Made in GermanyIn the Box | Dynacord Power Mixer OverviewThe PowerMate3 16-Channel Powered Mixer from Dynacord features 12 mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS). Steinberg Cubase software Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage Slim housing protected by a rugged plastic lid with integrated handle for easy transportation Optional speaker protection allows limitation of long-term power without giving up dynamics Made in GermanyIn the Box |
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