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The Sennheiser EW 112P G4 camera-mount wireless lavalier microphone system features the proven combination of reliability, flexible control, and broadcast-quality sound that has made the EW Series an industry standard for videographers, journalists, and content creators all over the world.
The EW 112P G4 gives you the tools to adapt and meet the wireless challenges that inevitably arise on set. The frequency scan function automatically searches for the cleanest frequency at your location, while the adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio.
The system includes the improved ME 2-II omnidirectional lavalier mic, a bodypack transmitter, and a camera-mount receiver. It connects to a camcorder or a DSLR/mirrorless camera to capture crisp-sounding speech or dialog for projects ranging from documentaries to wedding videos, corporate spots, and hands-free interviews.
The EW 112P G4 is backward-compatible with previous evolution systems, giving you the ability to mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 500 systems.
| Wireless Technology | Analog UHF |
| Number of RF Channel Frequencies | 1680 |
| Included Transmitters | 1 x Bodypack with Microphone |
| Diversity | Antenna Diversity |
| RF Frequency Band | A: 516 to 558 MHz |
| RF Bandwidth | 42 MHz |
| Frequency Step Size | 25 kHz |
| Max Operating Range | 330′ / 100.6 m (Line of Sight) |
| Max Transmitters per Band | 12 |
| Deviation | 48 kHz (Peak) |
| Modulation | Wideband FM |
| Receiver Type | Camera-Mount |
| Mounting Options | Shoe-Mount (with Included Hardware) |
| Antenna | 1 x Flexible Whip, Fixed |
| Number of Audio Channels | 1 |
| Audio I/O | 1 x 1/8″ / 3.5 mm TRS Female Unbalanced Output (Lockable) |
| Gain Range | 42 dB (6 dB Steps) |
| Audio Output Level | +12 dBu |
| Squelch | 5 to 25 dBμV |
| Adjacent Channel Isolation | >65 dB |
| Power Requirements | Battery |
| Battery Type | 2 x AA (Included) 1 x Sennheiser Accupack (Not Included) |
| Approx. Battery Life | 8 Hours (Alkaline) |
| Display & Indicators | 1 x Backlit LCD (Battery Status, Output Level, RF Level) |
| Housing | Metal |
| Operating Temperature | 14 to 131°F / -10 to 55°C |
| Dimensions | 2.5 x 3.2 x 0.9″ / 64 x 82 x 24 mm |
| Weight | 5.6 oz / 160 g (with Batteries) |
| Transmitter Type | Bodypack |
| RF Output Power | 30 mW |
| Audio I/O | 1 x 1/8″ / 3.5 mm TRS Female Unbalanced Input (Lockable) |
| Muting | Mute Switch |
| Audio Input Level | 3 V RMS (Max) |
| Gain Range | 60 dB (3 dB Steps) |
| Frequency Response | 80 Hz to 18 kHz (Mic) 25 Hz to 18 kHz (Line) |
| Sync Method | IR |
| Antenna | 1 x Flexible Whip, Fixed (Beltpack) |
| Power Requirements | Battery |
| Battery Type | 2 x AA (Included) 1 x Sennheiser Accupack (Not Included) |
| Approx. Battery Life | 8 Hours (Alkaline) |
| Display & Indicators | 1 x Backlit LCD (Audio Level, Battery Status, Signal Strength) |
| Housing | Metal |
| Dimensions | 2.5 x 3.2 x 0.9″ / 64 x 82 x 24 mm |
| Weight | 5.6 oz / 160 g (with Batteries) |
| Microphone Type | Lavalier |
| Sound Field | Mono |
| Capsule | Electret Condenser |
| Polar Pattern | Omnidirectional |
| Frequency Range | 50 Hz to 18 kHz |
| Equivalent Noise Level | 36 dB |
| Maximum SPL | 130 dB SPL Peak |
| Sensitivity | 20 mV/Pa |
| Output Connectors | 1 x 1/8″ / 3.5 mm TRS Male Unbalanced (Lockable) |
| Cable Length | 5.25′ / 1.6 m |
| Operating Voltage | 7.5 V |
| Package Weight | 1.85 lb |
| Box Dimensions (LxWxH) | 16.05 x 7.25 x 3″ |
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| Settings | Sennheiser EW 112P G4 Camera-Mount Wireless Omni Lavalier Microphone System remove | Sennheiser EW 100 G4-ME2 Wireless Omni Lavalier Microphone System remove | Sennheiser MKE 2 PC Lavalier Microphone remove | Sennheiser EW 100 ENG G4 remove | Electro Voice PC Desktop 12 remove | Neumann U 87 Ai Large-Diaphragm Multipattern Condenser Microphone remove |
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The Sennheiser EW 112P G4 camera-mount wireless lavalier microphone system features the proven combination of reliability, flexible control, and broadcast-quality sound that has made the EW Series an industry standard for videographers, journalists, and content creators all over the world.
The EW 112P G4 gives you the tools to adapt and meet the wireless challenges that inevitably arise on set. The frequency scan function automatically searches for the cleanest frequency at your location, while the adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio.
The system includes the improved ME 2-II omnidirectional lavalier mic, a bodypack transmitter, and a camera-mount receiver. It connects to a camcorder or a DSLR/mirrorless camera to capture crisp-sounding speech or dialog for projects ranging from documentaries to wedding videos, corporate spots, and hands-free interviews.
The EW 112P G4 is backward-compatible with previous evolution systems, giving you the ability to mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 500 systems.
Built for Dependable Performance in the Field
Proven Broadcast-Quality Sound
Additional Features
EW 100 G4 vs EW 500 G4 Systems at a Glance
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The perfect choice for moderators and presenters: Robust bodypack transmitter and unobtrusive clip-on microphone, ME 2-II (omnidirectional) or ME 4 (cardioid) with high speech intelligibility for easy hands-free operation on any stage.
Reliability and performance
When taking any stage, large or small, a presenter needs to have just as much confidence in their equipment as they do in themselves. The ability to rely on technology is just as much a factor as the content itself when it comes to delivering a message to an audience. Enter the evolution wireless G4 100 Series—a wireless system built on the need for dependability that continues to deliver for presenters and A/V technicians time and time again.
Feature-rich and built to last
The evolution wireless G4 100 Series is packed with features that make it possible to get you up and running fast and efficiently. Use the Easy Setup function to automatically scan and select the best frequencies around you and take full advantage of the UHF spectrum. With up to 100 meters of range and a battery life of 8 hours, it’s easy to see how the durably constructed ewG4 transmitters and receivers will perform when you need them to.
What’s in the Box
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The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone that is suitable for both speech and instrument miking applications in all areas of live work. It fulfills the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black.
Ample Headroom for VocalsThe mic is designed to handle broadcast and theater applications, including vocals and instruments up to 130 dB, without distortion.
Omnidirectional Polar PatternThe forgiving omnidirectional polar pattern picks up sound from all around the mic and provides a consistent frequency response, even for off-axis sound. This helps to supply clear, intelligible speech and vocals, even when the talent isn’t speaking directly toward the microphone.
| Sennheiser EW 100 ENG G4 Multi-purpose set for mobile journalism and documentary. Includes a plug-on transmitter and clip-on mic that offers excellent speech intelligibility.
A broadcast quality sound solution. Providing the highest flexibility for your video sound and field recording applications.
A robust wireless microphone system that offers excellent sound quality, simple mounting, and ease of use.
Multi-purpose set for mobile journalism and documentary. The powerful plug-on transmitter SKP 100 turns every wired dynamic microphone into a wireless transmitter while the easy-to-use clip-on microphone ME 2-II (omnidirectional) offers excellent speech intelligibility during interviews.
| Multi‑pattern desktop microphone
The PC Desktop is a free-standing tabletop microphone with a dual-section gooseneck and an elegant base. With easy switching between four polar patterns—omni, cardioid, super-cardioid, or hyper-cardioid—the PC Desktop 12 is always the right microphone, even under a variety of conditions. Available with 5-, 12-, or 18-inch gooseneck. | The ultimate studio standard all over the world. For 50 years!
The Gold StandardThe Neumann U 87 Ai may be the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low-cut options make it adaptable to a wide range of applications.
Omnipresent and Special
The Neumann U 87 Ai is a true legend. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. And when those hits were announced on the radio, many a DJ sat before a U 87 Ai.
The U 87 Ai is the epitome of a large-diaphragm condenser microphone. Its tapered body and iconic design have become part of the collective consciousness—this is what a studio microphone looks like. The same is true of its sound; the U 87 Ai represents studio quality and has become the gold standard by which other microphones are measured.
What sets the U 87 Ai apart is its special combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma, making the U 87 Ai both versatile and instantly recognizable.
Classic Neumann EngineeringTechnically speaking, the U 87 Ai is a traditional design whose timeless formula has remained unchanged for decades. The U 87 Ai uses the same dual-diaphragm condenser capsule design as its predecessor, the no less legendary U 67 of the early 1960s. Its head amplifier, too, is based on the same design principles as its tube-driven predecessor, but the U 87 Ai realizes them by means of a FET circuit with a minimal signal path and a transformer-balanced output, ensuring maximum signal integrity and high common mode rejection.
Versatile ApplicationsThe result is a studio microphone of unmatched clarity. Its natural sound and midrange presence make the U 87 Ai the ultimate vocal microphone, praised by singers and engineers alike as well as the prime choice for speech applications, such as voice-over, dubbing, and audiobooks. Due to its balanced response in each of its three directional patterns, the U 87 Ai is also a versatile microphone for anything from acoustic guitars to drums overheads. Due to its solid bass response and excellent midrange detail, it is often seen in front of the bass and guitar cabinets. For classical recordings, the U 87 Ai is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87 Ai mics is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music.
Features at a Glance
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