PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95.
For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions.
Below are the minimum computer-system requirements for AudioBox USB 96.
For information on compatibility with Chrome OS, click here.
For information on compatibility with iOS/iPadOS, click here.
For information on compatibility with Android devices, click here.
| Capsule Type | Back-electret condenser |
| Polar Patter | Unidirectional |
| Sensitivity | -38 dB ±3 dB (0 dB=1V/Pa at 1 kHz) |
| Frequency Response | 20 Hz to 18 kHz |
| Output Impedance | 150Ω ±30% (at 1 kHz) |
| Equivalent Noise Level | 19 dBA |
| Maximum SPL | 134 dB (at 1 kHz = 1% THD) |
| S/N Ratio | 75 dB |
| Working Voltage | 48V Phantom Power |
Inputs |
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| 1- Stereo 1/8″ | |
| 2- Balanced ¼” TRS | |
| 2- Unbalanced RCA |
Performance |
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| Frequency Response | 80 Hz – 20 kHz |
| Crossover Frequency | 2.8 kHz |
| Amplifier Power | 25W/speaker |
| LF Driver | 3.5″ |
| HF Driver | 1” silk dome |
| Peak SPL (@ 1 meter) | 100 dB |
| Input Impedance | 10 kΩ |
User Controls |
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| Volume Range | A-type taper |
| MF Control | Variable (-6 to +6 dB, center 100 Hz) |
| HF Control | Variable (-6 to +6 dB, center 10 kHz) |
Protection |
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| RF interference | |
| Output-current limiting | |
| Over-temperature | |
| Turn-on/off transient | |
| Subsonic filter | |
| External mains fuse |
Power |
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| 100-120V ~50/60 Hz or 220-240V ~50/60 Hz |
Cabinet |
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| Vinyl-laminated, medium-density fiberboard |
Physical |
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| Width | 5.6″ (141 mm) |
| Depth | 6.4″ (162 mm) |
| Height | 8.3″ (210 mm) |
| Weight (per pair) | 6.4 lb. (2.9 kg) |
| Acoustic Design | Dynamic, semi-open |
| Driver | 50 mm, neodymium |
| Frequency Response | 10 Hz to 30 kHz |
| Sensitivity | 98 dB SPL (1 mW) |
| Maximum Power | 300 mW |
| Rated Impedance | 32Ω |
| Earpad | Leather |
| Weight, without Cable | 7.8 oz (222g) |
| Cable | 8′ 2″ (2.5m) straight, single-sided |
| Plug Adapter | 1/8″ to 1/4″ (3.5 to 6.3 mm), screw-on, gold-plated, stereo mini-plug |
Microphone Preamp |
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| Type | XLR Female Balanced |
| Frequency Response (±3.0 dB) | 20 Hz to 20 kHz |
| Input Impedance (Balanced) | 1200Ω |
| THD+N (unwtd, 1 kHz @ +4 dBu Output, Unity Gain) | < 0.008% |
| S/N Ratio (Unity Gain, Ref. = +4 dBu, 20 Hz to 22 kHz) | > 95 dB |
| Common Mode Rejection Ratio (1 kHz, 55 dB Gain) | > 45 dB |
| Gain Control Range (± 2 dB) | +6 dB to +52 dB |
| Max Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) | -3 dBu |
| Phantom Power (±2 VDC) | +48 VDC |
Instrument Input |
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| Type | ¼” TS Female Unbalanced |
| Input Impedance | 0.5 MΩ |
| Gain Control Range (± 2 dB) | +2d B to +48 dB |
Line Outputs |
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| Type | ¼” Balanced |
| Output Impedance | 51Ω |
Headphone Output |
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| Type | ¼” TRS Active Stereo |
| Maximum Output | 60 mW/Ch @ 60Ω Load |
| Frequency Response (±1.0 dB) | 20 Hz – 30 kHz |
MIDI I/O |
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| Type | Dual 5-pin Female DIN |
Digital Audio |
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| ADC Dynamic Range (A-wtd, 48 kHz Sample Rate) | 105 dB |
| DAC Dynamic Range (A-wtd, 48 kHz Sample Rate) | 105 dB |
| Bit Depth | 24 |
| Reference Level for 0 dBFS | +4 dBu |
| Supported Sample Rates (kHz) | 44.1, 48, 88.2, 96 |
| Power | USB 2.0 bus-powered |
Physical |
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| Dimensions | 1/3U (steel chassis) |
| Height | 5.5” (139.7 mm) |
| Depth | 1.75″ (44.45 mm) |
| Width | 5.5” (139.7 mm) |
| Weight | 1.3 lbs (0.59 kg) |
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| Settings | Presonus AudioBox 96 Studio Bundle 25th Anniversary Edition remove | Presonus Studio 1824c remove | Sennheiser MKE 2 PC Lavalier Microphone remove | Presonus Studio 24c remove | Presonus AudioBox GO remove | Sennheiser EW 100 G4-835-S Wireless Handheld Microphone System remove |
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| Content | PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95.
For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions.
General Features M7
Features Eris E3.5Components and construction
User controls
Power and safety
Inputs and outputs
Included Accessories
Features HD7
Features AudioBox USB 96
Input/Output
Digitalia
Included Software
Physical
Computer system requirements:Below are the minimum computer-system requirements for AudioBox USB 96.macOS®
Windows®
Chrome OSFor information on compatibility with Chrome OS, click here.iOS/iPadOSFor information on compatibility with iOS/iPadOS, click here.AndroidFor information on compatibility with Android devices, click here. | FeaturesInput/Output
Integrated Software
Meters, Controls, and Features
Digital
Physical
Record the entire band.PreSonus® was a pioneer in high-channel-count audio interfaces and has spent the last 20 years listening to our customers and creating the best audio interfaces for recording large sessions. The Studio 1824c provides amazing sound quality with eight of PreSonus’ lauded XMAX analog mic preamps onboard and pristine 24-bit 192 kHz conversion. Add two low-noise instrument preamps, balanced line-level inputs, and an ADAT input to add 8 more channels whenever you need them, and you have an audio interface ready to record just about any session. A complete, all-in-one recording package, Studio One® Artist music production software, is included with the Studio 1824c, offering unlimited tracking with tight control-room integration.Computer system requirements:Below are the minimum computer-system requirements for Studio 1824c.macOS®
Windows®
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The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone that is suitable for both speech and instrument miking applications in all areas of live work. It fulfills the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black.
Ample Headroom for VocalsThe mic is designed to handle broadcast and theater applications, including vocals and instruments up to 130 dB, without distortion.
Omnidirectional Polar PatternThe forgiving omnidirectional polar pattern picks up sound from all around the mic and provides a consistent frequency response, even for off-axis sound. This helps to supply clear, intelligible speech and vocals, even when the talent isn’t speaking directly toward the microphone.
| FeaturesInput/Output
Meters, Controls, and Features
Integrated Software
Digital
Physical
Professional quality for home recording studiosWhether you’re recording your first album or your hit podcast’s latest episode, the Studio 24c will help you sound your best. With two of PreSonus®’ pristine XMAX-L mic preamps for recording vocals, high-headroom instrument preamps so you can connect your guitar or bass directly to your interface, and professional input metering so you can keep track of your recording levels, the Studio 24c delivers amazing sound quality in a rugged, compact form factor. A complete home recording studio right out of the box, the Studio 24c audio interface comes with a complimentary license for PreSonus’ award-winning Studio One® Artist music production software so you can start recording right away. | AudioBox GO Features
Computer system requirements:Below are the minimum computer-system requirements for AudioBox GO. For Studio One system requirements, please click here.macOS®
Windows®
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The Sennheiser EW 100 G4-835-S is an easy-to-set-up rackmount wireless handheld microphone system that brings high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses of worship, theaters, or on musical stages.
The EW 100 G4-835-S features a true diversity, half-rack receiver housed in a rugged, full-metal chassis. The receiver’s auto-scan function searches a wide 42 MHz UHF tuning range with 1680 selectable frequencies available, seeking out a clean, interference-free channel for your audio transmission.
This system includes an SKM 100 G4-S handheld transmitter equipped with an interchangeable MMD 835 dynamic cardioid microphone capsule optimized for speech. The handheld transmitter provides up to 8 hours of operation on two AA batteries, with a fixed 30mW RF power output and a transmission range up to 330′. Up to 12 wireless mics can operate simultaneously in the same space, with the receivers linked together for a fast, multi-channel frequency setup.
The EW 100 G4-835-S is backward-compatible with previous evolution systems. You can mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 300/500 systems.
Lightweight Handheld Transmitter with MMD 835 Cardioid Capsule
The MMD 835 dynamic capsule features a cardioid polar pattern that minimizes background noise and feedback.The rugged, all-metal handheld transmitter features a mute function and can be locked out to prevent accidental changes during a performance. A backlit LCD displays essential information and provides fast menu access. The transmitter syncs to the receiver via infrared with a quick press of the Sync button.
The SKM 100 G4-S is powered via two AA batteries or a rechargeable BA 2015 Accupack battery (available separately). An LA 2 charging adapter (available separately) allows for recharging the Accupack without removing it from the transmitter—requires the L 2015 quick-charging unit (available separately).
The transmitter’s interchangeable capsule design allows you to use a variety of optional dynamic and condenser mic capsules, with pickup patterns ranging from wide omnidirectional to narrow super cardioid —capsules include the MMD 835, MMD 845, MME 865, MMD 935, MMD 945, and MMD 42.
Easy-to-Operate Receiver with True-Diversity Reception
The robust, metal EM 100 receiver offers a high-contrast, black-and-white LCD. The display uses a streamlined menu system with a dedicated Escape button for quick menu navigation and shows battery status of the associated transmitter.The system features 20 fixed frequency banks with up to 12 compatible frequency presets and 1 user bank with up to 12 user-programmable frequencies.
To prevent interference, the EM 100 receiver’s true-diversity reception compares incoming signals on two independent receiver circuits to ensure optimal RF quality. To ensure crystal clear audio, Sennheiser’s proprietary HDX compander technology maximizes the microphone’s signal-to-noise ratio, while avoiding RF noise.
The built-in equalizer enables you to change the frequency response of the output signal; you can reduce the bass range and boost the treble range. The receiver also offers an adjustable output level range of 48 dB to match the audio input of your mixing board or PA system. Musicians will appreciate the built-in guitar tuner.
The back panel houses a balanced XLR output as well as an unbalanced 1/4″ output. A kit is included for rackmount installation. The unit comes with a universal power supply and EU, US, UK, Korea, Australia, and China adapters.
Fast Multi-Channel Setup for Expanded System
To simplify and speed up your workflow, two RJ10 data networking ports allow you to daisy-chain up to 12 receivers and quickly perform a frequency setup for the entire multi-channel system via the Easy Setup function.If you assign the frequencies manually, you can expand the setup to accommodate a maximum of 20 receivers. An RJ10 cable is included.
Enhance the Performance of Your System
The detachable antennas with BNC sockets allow you to create a larger system using up to four EM 100 receivers connected to a single pair of remote antennas. This setup requires the ASA 214 active antenna splitter (available separately).Adding a pair of A 1031-U omnidirectional antennas or a pair of A 2003 UHF directional antennas increases the range of your system and offers increased protection against interference.
Add Functionality to Your System
Sennheiser offers a bodypack transmitter with a variety of lavalier and headset microphone options to adapt your EW system as your needs evolve.
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Subtotal: 2,000.00 ₨
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