PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95.
For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions.
Below are the minimum computer-system requirements for AudioBox USB 96.
For information on compatibility with Chrome OS, click here.
For information on compatibility with iOS/iPadOS, click here.
For information on compatibility with Android devices, click here.
| Capsule Type | Back-electret condenser |
| Polar Patter | Unidirectional |
| Sensitivity | -38 dB ±3 dB (0 dB=1V/Pa at 1 kHz) |
| Frequency Response | 20 Hz to 18 kHz |
| Output Impedance | 150Ω ±30% (at 1 kHz) |
| Equivalent Noise Level | 19 dBA |
| Maximum SPL | 134 dB (at 1 kHz = 1% THD) |
| S/N Ratio | 75 dB |
| Working Voltage | 48V Phantom Power |


Inputs |
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| 1- Stereo 1/8″ | |
| 2- Balanced ¼” TRS | |
| 2- Unbalanced RCA |
Performance |
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| Frequency Response | 80 Hz – 20 kHz |
| Crossover Frequency | 2.8 kHz |
| Amplifier Power | 25W/speaker |
| LF Driver | 3.5″ |
| HF Driver | 1” silk dome |
| Peak SPL (@ 1 meter) | 100 dB |
| Input Impedance | 10 kΩ |
User Controls |
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| Volume Range | A-type taper |
| MF Control | Variable (-6 to +6 dB, center 100 Hz) |
| HF Control | Variable (-6 to +6 dB, center 10 kHz) |
Protection |
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| RF interference | |
| Output-current limiting | |
| Over-temperature | |
| Turn-on/off transient | |
| Subsonic filter | |
| External mains fuse |
Power |
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| 100-120V ~50/60 Hz or 220-240V ~50/60 Hz |
Cabinet |
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| Vinyl-laminated, medium-density fiberboard |
Physical |
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| Width | 5.6″ (141 mm) |
| Depth | 6.4″ (162 mm) |
| Height | 8.3″ (210 mm) |
| Weight (per pair) | 6.4 lb. (2.9 kg) |
| Acoustic Design | Dynamic, semi-open |
| Driver | 50 mm, neodymium |
| Frequency Response | 10 Hz to 30 kHz |
| Sensitivity | 98 dB SPL (1 mW) |
| Maximum Power | 300 mW |
| Rated Impedance | 32Ω |
| Earpad | Leather |
| Weight, without Cable | 7.8 oz (222g) |
| Cable | 8′ 2″ (2.5m) straight, single-sided |
| Plug Adapter | 1/8″ to 1/4″ (3.5 to 6.3 mm), screw-on, gold-plated, stereo mini-plug |
Microphone Preamp |
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| Type | XLR Female Balanced |
| Frequency Response (±3.0 dB) | 20 Hz to 20 kHz |
| Input Impedance (Balanced) | 1200Ω |
| THD+N (unwtd, 1 kHz @ +4 dBu Output, Unity Gain) | < 0.008% |
| S/N Ratio (Unity Gain, Ref. = +4 dBu, 20 Hz to 22 kHz) | > 95 dB |
| Common Mode Rejection Ratio (1 kHz, 55 dB Gain) | > 45 dB |
| Gain Control Range (± 2 dB) | +6 dB to +52 dB |
| Max Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) | -3 dBu |
| Phantom Power (±2 VDC) | +48 VDC |
Instrument Input |
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| Type | ¼” TS Female Unbalanced |
| Input Impedance | 0.5 MΩ |
| Gain Control Range (± 2 dB) | +2d B to +48 dB |
Line Outputs |
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| Type | ¼” Balanced |
| Output Impedance | 51Ω |
Headphone Output |
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| Type | ¼” TRS Active Stereo |
| Maximum Output | 60 mW/Ch @ 60Ω Load |
| Frequency Response (±1.0 dB) | 20 Hz – 30 kHz |
MIDI I/O |
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| Type | Dual 5-pin Female DIN |
Digital Audio |
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| ADC Dynamic Range (A-wtd, 48 kHz Sample Rate) | 105 dB |
| DAC Dynamic Range (A-wtd, 48 kHz Sample Rate) | 105 dB |
| Bit Depth | 24 |
| Reference Level for 0 dBFS | +4 dBu |
| Supported Sample Rates (kHz) | 44.1, 48, 88.2, 96 |
| Power | USB 2.0 bus-powered |
Physical |
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| Dimensions | 1/3U (steel chassis) |
| Height | 5.5” (139.7 mm) |
| Depth | 1.75″ (44.45 mm) |
| Width | 5.5” (139.7 mm) |
| Weight | 1.3 lbs (0.59 kg) |
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| Settings | Presonus AudioBox 96 Studio Bundle 25th Anniversary Edition remove | Sennheiser HD 280 Pro Circumaural Closed-Back Monitor Headphones remove | Sennheiser EW 100 ENG G4 remove | Sennheiser HD 200 PRO Headphone remove | Sennheiser MKE 2 PC Lavalier Microphone remove | Sennheiser MKE 600 Camera Mic remove |
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| Content | PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95.
For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions.
General Features M7
Features Eris E3.5Components and construction
User controls
Power and safety
Inputs and outputs
Included Accessories
Features HD7
Features AudioBox USB 96
Input/Output
Digitalia
Included Software
Physical
Computer system requirements:Below are the minimum computer-system requirements for AudioBox USB 96.macOS®
Windows®
Chrome OSFor information on compatibility with Chrome OS, click here.iOS/iPadOSFor information on compatibility with iOS/iPadOS, click here.AndroidFor information on compatibility with Android devices, click here. | Sennheiser HD 280 Pro Overview
The HD 280 Pro Circumaural Closed-Back Monitor Headphones from Sennheiser feature a collapsible design with swiveling earcups and extended low end reproduction with a frequency response of 8 Hz to 25 kHz. Rejection of outside noise is high, rated up to -32 dB. Efficient neodymium magnets contribute toward an extended dynamic range and high output. The thick, padded leatherette earcups and adjustable padded headband allow for a precise and comfortable fit during extended periods of studio recording and mixing.
In the Box
| Sennheiser EW 100 ENG G4 Multi-purpose set for mobile journalism and documentary. Includes a plug-on transmitter and clip-on mic that offers excellent speech intelligibility.
A broadcast quality sound solution. Providing the highest flexibility for your video sound and field recording applications.
A robust wireless microphone system that offers excellent sound quality, simple mounting, and ease of use.
Multi-purpose set for mobile journalism and documentary. The powerful plug-on transmitter SKP 100 turns every wired dynamic microphone into a wireless transmitter while the easy-to-use clip-on microphone ME 2-II (omnidirectional) offers excellent speech intelligibility during interviews.
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The HD 200 PRO monitoring headphones deliver powerful studio sound wherever you are. Record your own tunes, practice silently, or simply enjoy your favorite music at home – the HD 200 PRO is your ideal companion for monitoring tasks. The HD 200 PRO’s ambient noise attenuation enables you to fully concentrate on your job. Soft ear pads ensure outstanding comfort during long creative sessions (e.g. electronic piano, laptop, mixing consoles).
Bring Your Studio Sound Home.As a creator, a musician, or the one who is responsible for proper live sound, you need to focus on your job. The HD 200 PRO is much more than a headphone. It’s designed as an in-depth monitoring tool for your music. It offers a detailed, powerful sound whilst stopping any ambient noise from distracting you – be it at home, in the studio, or on stage. HD 200 PRO. Focus on your art.Outstanding, powerful sound reproduction. You won’t forget the very first time you tried the HD 200 PRO. It recreates sound in an extremely high resolution and offers every detail and every weighting you changed. If you need to validate your work, your mix, and your chords – this is your tool. You’re getting professional-level, above-budget monitoring power with exceptional dynamics. It works with your laptop, your mixing console, or your electric piano and enhances your acoustic working space. And of course, the HD 200 PRO is great to get some inspiration from your favorite music.Superior fit and comfort for long sessions. You might wear them for a long, long time, for hours and nights. The HD 200 PRO won’t become a burden, because we designed it with more than 70 years of experience. So we lowered the tension of the headband and chose materials with direct contact carefully. The result: The earpads feel feather-light and perfectly enclose every ear. You might even forget you’re wearing them.Ambient noise reduction for all monitoring tasks in the studio live and at home Speaking of comfort and earpads: As a monitoring tool, the HD 200 PRO will protect you from any noise that might distract you. The ambient noise reduction helps to create a clean space for your music. Ambient noise reduction for all monitoring tasks in the studio, live and at home |
The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone that is suitable for both speech and instrument miking applications in all areas of live work. It fulfills the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black.
Ample Headroom for VocalsThe mic is designed to handle broadcast and theater applications, including vocals and instruments up to 130 dB, without distortion.
Omnidirectional Polar PatternThe forgiving omnidirectional polar pattern picks up sound from all around the mic and provides a consistent frequency response, even for off-axis sound. This helps to supply clear, intelligible speech and vocals, even when the talent isn’t speaking directly toward the microphone.
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The MKE 600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges. Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear. The switchable “Low Cut” filter additionally minimizes wind noise.
Because some video cameras/camcorders do not provide phantom power, the MKE 600 can also be battery-powered. A battery on/off switch prevents the battery from discharging prematurely; “Low Batt” is displayed.
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