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PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95.
For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions.
Below are the minimum computer-system requirements for AudioBox USB 96.
For information on compatibility with Chrome OS, click here.
For information on compatibility with iOS/iPadOS, click here.
For information on compatibility with Android devices, click here.
| Capsule Type | Back-electret condenser |
| Polar Patter | Unidirectional |
| Sensitivity | -38 dB ±3 dB (0 dB=1V/Pa at 1 kHz) |
| Frequency Response | 20 Hz to 18 kHz |
| Output Impedance | 150Ω ±30% (at 1 kHz) |
| Equivalent Noise Level | 19 dBA |
| Maximum SPL | 134 dB (at 1 kHz = 1% THD) |
| S/N Ratio | 75 dB |
| Working Voltage | 48V Phantom Power |
Inputs |
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|---|---|
| 1- Stereo 1/8″ | |
| 2- Balanced ¼” TRS | |
| 2- Unbalanced RCA |
Performance |
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|---|---|
| Frequency Response | 80 Hz – 20 kHz |
| Crossover Frequency | 2.8 kHz |
| Amplifier Power | 25W/speaker |
| LF Driver | 3.5″ |
| HF Driver | 1” silk dome |
| Peak SPL (@ 1 meter) | 100 dB |
| Input Impedance | 10 kΩ |
User Controls |
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|---|---|
| Volume Range | A-type taper |
| MF Control | Variable (-6 to +6 dB, center 100 Hz) |
| HF Control | Variable (-6 to +6 dB, center 10 kHz) |
Protection |
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| RF interference | |
| Output-current limiting | |
| Over-temperature | |
| Turn-on/off transient | |
| Subsonic filter | |
| External mains fuse |
Power |
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|---|---|
| 100-120V ~50/60 Hz or 220-240V ~50/60 Hz |
Cabinet |
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|---|---|
| Vinyl-laminated, medium-density fiberboard |
Physical |
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|---|---|
| Width | 5.6″ (141 mm) |
| Depth | 6.4″ (162 mm) |
| Height | 8.3″ (210 mm) |
| Weight (per pair) | 6.4 lb. (2.9 kg) |
| Acoustic Design | Dynamic, semi-open |
| Driver | 50 mm, neodymium |
| Frequency Response | 10 Hz to 30 kHz |
| Sensitivity | 98 dB SPL (1 mW) |
| Maximum Power | 300 mW |
| Rated Impedance | 32Ω |
| Earpad | Leather |
| Weight, without Cable | 7.8 oz (222g) |
| Cable | 8′ 2″ (2.5m) straight, single-sided |
| Plug Adapter | 1/8″ to 1/4″ (3.5 to 6.3 mm), screw-on, gold-plated, stereo mini-plug |
Microphone Preamp |
|
| Type | XLR Female Balanced |
| Frequency Response (±3.0 dB) | 20 Hz to 20 kHz |
| Input Impedance (Balanced) | 1200Ω |
| THD+N (unwtd, 1 kHz @ +4 dBu Output, Unity Gain) | < 0.008% |
| S/N Ratio (Unity Gain, Ref. = +4 dBu, 20 Hz to 22 kHz) | > 95 dB |
| Common Mode Rejection Ratio (1 kHz, 55 dB Gain) | > 45 dB |
| Gain Control Range (± 2 dB) | +6 dB to +52 dB |
| Max Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) | -3 dBu |
| Phantom Power (±2 VDC) | +48 VDC |
Instrument Input |
|
| Type | ¼” TS Female Unbalanced |
| Input Impedance | 0.5 MΩ |
| Gain Control Range (± 2 dB) | +2d B to +48 dB |
Line Outputs |
|
| Type | ¼” Balanced |
| Output Impedance | 51Ω |
Headphone Output |
|
| Type | ¼” TRS Active Stereo |
| Maximum Output | 60 mW/Ch @ 60Ω Load |
| Frequency Response (±1.0 dB) | 20 Hz – 30 kHz |
MIDI I/O |
|
| Type | Dual 5-pin Female DIN |
Digital Audio |
|
| ADC Dynamic Range (A-wtd, 48 kHz Sample Rate) | 105 dB |
| DAC Dynamic Range (A-wtd, 48 kHz Sample Rate) | 105 dB |
| Bit Depth | 24 |
| Reference Level for 0 dBFS | +4 dBu |
| Supported Sample Rates (kHz) | 44.1, 48, 88.2, 96 |
| Power | USB 2.0 bus-powered |
Physical |
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| Dimensions | 1/3U (steel chassis) |
| Height | 5.5” (139.7 mm) |
| Depth | 1.75″ (44.45 mm) |
| Width | 5.5” (139.7 mm) |
| Weight | 1.3 lbs (0.59 kg) |
Only logged in customers who have purchased this product may leave a review.
| Settings | Presonus AudioBox 96 Studio Bundle 25th Anniversary Edition remove | Neumann U 87 Ai Large-Diaphragm Multipattern Condenser Microphone remove | Sennheiser MKE 600 Camera Mic remove | Presonus Quantum 4848 remove | Sennheiser MKE 2 PC Lavalier Microphone remove | Sennheiser DJ Headphone HD 25 remove |
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| Content | PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95.
For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions.
General Features M7
Features Eris E3.5Components and construction
User controls
Power and safety
Inputs and outputs
Included Accessories
Features HD7
Features AudioBox USB 96
Input/Output
Digitalia
Included Software
Physical
Computer system requirements:Below are the minimum computer-system requirements for AudioBox USB 96.macOS®
Windows®
Chrome OSFor information on compatibility with Chrome OS, click here.iOS/iPadOSFor information on compatibility with iOS/iPadOS, click here.AndroidFor information on compatibility with Android devices, click here. | The ultimate studio standard all over the world. For 50 years!
The Gold StandardThe Neumann U 87 Ai may be the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low-cut options make it adaptable to a wide range of applications.
Omnipresent and Special
The Neumann U 87 Ai is a true legend. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. And when those hits were announced on the radio, many a DJ sat before a U 87 Ai.
The U 87 Ai is the epitome of a large-diaphragm condenser microphone. Its tapered body and iconic design have become part of the collective consciousness—this is what a studio microphone looks like. The same is true of its sound; the U 87 Ai represents studio quality and has become the gold standard by which other microphones are measured.
What sets the U 87 Ai apart is its special combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma, making the U 87 Ai both versatile and instantly recognizable.
Classic Neumann EngineeringTechnically speaking, the U 87 Ai is a traditional design whose timeless formula has remained unchanged for decades. The U 87 Ai uses the same dual-diaphragm condenser capsule design as its predecessor, the no less legendary U 67 of the early 1960s. Its head amplifier, too, is based on the same design principles as its tube-driven predecessor, but the U 87 Ai realizes them by means of a FET circuit with a minimal signal path and a transformer-balanced output, ensuring maximum signal integrity and high common mode rejection.
Versatile ApplicationsThe result is a studio microphone of unmatched clarity. Its natural sound and midrange presence make the U 87 Ai the ultimate vocal microphone, praised by singers and engineers alike as well as the prime choice for speech applications, such as voice-over, dubbing, and audiobooks. Due to its balanced response in each of its three directional patterns, the U 87 Ai is also a versatile microphone for anything from acoustic guitars to drums overheads. Due to its solid bass response and excellent midrange detail, it is often seen in front of the bass and guitar cabinets. For classical recordings, the U 87 Ai is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87 Ai mics is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music.
Features at a Glance
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The MKE 600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges. Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear. The switchable “Low Cut” filter additionally minimizes wind noise.
Because some video cameras/camcorders do not provide phantom power, the MKE 600 can also be battery-powered. A battery on/off switch prevents the battery from discharging prematurely; “Low Batt” is displayed.
| General Features
Integrated Software
Connectivity
Digital
Physical
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The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone that is suitable for both speech and instrument miking applications in all areas of live work. It fulfills the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black.
Ample Headroom for VocalsThe mic is designed to handle broadcast and theater applications, including vocals and instruments up to 130 dB, without distortion.
Omnidirectional Polar PatternThe forgiving omnidirectional polar pattern picks up sound from all around the mic and provides a consistent frequency response, even for off-axis sound. This helps to supply clear, intelligible speech and vocals, even when the talent isn’t speaking directly toward the microphone.
| Sennheiser On Ear DJ Headphone HD 25Get the latest price and details for the Sennheiser On-Ear DJ Headphone in Pakistan. We are the sole dealer and distributor of Sennheiser in Karachi, Pakistan Due to their low weight and the option of one-ear listening, the HD 25 headphones are indispensable for mobile monitoring. The closed-back HD 25 are purpose-designed, professional monitoring headphones offering high attenuation of background noise. Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in loud environments, e.g. ENG, sound reinforcement, studio monitoring, and audio equipment testing. Ideal monitoring headphones for cameramen and DJs, these are a pair of true sound professionals’ working headphones.
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