Presonus StudioLive 16R

In Stock
Category:
  • State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
  • FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
  • 6 DCAs to control groups of channels

Description

The best 16-channel digital mixer for your rack.

Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue.

 

Features

  • Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
  • 18 input-channel digital rack mixer
    • 16 local digitally controlled XMAX mic/line inputs
    • 2 FLEX FX returns
  • 10 mix buses
    • 6 FlexMixes (Aux, Subgroup, Matrix)
    • 2 dedicated FLEX FX buses
    • Stereo Main bus
  • 130 simultaneous processors
    • HPF
    • Gate/Expander
    • Compressor with Fat Channel plug-in models
    • 4-band/6-band parametric EQ with Fat Channel plug-in models
    • Limiter
    • 31-band graphic EQ
    • 4 FLEX FX slots featuring legendary classic reverb emulations and delays
  • State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
  • FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
  • 6 DCAs to control groups of channels
  • 36-channel (18×18) recording over USB
  • Onboard stereo SD recorder with true Virtual Soundcheck mode
  • AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
    • Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
    • Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
  • Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
  • Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
  • Capture® 3.0 multitrack software included
    • Automated Virtual Soundcheck
    • Store StudioLive mix scenes with your audio
  • Advanced Studio One® integration (Studio One Artist Included)
    • XMAX mic preamp control from Studio One
    • Control Fat Channel parameters from Studio One mixing console
  • Ableton® Live Lite included

Computer system requirements:

Below are the minimum computer-system requirements for StudioLive 16R.

macOS®

  • macOS version 10.13 or later
  • 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)
  • Available USB port

Windows®

  • Windows 10 or later (64-Bit Only)
  • 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
  • Available USB port

The above are the hardware system requirements for this product.
DAW software and Operating System requirements vary.

Click here for Studio One’s system requirements.

Click here for Qmix-UC’s system requirements

Click here for UC Surface’s system requirements.

Technical Specifications

Microphone Preamplifier

Input Type Combo locking XLR mic-¼” TRS line
Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu
Input Impedance 1 kΩ
THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB
Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB
Gain Control Range (±1 dB) 0 dB to +60 dB
Maximum Input Level (unity gain) +12 dBu
Phantom Power (±2 VDC) 48 VDC, switchable per channel

Unbalanced Inputs (Ch. 15-16)

Type RCA Female, unbalanced (stereo pair)
Maximum Input Level +12 dBu, ±0.5 dBu

Main Outputs

Type XLR Male, balanced
Maximum Output Level +24 dBu, ±0.5 dBu
Output Impedance 100Ω

Mix Outputs

Type ¼” TRS Female, balanced
Maximum Output Level +18 dBu, ±0.5 dBu
Output Impedance 100Ω

Headphone Output

Type ¼” TRS Female, active stereo
Maximum Output 100 mW/ch. @ 60Ω load
Frequency Response 20 Hz – 20 kHz (± 0.5 dB)
THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
S/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

System Crosstalk

Input to Output -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
Adjacent Channels -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

Digital Audio and Control

ADC Dynamic Range 115 dB (A-wtd, 48 kHz)
DAC Dynamic Range 115 dB (A-wtd, 48 kHz)
USB Recording Port USB 2.0, Type-B
Network Control Port RJ-45
AVB Audio Network Port Locking XLR Ethernet
Internal Processing 32-bit, floating point
Sampling Rate 48 kHz, 44.1 kHz
A/D/A Bit Depth 24
Reference Level for 0 dBFS +18 dBu
Total System Latency 1.9 ms (local routing, analog in-analog out, all processing active)

Clock

Jitter <20 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation >60 dB (1 ns in, 1 ps out)

Power / Environmental

Connector IEC
Input-Voltage Range 90 to 230 VAC (±10%)
Power Requirements (continuous) 85W
Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit

Physical

Height 1.75” (45 mm)
Width 19” (483 mm)
Depth 12” (305 mm)
Weight 8.6 lbs. (3.9 kg)

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Description
  • State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
  • FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
  • 6 DCAs to control groups of channels
  • 31-band, real-time analyzer (RTA)
  • Quick copy/paste/reset for parameters
  • User permissions to restrict operator access
  • FX, processing, and channel libraries
  • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
  • USB transfer of scenes, libraries, shows
  • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
  • Automatic Mic Mixer
A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz.
Content

The best 16-channel digital mixer for your rack.

Inside the StudioLive 16R, the single-core PreSonus® FLEX DSP Engine powers 18 mixing channels, 10 mix buses, and 130 simultaneous processors, including 2 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. This is a true 16-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad®, Android™ tablet, or Windows® Touch computer, using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders but with the benefit of allowing you to mix front-of-house from anywhere in the venue.  

Features

  • Powered by the new single-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class
  • 18 input-channel digital rack mixer
    • 16 local digitally controlled XMAX mic/line inputs
    • 2 FLEX FX returns
  • 10 mix buses
    • 6 FlexMixes (Aux, Subgroup, Matrix)
    • 2 dedicated FLEX FX buses
    • Stereo Main bus
  • 130 simultaneous processors
    • HPF
    • Gate/Expander
    • Compressor with Fat Channel plug-in models
    • 4-band/6-band parametric EQ with Fat Channel plug-in models
    • Limiter
    • 31-band graphic EQ
    • 4 FLEX FX slots featuring legendary classic reverb emulations and delays
  • State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
  • FLEX FX multi-effects processor with 2 slots to load legendary reverb emulations and delays with 2 dedicated effects buses
  • 6 DCAs to control groups of channels
  • 36-channel (18×18) recording over USB
  • Onboard stereo SD recorder with true Virtual Soundcheck mode
  • AVB networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
    • Monitor Mix and Stage Box modes for use with StudioLive® Series III console mixers
    • Pair with EarMix 16M personal monitor mixers for the ultimate personal monitor system
  • Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)
  • Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
  • Capture® 3.0 multitrack software included
    • Automated Virtual Soundcheck
    • Store StudioLive mix scenes with your audio
  • Advanced Studio One® integration (Studio One Artist Included)
    • XMAX mic preamp control from Studio One
    • Control Fat Channel parameters from Studio One mixing console
  • Ableton® Live Lite included

Computer system requirements:

Below are the minimum computer-system requirements for StudioLive 16R.

macOS®

  • macOS version 10.13 or later
  • 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)
  • Available USB port

Windows®

  • Windows 10 or later (64-Bit Only)
  • 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
  • Available USB port
The above are the hardware system requirements for this product. DAW software and Operating System requirements vary. Click here for Studio One’s system requirements. Click here for Qmix-UC’s system requirements Click here for UC Surface’s system requirements.
The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more. At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles. The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-6 offers softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, making it well suited for virtual sound checks and studio mixing. The SQ-6 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-6 ships with a power cord.
  • Compact digital mixer for live, studio, and installation.
  • 48 input channels.
  • 24 local mic inputs (XLR).
  • Two 1/4” stereo inputs (TRS).
  • One 1/8″ stereo input.
  • 36 total busses.
  • 12 stereo mixes (Aux or Group) + Main.
  • PAFL bus.
  • 16 assignable local outputs (14 XLR + two 1/4” TRS).
  • AES digital output.
  • Dedicated talkback mic input (XLR).
  • 1/4″ TRS headphone out with dedicated control.
  • SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels).
  • I/O port for option card (including 3rd party protocols – Dante/Waves).
  • 8 mute groups.
  • 8 DCA groups.
  • 8 stereo FX with dedicated FX returns.
  • DEEP processing ready.
  • RackFX effects suite.
  • 7″ color touchscreen.
  • 16 assignable SoftKeys.
  • Four assignable soft rotaries
  • Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
  • 24+1 faders with 6 layers for 96 assignable channel strips
  • Motorized faders for sends on faders, GEQ fader flip, and mix recall
  • 24 backlit LCD channel-strip displays
  • Single-point metering
  • Integrated surface illumination
  • Single/dual footswitch control
  • Input channel linking for stereo sources
  • Patchable insert points
  • Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
  • Output processing – PEQ, Graphic EQ, Compressor, Delay
  • Automatic mic mixing
  • 31-band, real-time analyzer (RTA)
  • Quick copy/paste/reset for parameters
  • User permissions to restrict operator access
  • 300 scene memories per show
  • Channel safes, global and per-scene recall filters
  • FX, processing, and channel libraries
  • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
  • USB transfer of scenes, libraries, shows
  • 32×32 channel USB streaming to/from Mac/Windows
  • DAW control driver for MIDI control via USB or TCP/IP
  • Wireless remote mixing apps for iPad and Android
  • Compatible with ME personal-monitoring range

THE MIXER THAT CHANGED THE RULES

38 in / 28 out Digital Mixer with remote wireless control

Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.

World Class Processing & FX

Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series. Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units. Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.

Record. Stream. Mix

Qu-32’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems. Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.

Everything I/O

Qu-32 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. But if you’re thinking of trading in the multicore for a Cat5 digital snake, the built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox from our Everything I/O range of remote expanders.

Qu-Drive: Record without a computer

Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.

FEATURE SUMMARY

  • 32 Mono Mic/Line Inputs (TRS + XLR)
  • Recallable AnaLOGIQTM Preamps
  • 3 Stereo Inputs (TRS)
  • 24 Mix Outputs (XLR)
  • 4 Stereo Groups (switchable to Mix mode)
  • Up to 11 Monitor Mixes (4 mono + 7 stereo)
  • 2 Stereo Matrix Outs
  • 4 FX Engines
  • 4 dedicated FX Sends / Returns
  • 4 Mute Groups
  • 4 DCA Groups
  • AES Digital Out
  • 32×32 USB Audio Interface
  • dSNAKETM Remote Audio Port
  • 33 Motor Faders
  • 7” Touchscreen
  • 10 Soft Keys
  • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
  • Automatic Mic Mixer
  • Channel Ducker on all Inputs
  • ProFactory Mic Presets
  • RackFX Library
  • Built-in Signal Generator
  • RTA with Peak Band indication
  • Spectrogram to aid feedback elimination and room acoustics
  • Qu-Drive Direct Multitrack Recording / Playback on USB drives
  • DAW MIDI Control
  • Qu-Pad iPad App
  • Qu-You iPhone / Android personal monitoring app
  • Qu-Control customisable iOS app for simple wireless control
  • Compatible with ME Personal Mixing System
The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more. At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles. The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing. The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
  • Compact digital mixer for live, studio, and installation
  • 48 input channels
  • 32 local mic inputs (XLR)
  • Two 1/4” stereo inputs (TRS)
  • One 1/8″ stereo input
  • 36 total busses
  • 12 stereo mixes (Aux or Group) + Main
  • PAFL bus
  • 18 assignable local outputs (16 XLR + two 1/4” TRS)
  • AES digital output
  • Dedicated talkback mic input (XLR)
  • 1/4″ TRS headphone out with dedicated control
  • SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
  • I/O port for option card (including 3rd party protocols – Dante/Waves)
  • 8 mute groups
  • 8 DCA groups
  • 8 stereo FX with dedicated FX returns
  • DEEP processing ready
  • RackFX effects suite
  • 7″ color touchscreen
  • 16 assignable SoftKeys
  • Eight assignable soft rotaries
  • Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
  • 32+1 faders with 6 layers for 192 assignable channel strips
  • Motorized faders for sends on faders, GEQ fader flip, and mix recall
  • 32 backlit LCD channel-strip displays
  • Chromatic channel metering
  • Integrated surface illumination
  • Single/dual footswitch control
  • Input channel linking for stereo sources
  • Patchable insert points
  • Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
  • Mix processing – PEQ, Graphic EQ, Compressor, Delay
  • Fully integrated Automatic Mic Mixing (AMM)
  • 31-band, real-time analyzer (RTA)
  • Quick copy/paste/reset for parameters
  • User permissions to restrict operator access
  • 300 scene memories per show
  • Channel safes, global and per-scene recall filters
  • FX, processing, and channel libraries
  • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
  • USB transfer of scenes, libraries, shows
  • 32×32 channel USB streaming to/from Mac/Windows
  • DAW control driver for MIDI control via USB or TCP/IP
  • Wireless remote mixing apps for iPad and Android
  • Compatible with ME personal-monitoring range

THE MIXER THAT CHANGED THE RULES

30 in / 24 out Digital Mixer with remote wireless control

Our best-selling digital mixer combines exceptional functionality with innovative design to deliver a professional mixing experience with class-leading sound quality. Whether you’re making the move from analogue or updating your digital desk, mixing live or in the studio, it’s time to experience Qu.

Makes Mixing Feel Natural

Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat. Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders. The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more. Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan. Coming from analogue? Qu will make you feel at home.

Qu-Drive: Record without a computer

Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.

AMM: Automatic Mic Mixer

AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain. FEATURE SUMMARY
  • 24 Mono Mic/Line Inputs (TRS + XLR)
  • Recallable AnaLOGIQTM Preamps
  • 3 Stereo Inputs (TRS)
  • 20 Mix Outputs (XLR)
  • 2 Stereo Groups (switchable to Mix mode)
  • Up to 9 Monitor Mixes (4 mono + 5 stereo)
  • 2 Stereo Matrix Outs
  • 4 FX Engines
  • 4 dedicated FX Sends / Returns
  • 4 Mute Groups
  • 4 DCA Groups
  • AES Digital Out
  • 32×30 USB Audio Interface
  • dSNAKETM Remote Audio Port
  • 25 Motor Faders
  • 800×480 Touchscreen
  • 10 Soft Keys
  • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
  • Automatic Mic Mixer
  • Channel Ducker on all Inputs
  • ProFactory Mic Presets
  • RackFX Library
  • Built-in Signal Generator
  • RTA with Peak Band indication
  • Spectrogram to aid feedback elimination and room acoustics
  • Qu-Drive Direct Multitrack Recording / Playback on USB drives
  • DAW MIDI Control
  • Qu-Pad iPad App
  • Qu-You iPhone / Android personal monitoring app
  • Qu-Control customisable iOS app for simple wireless control
  • Compatible with ME Personal Mixing System

Dynacord Power Mixer Overview

The PowerMate3 10-Channel Powered Mixer from Dynacord features six mic/line and four mic/stereo-line channels. It also has six auxiliary ports, two of them switchable pre/post fader. Two effects processors offer 100 factory presets, including the already legendary PowerMate reverbs. Each preset can be edited and stored to 20 user memories. A built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels. The amplifier features 2 x 1000W at 4 Ohms (RMS).
Steinberg Cubase software
Efficient and lightweight with modern switching mode power supply technology and a class‑D output stage
Slim housing protected by a rugged plastic lid with integrated handle for easy transportation
Optional speaker protection allows a limitation of long-term power without giving up dynamics
Made in Germany

In the Box

  • Dynacord PowerMate3 10-Channel Powered Mixer
  • Power Cord (6.6′)
  • DVD with USB Driver & Software
  • Limited 3-Year WarrantyCg
Weight
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