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PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95.
For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions.
Below are the minimum computer-system requirements for AudioBox USB 96.
For information on compatibility with Chrome OS, click here.
For information on compatibility with iOS/iPadOS, click here.
For information on compatibility with Android devices, click here.
| Capsule Type | Back-electret condenser |
| Polar Patter | Unidirectional |
| Sensitivity | -38 dB ±3 dB (0 dB=1V/Pa at 1 kHz) |
| Frequency Response | 20 Hz to 18 kHz |
| Output Impedance | 150Ω ±30% (at 1 kHz) |
| Equivalent Noise Level | 19 dBA |
| Maximum SPL | 134 dB (at 1 kHz = 1% THD) |
| S/N Ratio | 75 dB |
| Working Voltage | 48V Phantom Power |
Inputs |
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| 1- Stereo 1/8″ | |
| 2- Balanced ¼” TRS | |
| 2- Unbalanced RCA |
Performance |
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| Frequency Response | 80 Hz – 20 kHz |
| Crossover Frequency | 2.8 kHz |
| Amplifier Power | 25W/speaker |
| LF Driver | 3.5″ |
| HF Driver | 1” silk dome |
| Peak SPL (@ 1 meter) | 100 dB |
| Input Impedance | 10 kΩ |
User Controls |
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|---|---|
| Volume Range | A-type taper |
| MF Control | Variable (-6 to +6 dB, center 100 Hz) |
| HF Control | Variable (-6 to +6 dB, center 10 kHz) |
Protection |
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| RF interference | |
| Output-current limiting | |
| Over-temperature | |
| Turn-on/off transient | |
| Subsonic filter | |
| External mains fuse |
Power |
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|---|---|
| 100-120V ~50/60 Hz or 220-240V ~50/60 Hz |
Cabinet |
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| Vinyl-laminated, medium-density fiberboard |
Physical |
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| Width | 5.6″ (141 mm) |
| Depth | 6.4″ (162 mm) |
| Height | 8.3″ (210 mm) |
| Weight (per pair) | 6.4 lb. (2.9 kg) |
| Acoustic Design | Dynamic, semi-open |
| Driver | 50 mm, neodymium |
| Frequency Response | 10 Hz to 30 kHz |
| Sensitivity | 98 dB SPL (1 mW) |
| Maximum Power | 300 mW |
| Rated Impedance | 32Ω |
| Earpad | Leather |
| Weight, without Cable | 7.8 oz (222g) |
| Cable | 8′ 2″ (2.5m) straight, single-sided |
| Plug Adapter | 1/8″ to 1/4″ (3.5 to 6.3 mm), screw-on, gold-plated, stereo mini-plug |
Microphone Preamp |
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| Type | XLR Female Balanced |
| Frequency Response (±3.0 dB) | 20 Hz to 20 kHz |
| Input Impedance (Balanced) | 1200Ω |
| THD+N (unwtd, 1 kHz @ +4 dBu Output, Unity Gain) | < 0.008% |
| S/N Ratio (Unity Gain, Ref. = +4 dBu, 20 Hz to 22 kHz) | > 95 dB |
| Common Mode Rejection Ratio (1 kHz, 55 dB Gain) | > 45 dB |
| Gain Control Range (± 2 dB) | +6 dB to +52 dB |
| Max Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) | -3 dBu |
| Phantom Power (±2 VDC) | +48 VDC |
Instrument Input |
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| Type | ¼” TS Female Unbalanced |
| Input Impedance | 0.5 MΩ |
| Gain Control Range (± 2 dB) | +2d B to +48 dB |
Line Outputs |
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| Type | ¼” Balanced |
| Output Impedance | 51Ω |
Headphone Output |
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| Type | ¼” TRS Active Stereo |
| Maximum Output | 60 mW/Ch @ 60Ω Load |
| Frequency Response (±1.0 dB) | 20 Hz – 30 kHz |
MIDI I/O |
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| Type | Dual 5-pin Female DIN |
Digital Audio |
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| ADC Dynamic Range (A-wtd, 48 kHz Sample Rate) | 105 dB |
| DAC Dynamic Range (A-wtd, 48 kHz Sample Rate) | 105 dB |
| Bit Depth | 24 |
| Reference Level for 0 dBFS | +4 dBu |
| Supported Sample Rates (kHz) | 44.1, 48, 88.2, 96 |
| Power | USB 2.0 bus-powered |
Physical |
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| Dimensions | 1/3U (steel chassis) |
| Height | 5.5” (139.7 mm) |
| Depth | 1.75″ (44.45 mm) |
| Width | 5.5” (139.7 mm) |
| Weight | 1.3 lbs (0.59 kg) |
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| Settings | Presonus AudioBox 96 Studio Bundle 25th Anniversary Edition remove | Sennheiser HD 280 Pro Circumaural Closed-Back Monitor Headphones remove | Sennheiser HD 200 PRO Headphone remove | Sennheiser DJ Headphone HD 25 remove | Sennheiser EW 100 G4-835-S Wireless Handheld Microphone System remove | Neumann U 87 Ai Large-Diaphragm Multipattern Condenser Microphone remove |
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| Content | PreSonus also has updated two of its complete recording solutions with the AudioBox USB 96 25th Anniversary Edition interface. The updated AudioBox 96 Studio Bundle 25th Anniversary Edition mates the new interface with Studio One Artist, HD7 headphones, an M7 large-diaphragm condenser microphone, a desktop tripod mic stand, and cables. The AudioBox Studio Ultimate Bundle 25th Anniversary Edition adds a pair of Eris E3.5 studio monitors to the AudioBox 96 Studio Bundle 25th Anniversary Edition to provide a complete recording and listening setup. The new interface and recording bundles are available immediately for the following anticipated U.S. street prices: AudioBox USB 96 25th Anniversary Edition $99.95; AudioBox 96 Studio Bundle 25th Anniversary Edition $209.95; AudioBox Studio Ultimate Bundle 25th Anniversary Edition $309.95.
For more information about the AudioBox USB 96 25th Anniversary Edition audio interface, visit www.presonus.com/products/AudioBox-USB-96. For more about PreSonus’ complete recording solutions, visit www.presonus.com/products/Complete-Recording-Solutions.
General Features M7
Features Eris E3.5Components and construction
User controls
Power and safety
Inputs and outputs
Included Accessories
Features HD7
Features AudioBox USB 96
Input/Output
Digitalia
Included Software
Physical
Computer system requirements:Below are the minimum computer-system requirements for AudioBox USB 96.macOS®
Windows®
Chrome OSFor information on compatibility with Chrome OS, click here.iOS/iPadOSFor information on compatibility with iOS/iPadOS, click here.AndroidFor information on compatibility with Android devices, click here. | Sennheiser HD 280 Pro Overview
The HD 280 Pro Circumaural Closed-Back Monitor Headphones from Sennheiser feature a collapsible design with swiveling earcups and extended low end reproduction with a frequency response of 8 Hz to 25 kHz. Rejection of outside noise is high, rated up to -32 dB. Efficient neodymium magnets contribute toward an extended dynamic range and high output. The thick, padded leatherette earcups and adjustable padded headband allow for a precise and comfortable fit during extended periods of studio recording and mixing.
In the Box
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The HD 200 PRO monitoring headphones deliver powerful studio sound wherever you are. Record your own tunes, practice silently, or simply enjoy your favorite music at home – the HD 200 PRO is your ideal companion for monitoring tasks. The HD 200 PRO’s ambient noise attenuation enables you to fully concentrate on your job. Soft ear pads ensure outstanding comfort during long creative sessions (e.g. electronic piano, laptop, mixing consoles).
Bring Your Studio Sound Home.As a creator, a musician, or the one who is responsible for proper live sound, you need to focus on your job. The HD 200 PRO is much more than a headphone. It’s designed as an in-depth monitoring tool for your music. It offers a detailed, powerful sound whilst stopping any ambient noise from distracting you – be it at home, in the studio, or on stage. HD 200 PRO. Focus on your art.Outstanding, powerful sound reproduction. You won’t forget the very first time you tried the HD 200 PRO. It recreates sound in an extremely high resolution and offers every detail and every weighting you changed. If you need to validate your work, your mix, and your chords – this is your tool. You’re getting professional-level, above-budget monitoring power with exceptional dynamics. It works with your laptop, your mixing console, or your electric piano and enhances your acoustic working space. And of course, the HD 200 PRO is great to get some inspiration from your favorite music.Superior fit and comfort for long sessions. You might wear them for a long, long time, for hours and nights. The HD 200 PRO won’t become a burden, because we designed it with more than 70 years of experience. So we lowered the tension of the headband and chose materials with direct contact carefully. The result: The earpads feel feather-light and perfectly enclose every ear. You might even forget you’re wearing them.Ambient noise reduction for all monitoring tasks in the studio live and at home Speaking of comfort and earpads: As a monitoring tool, the HD 200 PRO will protect you from any noise that might distract you. The ambient noise reduction helps to create a clean space for your music. Ambient noise reduction for all monitoring tasks in the studio, live and at home | Sennheiser On Ear DJ Headphone HD 25Get the latest price and details for the Sennheiser On-Ear DJ Headphone in Pakistan. We are the sole dealer and distributor of Sennheiser in Karachi, Pakistan Due to their low weight and the option of one-ear listening, the HD 25 headphones are indispensable for mobile monitoring. The closed-back HD 25 are purpose-designed, professional monitoring headphones offering high attenuation of background noise. Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in loud environments, e.g. ENG, sound reinforcement, studio monitoring, and audio equipment testing. Ideal monitoring headphones for cameramen and DJs, these are a pair of true sound professionals’ working headphones.
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The Sennheiser EW 100 G4-835-S is an easy-to-set-up rackmount wireless handheld microphone system that brings high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses of worship, theaters, or on musical stages.
The EW 100 G4-835-S features a true diversity, half-rack receiver housed in a rugged, full-metal chassis. The receiver’s auto-scan function searches a wide 42 MHz UHF tuning range with 1680 selectable frequencies available, seeking out a clean, interference-free channel for your audio transmission.
This system includes an SKM 100 G4-S handheld transmitter equipped with an interchangeable MMD 835 dynamic cardioid microphone capsule optimized for speech. The handheld transmitter provides up to 8 hours of operation on two AA batteries, with a fixed 30mW RF power output and a transmission range up to 330′. Up to 12 wireless mics can operate simultaneously in the same space, with the receivers linked together for a fast, multi-channel frequency setup.
The EW 100 G4-835-S is backward-compatible with previous evolution systems. You can mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 300/500 systems.
Lightweight Handheld Transmitter with MMD 835 Cardioid Capsule
The MMD 835 dynamic capsule features a cardioid polar pattern that minimizes background noise and feedback.The rugged, all-metal handheld transmitter features a mute function and can be locked out to prevent accidental changes during a performance. A backlit LCD displays essential information and provides fast menu access. The transmitter syncs to the receiver via infrared with a quick press of the Sync button.
The SKM 100 G4-S is powered via two AA batteries or a rechargeable BA 2015 Accupack battery (available separately). An LA 2 charging adapter (available separately) allows for recharging the Accupack without removing it from the transmitter—requires the L 2015 quick-charging unit (available separately).
The transmitter’s interchangeable capsule design allows you to use a variety of optional dynamic and condenser mic capsules, with pickup patterns ranging from wide omnidirectional to narrow super cardioid —capsules include the MMD 835, MMD 845, MME 865, MMD 935, MMD 945, and MMD 42.
Easy-to-Operate Receiver with True-Diversity Reception
The robust, metal EM 100 receiver offers a high-contrast, black-and-white LCD. The display uses a streamlined menu system with a dedicated Escape button for quick menu navigation and shows battery status of the associated transmitter.The system features 20 fixed frequency banks with up to 12 compatible frequency presets and 1 user bank with up to 12 user-programmable frequencies.
To prevent interference, the EM 100 receiver’s true-diversity reception compares incoming signals on two independent receiver circuits to ensure optimal RF quality. To ensure crystal clear audio, Sennheiser’s proprietary HDX compander technology maximizes the microphone’s signal-to-noise ratio, while avoiding RF noise.
The built-in equalizer enables you to change the frequency response of the output signal; you can reduce the bass range and boost the treble range. The receiver also offers an adjustable output level range of 48 dB to match the audio input of your mixing board or PA system. Musicians will appreciate the built-in guitar tuner.
The back panel houses a balanced XLR output as well as an unbalanced 1/4″ output. A kit is included for rackmount installation. The unit comes with a universal power supply and EU, US, UK, Korea, Australia, and China adapters.
Fast Multi-Channel Setup for Expanded System
To simplify and speed up your workflow, two RJ10 data networking ports allow you to daisy-chain up to 12 receivers and quickly perform a frequency setup for the entire multi-channel system via the Easy Setup function.If you assign the frequencies manually, you can expand the setup to accommodate a maximum of 20 receivers. An RJ10 cable is included.
Enhance the Performance of Your System
The detachable antennas with BNC sockets allow you to create a larger system using up to four EM 100 receivers connected to a single pair of remote antennas. This setup requires the ASA 214 active antenna splitter (available separately).Adding a pair of A 1031-U omnidirectional antennas or a pair of A 2003 UHF directional antennas increases the range of your system and offers increased protection against interference.
Add Functionality to Your System
Sennheiser offers a bodypack transmitter with a variety of lavalier and headset microphone options to adapt your EW system as your needs evolve.
| The ultimate studio standard all over the world. For 50 years!
The Gold StandardThe Neumann U 87 Ai may be the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low-cut options make it adaptable to a wide range of applications.
Omnipresent and Special
The Neumann U 87 Ai is a true legend. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. And when those hits were announced on the radio, many a DJ sat before a U 87 Ai.
The U 87 Ai is the epitome of a large-diaphragm condenser microphone. Its tapered body and iconic design have become part of the collective consciousness—this is what a studio microphone looks like. The same is true of its sound; the U 87 Ai represents studio quality and has become the gold standard by which other microphones are measured.
What sets the U 87 Ai apart is its special combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma, making the U 87 Ai both versatile and instantly recognizable.
Classic Neumann EngineeringTechnically speaking, the U 87 Ai is a traditional design whose timeless formula has remained unchanged for decades. The U 87 Ai uses the same dual-diaphragm condenser capsule design as its predecessor, the no less legendary U 67 of the early 1960s. Its head amplifier, too, is based on the same design principles as its tube-driven predecessor, but the U 87 Ai realizes them by means of a FET circuit with a minimal signal path and a transformer-balanced output, ensuring maximum signal integrity and high common mode rejection.
Versatile ApplicationsThe result is a studio microphone of unmatched clarity. Its natural sound and midrange presence make the U 87 Ai the ultimate vocal microphone, praised by singers and engineers alike as well as the prime choice for speech applications, such as voice-over, dubbing, and audiobooks. Due to its balanced response in each of its three directional patterns, the U 87 Ai is also a versatile microphone for anything from acoustic guitars to drums overheads. Due to its solid bass response and excellent midrange detail, it is often seen in front of the bass and guitar cabinets. For classical recordings, the U 87 Ai is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87 Ai mics is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music.
Features at a Glance
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